Review
Fist City
It's 1983 Grow Up!

Black Tent Press (2012) Brenna L.

Fist City – It's 1983 Grow Up! cover artwork
Fist City – It's 1983 Grow Up! — Black Tent Press, 2012

Alberta-based four-piece Fist City continue to make a name for themselves with the genre-blending It’s 1983 Grow Up!, their second full-length record. The album marks the band’s first release since being signed to Black Tent Press and is reflective of their signature sound while presenting more cohesively as a whole than their previous effort (2010’s Hunting You).

Producer Paul Lawton of the formerly Lethbridge-based Mammoth Cave machine has worked his magic and conjured up a winning formula – a full, atmospheric sound punctuated by noise blasts, bad-ass guitar lines, and the occasional anthemic chant-along chorus. It is noisy, but it’s beautiful, and manages to capture the frenetic energy of Fist City’s live shows.

There’s a little something for everyone here – from the circus fun house riffs of spaced-out dance party “The Creeps” to the irresistible shoe gaze/surf grab bag “Endless Summer." Don’t even bother trying to stop yourself from shimmying along; resistance is futile. All tracks are driven skilfully by Ryan Grieve’s Go-Go caveman drumming and the straightforward but dexterous bass lines of Brittany Griffiths. The rhythm and lead guitar interplay is just plain good fun – Evan Van Reekum displays his trademark style, which comprises riffs that are understated but catchy as hell.

As usual, rhythm guitar player Kier Griffiths' lead vocals are more rhythmic than they are melodic, which does grow repetitive, but can be surprisingly effective, too, as in the relatively mournful “Weak End." Evocative lyrics deciphered through the reverb are all the more reason to listen repeatedly.

The band’s sound remains hard to describe definitively. The album is diverse enough to hold one’s attention; some tracks are short, sweet, and succinct statements of the post-punk/riot grrl variety. Others convey a colder, ultra-modern brand of psychedelia. Tripped-out fuzzy breakdowns pick up where demented surf romps end. Pop sensibilities abound yet all are propulsive and a little bit frantic – guaranteed to leave the listener with a spring in his or her step while inspiring smash-and-grab belligerence. Yep, the cool kids are gonna have a lot of fun with this one.

Fist City – It's 1983 Grow Up! cover artwork
Fist City – It's 1983 Grow Up! — Black Tent Press, 2012

Recently-posted album reviews

Totally Slow

The Darkness Intercepts
Refresh Records (2024)

I find Totally Slow a hard band to categorize. Their brand of melodic, hard punk is familiar and comforting -- rooted in ‘80s hardcore, ‘90s skatepunk, and post-something guitar-driven rock. The press release namedrops Dag Nasty and Hot Snakes, among others, which I think are good starting points. But while it’s familiar, it’s absolutely not a carbon copy. Like their forebearers, the songs … Read more

Steamachine

City of Death
Records Workshop (2023)

City Of Death is the third album from Polish noise makers Steamachine. Having dabbled in a few metal styles over their career, City Of Death has a heavy carnival influence to it which I have to say I really like. It's interesting just how much more sinister things sound when you pump eerie, jingly circus sounds amongst very dark, heavy, … Read more

Faulty Cognitions

Somehow, We Are Here
Cercle Social Records (2024)

The opening track on Somehow, We Are Here is a statement. Yes, Faulty Cognitions is a punk band with members of Low Culture, Shang-A-Lang, Nocturnal Prose,and more. Yes, this shares a lot of commonalities, but it’s also a new band with a new sound. The band humbly says they were going for an early, jangly R.E.M. vibe but self-confess that it has more of a Replacements thing going on … Read more