78 total search results — Page 4 of 4
Luxury Teeth – DCxPC Live & Dead, Vol. 3
Review — May 2, 2026
There’s something inherently appealing about a record that doesn’t try to hide what a band actually sounds like. DCxPC Live & Dead, Vol. 3 captures Luxury Teeth in two very different settings and more importantly, shows that neither version feels like a compromise. Side A, the “Live” portion, was …
Burned Up Bled Dry – Next Stop… Dead Stop…
Review — May 2, 2026
There’s no easing into Next Stop… Dead Stop… No buildup, no warning just impact. Fayetteville, Arkansas’ Burned Up Bled Dry return from decades of dormancy with a debut full-length that feels less like a comeback and more like a long-awaited detonation. Formed in 1996 and tied to that gnarlier …
Sewer Urchin – Global Urination
Review — May 9, 2026
There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down …
Ingested – Denigration
Review — May 8, 2026
For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all …
The Remote Controls – Too Tough
Review — May 15, 2026
There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and …
Nicole Alexis – Mirrors & Smoke
Review — May 16, 2026
There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and …
The Library Is On Fire – Degeneration Elegies
Review — May 22, 2026
There’s a certain kind of band that never quite fits the moment they arrive in. Sometimes too jagged for one scene, too melodic for another. The Library Is On Fire were one of those bands in the early 2000s, hovering somewhere between indie-punk urgency and power-pop instinct without fully settling …
Overcalc – Fruits of the Decision Tree
Review — June 4, 2026
Some instrumental records create atmosphere while others create movement. Fruits of the Decision Tree feels like it creates an entire environment. It’s unstable, mechanical, strangely beautiful, and constantly in motion. The solo project of Nick Skrobisz (Multicult, The Wayward), Overcalc exists somewhere between electronic experimentation, prog-level guitar …
Jungle Rot – Cruel Face Of War
Review — June 6, 2026
Twelve albums and more than three decades into their career, Jungle Rot remains one of death metal's most reliable institutions. While countless bands have spent years chasing technical excess, progressive experimentation, or whatever trend happens to be dominating the underground now, the Kenosha veterans have remained committed to a simpler …
Six Going on Seven – Human Tears
Review — June 14, 2026
Late 90s post hardcore and emo feels impossible to recreate now. That’s not because the sound itself is gone, but because the tension behind it was so specific to that era. Six Going on Seven’s Human Tears, their first full length in roughly twenty-four years, captures that feeling perfectly. …
Dylan Thomas – Todo se desvanece
Review — June 20, 2026
When bands spend months slowly piecing together an album with cheap gear, limited time, and apparently an alarming amount of terrible beer, it’s kind of romantic. Not romantic in the polished indie film sense. More romantic in the sense that you can actually hear people chasing a feeling before life …
Silver Proof – Even If It Hurts
Review — July 1, 2026
Some pop punk records feel made for playlists and algorithms. They’re polished into oblivion, emotionally vague, and afraid to get messy. Silver Proof clearly didn’t get that memo. The Buffalo trio’s debut full length, Even If It Hurts, leans heavily into the emotional core of early 2010s emo pop …
If I Die Today – I Felt Nothing
Review — July 12, 2026
Sometimes post-hardcore stops feeling emotional and just becomes noise for the sake of noise. If I Die Today understands that line better than most bands operating in this space. Their newest albume, I Felt Nothing is undeniably aggressive, messy, loud, and volatile, but underneath all the abrasion is a band …
Fuming Mouth – The Ringing Bell
Review — July 26, 2026
There are plenty of bands capable of writing crushing death metal. There are plenty of bands capable of writing punishing hardcore. Very few can occupy both worlds without sounding like they're simply alternating between genres. Fuming Mouth have spent years refining that balance, and The Ringing Bell feels like the …
Nine Pound Hammer – Too Outlaw For Outlaw Country
Review — July 27, 2026
For nearly forty years, Nine Pound Hammer have occupied a strange corner of American music that very few bands have ever managed to touch. They're too loud for traditional country, too country for most punk bands, too dirty for radio rock, and frankly too stubborn to care where anyone thinks …
Kyle Burnett – Glory Days
Review — August 8, 2026
There’s a form of folk punk that treats every song like a drunken campfire confession with all its ragged shouting and romanticized self-destruction. Then there’s the version that feels mature and more reflective. It’s less interested in glorifying collapse and more concerned with figuring out what comes after it. Kyle …
Big Circle – Big Circle
Review — August 16, 2026
There are plenty of supergroups that exist largely because of the names on the marquee. Big Circle feels different. While Glenn Mercer (The Feelies), Mike Watt (Minutemen, fIREHOSE), Dave Weckerman (The Feelies), and Dan Francia (Speed the Plough) all bring decades …
