Review
South
With the Tides

Kinetic (2003) Steve

South – With the Tides cover artwork
South – With the Tides — Kinetic, 2003

If you are not familiar with the English trio known as South yet, it is my strong opinion that you do so, and quickly. My first exposure to these guys came in the form of the song "Here on in" off of their 2nd record From Here on In. Stylistically the song was simply a cool acoustic song with great harmonies and melody, but something in the music and vocals resonated with me enough to go on a search for the record. What I found was more of the same - quiet acoustic guitars, vocal harmony, orchestration, and tracks upon tracks of layered guitars. I was impressed.

Upon the release of With the Tides I didn't know what to expect. I read several reviews stating the record was mediocre on the whole and added nothing new to the South repertoire of songs. I'm not sure where these reviewers stand on South as a whole, but I think this record is even better than their last two in nearly every aspect. Every foundation the band laid with their past records they have expanded on. The production is overwhelmingly clear but dark and brooding; the guitars cascade and add so much texture to the songs and the synth provides the backbone to many of the songs structure.

With the Tides far more dark in sound than From Here on In and even the upbeat drumming of the opening track, "Motiveless Crime" is quickly the backbeat to the haunting strings and synthesizers that propel the song. On the song "Nine Lives" Joel Cadbury's vocals are smooth and soothing enough to lure a baby to sleep as a harp is plucked delicately in a dream-like fashion. However, the record is not all slow and dreamy. Tracks like "Colours in Waves" and "Same old Story" offer up a chance for South to show off their affinity for bands like The Verve and The Stone Roses with up tempo songs and danceable beats. Of course the trademark melody is there, but these songs offer a different insight into the band than the rest of the record.

The days of South being relatively unknown are coming to an end and With the Tides is a sign of these times. South has been getting played on the popular evening teen drama, The OC on a semi-frequent basis and they are often played on Fuse TV's "indie" show. This is not unwarranted though as South have come a long way since their inception and have made great strides in their music. With the Tides is a great record all around and a definite leap from "From here on in." Those who love dark sounding British rock bands with an affinity for dream-pop should look no further than South.

8.0 / 10Steve • April 26, 2004

South – With the Tides cover artwork
South – With the Tides — Kinetic, 2003

Related features

Big|Brave

Interviews • November 23, 2017

Southpaw Records

One Question Interviews • March 17, 2016

Related news

South Korean sludge

Posted in Records on August 21, 2025

Boris asks "Do You Remember Pink Days?"

Posted in Tours on June 29, 2025

Deaf Club making demands on their second album

Posted in Records on June 29, 2025

Recently-posted album reviews

The Cascadian Divide

To the Sky
Independent (2026)

The Cascadian Divide is a Washington state based melodic skate punk band that formed during the infamous COVID lockdown. Although it started as an experiment, it soon became a passion project for the band members. The band has seen its share of line up changes over the years, but the commitment to maintaining the sound and integrity of the band … Read more

Jungle Rot

Cruel Face Of War
Unique Leader (2026)

Twelve albums and more than three decades into their career, Jungle Rot remains one of death metal's most reliable institutions. While countless bands have spent years chasing technical excess, progressive experimentation, or whatever trend happens to be dominating the underground now, the Kenosha veterans have remained committed to a simpler mission. Writing memorable riffs, locking into crushing grooves, and leaving … Read more

Overcalc

Fruits of the Decision Tree
Sleeping Giant Glossolalia (2024)

Some instrumental records create atmosphere while others create movement. Fruits of the Decision Tree feels like it creates an entire environment. It’s unstable, mechanical, strangely beautiful, and constantly in motion. The solo project of Nick Skrobisz (Multicult, The Wayward), Overcalc exists somewhere between electronic experimentation, prog-level guitar precision, ambient drift, and full on sci-fi hallucination. Trying to pin it cleanly … Read more