Still a Dirty Mess: The Stormtrooper Oral History Before the Sex Pistols swore on television -- or tried to brush it off as "nothing, a rude word" -- and corporate labels commodified safety pins, there was a bar at The Marquee and a damp basement on King's Road. In 1975, Stormtrooper were already cranking the volume and playing rock music like a Molotov threat. They scraped together cash for one frantic day in a Covent Garden studio, cut a raw four-song demo, and promptly imploded. But you can't kill a good white riot. By 1977, those tapes became the I'm a Mess" 7-inch -- a track so fiercely primitive the UK press (always at its finest) compared it to a commuter being shoved under a subway train. Put on another Floyd record, chump. The music became a collector's blueprint, and the promotional pin became a global icon worn by Sid Vicious -- though if he was a dishwasher, he would have been aptly named Sid Dishes. Fifty years later, a new retrospective collection unearths the band's entire chaotic vault. Original masterminds Jeff Piccinini and Nigel Harrison look back at the noise that started it all. Still loud. Still a dirty mess We mean it maaaaaaannnn! Phase 1: The '75 Covent Garden & Basement Days Scene Point Blank: Nigel, you’re working the bar at The Marquee, surrounded by the history of The Who and The Stones. Jeff, you and Mike Lee just landed from San Francisco, looking to start a band. … Read more
From shaping the early guitar drive of The Misfits to heading up The Undead, slinging bass for Times Square, and running Post Mortem Records out of a New Jersey bedroom, … Read more
That's right: we're halfway through 2026 already, although whether that means this year is a glass-half-empty or glass-half-full kind of year... well, the jury's out. But we'll let you know … Read more
The musical landscape is ever changing. New genres are popping up, new hypes burst out of nowhere and die out and new bands present themselves to the world. How on … Read more
An in-depth discussion with a band or artist, generally in the form of a straight Q&A – no editorializing.
Album streams, our Set List "top five..." features, our year-end "best of" lists and other music-related miscellany.
Quite literally, a one question interview. Also known as 1QIs, we post these first to our social media on a near-daily basis, with the archival piece here. Check 'em out.
A melting pot of mixed content: movie, book and even video game reviews. Updated sporadically, but eclectically.
Contributions on a range of topics from a range of industry figures: musicians, filmmakers, editors and more.
A semi-regular column exploring new and rising local bands and artists deserving of attention.
It was about a year ago I discovered Unseemlier, shortly before the release of I Have A Screw Loose, Somewhere. It's a wordy title and a somewhat unwieldy band name -- and I’ll use that “a lot going on in a little space” metaphor even further to talk about the band's "heavy emo / soft punk" sound. It's singsong at … Read more
We post a variety of features in recurring series – click below to browse them.
A regular series by Robert F.
A wide-ranging guest column written by BJ from Ancient Shores, mainly covering film but extending into philosophy and aesthetics too. Check out BJ's work on the A389 podcast.
Commerce or Amusement? is an interview series conducted by Chuck Coffey (aka Charlie Continental of Snappy Little Numbers, SPELLS, Chap, and more). Chuck seeks opinions to the eternal question: Where is the line between hobby and work?
How an artist spends their time by day will influence the creative process at night. In Don’t Quit Your Day Job, Scene Point Blank looks at how musicians split their time, and how their careers influence their music.
Guest column by T of Vegas
A cookery column by Nick, vocalist with metal band The Famine. Veggie/vegan friendly!
A roundup of coverage of the annual punk rock festival held in Gainesville, Florida
Our annual roundup from Gainesville, FL's famous Fest.
SPB's coverage of the annual festival in Gainesville, Florida.
Our coverage of the annual Fest extravaganza.
Our coverage of the 19th edition of the Fest – an independent multi-day, multiple-venue music festival held annually in Gainesville, Florida.
All our coverage from the long-running music festival
Articles about the Fest 21
Our coverage of the 22nd edition of the FEST.
Our coverage of the 23rd edition of the FEST.
We dive into the back catalog of a record label and ask them to nominate their most memorable releases from their label's history–with a few suggestions of our own.
An interview format where we ask a band to rate and review a bunch of music
A feature where we highlight 5 to 10 recent demos.
A radio DJ profile series created by Christopher D & Matt Hutchison.
There’s so much music released, whether physically or digitally, that keeping up with what’s going on becomes almost like a full time job. With Only Death Is Real, the aim is to bring you something new.
A life lived and lessons learned by Eddie Spaghetti of Supersuckers.
Welcome to Running on Nothing, the latest addition to our stable of columns at Scene Point Blank. Running on Nothing offers a look at the world through the eyes of Kole, bassist of The Lippies, guitarist of The Bloody Lips, and gigposter artist.
We survey some of the other music releases out there. Results may vary...may get weird, but hopefully something covered here piques your interest.
A semi-regular column where we choose a specific area and give a local scene report.
Discussing the state of the music business at the kitchen table
A brief but englightening chat with an artist who reveals an interesting or unexpected story from their career
A collection of items grouped by topic, eg. "Top 5 Worst Beatles Songs" or "Top 10 best '77 punk releases".
One-question interviews with artists where we find out about the gear and equipment they use to achieve their sound.
