Review
Ashers
Kill Your Master

Thorp (2010) Jon E.

Ashers – Kill Your Master cover artwork
Ashers – Kill Your Master — Thorp, 2010

Hardcore punk is a loaded genre. Very rarely can bands play this style a differentiate themselves from each other. It's not generally for lack of talent but the constraints of the genre are usually to blame. Ashers are a fairly new band this being their first full length. They quickly use their little bit of time to make a strong impression. This seems like a simple conclusion when you consider their membership. Sure they are a newer band but they contain many longtime punk rockers most notably vocalist Mark Unseen.

The vocals truly stand out on this record as they give the listener a familiar sticking point. They rumble on top of the mix with a strong scream. The voice controls the flow of the songs even though the rage is palpable. The band makes strong use of backing vocals as well. The band does a good job of using the background vocals to give the songs a live feel punctuating each song consistently.

For the most part no particular instrument sticks out. Each player is very strong at this style of music. The drums play fast and loose never sounding artificial. the bass rumbles along at a rapid clip every once in awhile poking out to make it known that its more than just an anchor. The guitars rage through everything playing a faster and slightly heavier punk sound.

The band's basic sound still resembles The Unseen in a basic way. Where they differentiate from each other is the speed. this album sounds like what should have come after Unseen's The Anger And The Truth. This is harder, faster and more consistent overall than anything The Unseen has done since the aforementioned album. What this means is in no uncertain terms the band emphasizes hardcore in their hardcore punk. This is not to say that punk sound and attitude doesn't play a part it still is the main piece of the puzzle.

The artwork is strong still on the cut and paste style of most punk hardcore but still nice. It goes a long way to emphasize the general attitude from the album without giving more away than need be. The lyrics are not particularly different than anyone else competent and suitably pissed. Bottom line what you get in this is a strong angry record. The pedigree of its members shows through as it stands above most of the rest of their genre sharing bands.

8.2 / 10Jon E. • November 3, 2010

Ashers – Kill Your Master cover artwork
Ashers – Kill Your Master — Thorp, 2010

Related features

The Planet Smashers

One Question Interviews • July 23, 2025

Related news

Stomp across Canada

Posted in Labels on November 8, 2025

Planet Smash time

Posted in Records on July 12, 2025

Stream Ashers Album

Posted in MP3s on July 14, 2010

Recently-posted album reviews

The Cascadian Divide

To the Sky
Independent (2026)

The Cascadian Divide is a Washington state based melodic skate punk band that formed during the infamous COVID lockdown. Although it started as an experiment, it soon became a passion project for the band members. The band has seen its share of line up changes over the years, but the commitment to maintaining the sound and integrity of the band … Read more

Jungle Rot

Cruel Face Of War
Unique Leader (2026)

Twelve albums and more than three decades into their career, Jungle Rot remains one of death metal's most reliable institutions. While countless bands have spent years chasing technical excess, progressive experimentation, or whatever trend happens to be dominating the underground now, the Kenosha veterans have remained committed to a simpler mission. Writing memorable riffs, locking into crushing grooves, and leaving … Read more

Overcalc

Fruits of the Decision Tree
Sleeping Giant Glossolalia (2024)

Some instrumental records create atmosphere while others create movement. Fruits of the Decision Tree feels like it creates an entire environment. It’s unstable, mechanical, strangely beautiful, and constantly in motion. The solo project of Nick Skrobisz (Multicult, The Wayward), Overcalc exists somewhere between electronic experimentation, prog-level guitar precision, ambient drift, and full on sci-fi hallucination. Trying to pin it cleanly … Read more