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Come Closer

We Died With Print
Independent (2022)

Members of Come Closer have played in Dan Padilla, Pinback, Tiltwheel, and more. While that background is helpful for setting the tone, though, it’s not really essential. They are a new-ish group and We Died With Print is their second album. J. Wang is the ringleader of the band, which is rooted in DIY basement punk but expands their sound well beyond those three chords. … Read more

Paint It Black

Famine
Revelation (2023)

Paint It Black kind of burst back onto the scene the last two years. It had been 15 years since their last full-length, New Lexicon, and now we get Famine, which came out last fall. And “burst” was a word a chose purposely, because this record is fast and loud. Just as important, when it’s playing, you can’t ignore it. Paint It … Read more

The Manikins

Swedish Woods
Lövely (2023)

The Manikins previous album, 2019s Bad Times, was my encounter with The Manikins. We started off a bit weird, as I read their name as The Mankinis for a while. I expect different music from a band with a name like that. I did like that album after I ditched my assumptions and stopped messing up the band name. It gave … Read more

Niecy Blues

Exit Simulation
Kranky (2023)

The allure of ambient music and its applications in pop structures has always been an important topic for Niecy Blues. It has been a conjunction that the artist has been playing with on shorter releases, in both the 2020 EP CRY and the 2021 single Bones Become The Trees. But, it is with this full-length in Exit Simulation, that Blues can fully dive into … Read more

Aisha Devi

Death Is Home
Houndstooth (2023)

The talent and quality of Aisha Devi have been apparent since the release of her first EP, Aura For Everyone through her own Danse Noire imprint. As the years passed, Devi became more ambitious and started honing into the duality between ecstasy and mysticism. Her latter works, in 2018’s fantastic DNA Feelings yielded towards the atmospheric and ambient side, presenting a sublime journey through … Read more

Aesop Rock

Integrated Tech Solutions
Rhymesayers (2023)

Aesop Rock seems to be the rare artist who gets better with age. I enjoyed his early work with Blockhead, but it felt like things started to take off when he took over self-production, steadily growing and hitting what felt like peak when Spirit World Field Guide came out in 2020 (followed by Garbology in ’21). Luckily for all of us, he’s maintaining his trajectory … Read more

Benefits

Nails
Invada (2023)

In December 2019, Benefits released their “Marlboro Hundreds” single. The UK act sourced all the fury and urgency of punk, wrapping it into a devastating noise facade and powerviolence demeanor. A prime example of weaponized music, and while through the years Benefits have morphed, their poignant messaging remains. Now, their debut record, Nails, sees them revisit some of their early single … Read more

Goat

Joy In Fear
NAKID (2023)

Having listened to Goat’s first two records, 2013’s New Games and 2015’s Rhythm & Sound, I was firstly blown away by their minimalism, but mostly by their precision. Featuring primarily percussive elements, the act from Japan perform an etude on both technical aptitude but also creativity. I was even more impressed when I had the chance to see them perform live at 2018’s … Read more

Seagulls

The Rapture and Resurgens
Say-10 (2023)

While this is their second overall (if Bandcamp is up to date), The Rapture and Resurgens is my first time really sitting down with a Seagulls full-length. And my takeaways match with seeing them at FEST 21 recently. It’s heavy punk that’s big on singalongs, equally angry and melodic -- and usually both at the same time. I like the band’s high energy approach … Read more

Lankum

False Lankum
Rough Trade (2023)

Dedication to tradition is tricky business. On one hand, adhering to existing norms carries on the legacy. On the other end, can this result in something novel? Folk music is, by definition, rooted in tradition. And while many have pushed its boundaries, they are instead labeled as experimentalists or neofolk. From the early works of Comus to the feverish interpretations of Current 93, … Read more

Various Artists

Time x Heist / Without Love - Split EP
Best Life Records, Our Pride Records (2023)

Six songs a bit shy of 12 minutes, it’s the new split EP from Time X Heist and Without Love. They didn’t waste any time so why should we? Let’s get into it. Time X Heist, a straight edge band hailing from Colorado, take the first half of the album with an optimistic, but gritty, intensity. Opener ‘Keep On Fighting’ … Read more

Alien Nosejob

The Derivative Sounds Of​.​.​. Or​.​.​. A Dog Always Returns To Its Vomit
Anti Fade Records, Goner (2023)

Alien Nosejob, the one-man project from Australian musician Jake Robertson has been releasing a lot of records. The project began a garage rock bent and recently moved into hardcore-inspired raw punk. The newest record, a 13-song collection called The Derivative Sounds Of​.​.​. Or​.​.​. A Dog Always Returns To Its Vomit goes full circle -- really even further back, with some of these … Read more

Gina Birch

I Play My Bass Loud
Third Man (2023)

Gina Birch is a 67 year-old '70s feminist icon who smashed into 2023 with her loud bass. Originally only knowing of Gina Birch from her fame with The Raincoats experimental post-punkness, I found out that over the last four decades the godmother of punk has saved numerous audio files on her computer of her whispering, singing, and screaming to form I Play My … Read more

200 Words Or Less

Chain Whip

Call of the Knife
Neon Taste (2023)

It’s hard to keep the classic genre styles sounding fresh, which is what makes a band like Chain Whip so vibrant. The Vancouver hardcore band play tough-sounding, angry, loud, and fast punk – the type that makes yoo want to punch things. Heck, they named the band Chain Whip and the record is called Call Of The Knife. It’s aurally and … Read more

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