A collection of coverage rounding up the year 2012, covering our favorite albums, shows, bands, and more, as well as asking record labels and bands about their past twelve months in music
It's the end of 2013, so here's our best-of roundup for the last twelve months.
Our annual round-up of the best music of the year 2014.
Our annual round-up of the best music of the year 2015.
Our annual round-up of the best music of the year 2016.
Our annual round-up of the best music of the year 2017.
Our summary of the best music (and more) of 2018.
Our wrap-up of the best music and more from 2019
Our wrap-up of the best music and more for the year we'll all want to otherwise forget, 2020.
Our roundup of the best music from the worst year (since the previous one, anyway).
Our favorite music and more from the year 2022
Our roundup of the best music of the year 2023
Our roundup of the best music—and more—of 2024.
Our favorite music and more from 2025.
A Conversation with Lisa Kekaula (Vocals) and Bob Vennum (Guitar) of The Bellrays For over three decades, The Bellrays -- Riverside, California’s powerhouse duo of Lisa Kekaula and Bob Vennum -- have blurred the lines between punk, soul, garage rock, and rock ’n’ roll fury. Their music has always been raw, electrifying, and cleansing. I sat down with them both … Read more
There are a lot of misconceptions about the life of a musician. Most musicians have day jobs – and not just to pay the bills. Jobs provide new challenges, personal fulfillment and, yes, some rent or gas money. How an artist spends their time by day will influence the creative process at night. In Don’t Quit Your Day Job, Scene … Read more
Punk Under the Sun – Interview with Joey Seeman and Chris Potash Some music scenes become legendary — New York, London, Los Angeles — but others almost vanish without a trace. South Florida’s early punk underground is one of those nearly forgotten worlds: sweaty, chaotic clubs that appeared and disappeared in months, flyers taped to telephone poles, demo tapes with … Read more
Are You In The Music Business? Or Just Involved In Music? Interview Series #1 Featuring Jordan Stamm of Drunk Dial Records CC: Hello Jordan! Could you start off by telling the readers a little bit about yourself and Drunk Dial Records? Do you recall how you and I met? JS: Hey! The long story short is that I’m a music … Read more
There are a lot of misconceptions about the life of a musician. Most musicians have day jobs – and not just to pay the bills. Jobs provide new challenges, personal fulfillment and, yes, some rent or gas money. How an artist spends their time by day will influence the creative process at night. In Don’t Quit Your Day Job, Scene … Read more
The musical landscape is ever changing. New genres are popping up, new hypes burst out of nowhere and die out and new bands present themselves to the world. How on earth are you expected to keep up, right? Well, it never hurts to help! So here we are, your humble servants, ready to sift through those filters for you, presenting … Read more
Here in Scene Point Blank Land, I sometimes get lost in the inbox of endless submissions and new music. I find things I like, but the great digital expanse still makes the records feel, well, a little too distant. Music is supposed to be personal, even if I'm not standing in the front row of a dimly lit room soaking … Read more
It was about a year ago I discovered Unseemlier, shortly before the release of I Have A Screw Loose, Somewhere. It's a wordy title and a somewhat unwieldy band name -- and I’ll use that “a lot going on in a little space” metaphor even further to talk about the band's "heavy emo / soft punk" sound. It's singsong at … Read more
It feels like a lifetime ago when Mitt Romney referenced a "war on women" during the 2012 presidential cycle. A lot has changed, a lot has stayed the same -- but a new politically-charged band formed in the aftermath of that comment, calling themselves War On Women. Now, roughly 14 years later, War on Women are releasing their fifth full-length … Read more
The Arrivals have been a band for 30 years -- though they’ve made us wait 16 years for the follow-up to 2010’s Volatile Molotov. While a ton of time has passed and the band has moved, literally in some cases, and raised children in others, their sound is still the same: thoughtful and timeless DIY punk, rooted in foundational rock … Read more
Almost three decades after their original run, The Gits remain a vital part of Seattle’s punk rock history. Their raw intensity, emotional directness, and fiercely independent spirit continue to resonate with new generations discovering them through streaming platforms and reissues. In 2026, the band’s legacy is further honored with the release of Etcetera, a specially curated LP for Record Store … Read more
I first discovered the New York Dolls in the mid-to-late 1980s, just as I was beginning to stretch the boundaries of my musical journey. Up until then, my exposure to music had mostly come through my parents, aunts, and uncles. They planted the initial seeds, and those seeds quickly grew, fueled by my insatiable curiosity for new sounds -- and, … Read more
Punk’s never been about polish. It’s about passion, sweat, and the grind it takes to keep going when most people quit. East End Redemption carry that spirit like a trophy. Out of the East Coast underground, they’re mixing hard-earned experiences with the urgency of a band that still believes in something. We caught up with the band to talk about … Read more
In a different world, which we think was shortly before COVID and MAGA and all things bad and in ALL CAPS occurred, Scene Point Blank had the idea to write a comprehensive piece about mailorder experiences from the people who dedicate their free time to sending you records, cds, tapes, zines and the like. Time makes fools of us all, … Read more
There’s a quiet weight to Spite House that doesn’t rely on volume or spectacle. Their songs sit in the uncomfortable space between anger and reflection, carrying emotional honesty without turning it into a performance. Their growth is shown on Desertion, their most fully realized material to date. Preparing for an international tour, Spite House feel less like a moment and … Read more
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