Feature / Music / Year End 2014
Scene Point Blank's Favorites: Year End (2014)

January 7, 2015

Scene Point Blank's Favorites: Year End (2014)
Scene Point Blank's Favorites: Year End (2014)

It's been another strong year for music in 2014 just gone – we've seen comebacks, unexpected debuts, strong follow-ups and soon-to-be classics from old and new bands alike. In this, our annual sitewide list, we've averaged and assembled our individual contributor's best-of-2014 lists into one superlist, amalgamating all of our diverse tastes and interests, to give you what we think are the best albums released in 2014. We're sure you're going to disagree with some of our selection and it wouldn't be a SPB year-end list if there wasn't at least one glaring omission (or indeed, inclusion). If that's your position, let us know in the comments below. Otherwise: on with the list!

Overall list

1

The Lawrence Arms

Metropole

Epitaph

When The Lawrence Arms released Oh Calcutta! back in 2006, it was billed by the band as a collection of songs utilizing the back-and-forth, high octane punk they enjoy listening to—a conscious decision to switch-up their sound for a record. Then, life happened and the group took eight years for a new album. 2014 brings Metropole, and even with the unexpected delay, the record feels more like a follow-up to 2003’s The Greatest Story Ever Told, rather than its predecessor. It’s a serious record, which isn’t new territory, but it feels a bit stern and more reflective. The record starts faster, with punk burners for the first three songs, showcasing their skills at articulate lyrical flow and speedy tempos, and they somehow turn the repetition of “You Are Here” into a positive thing, milking every bit of singalong they can out of just a few words. For all the time that has passed, little rust is shown, with the record a great companion piece in the band’s discography. – Loren

2

Sharon Jones & the Dap-Kings

Give the People What They Want

Daptone

It almost looked like this record wouldn't happen – the eponymous Sharon Jones was diagnosed with pancreatic cancer in the middle of 2013 and had to postpone Give the People What They Want until the start of 2014. It was worth the wait though – Jones' brush with mortality hasn't shaken her — or her formidable backing group's — ability to make their classic-sounding funk/soul sound effortless. Opener "Retreat" is a powerful and throaty rebuke to a churlish lover and the other nine songs mix their way through classic R&B, upbeat funk and slower ballads. While some may find the kitsch retro-soul too overbearing, the sheer sound of a white-hot group having fun and writing songs that already sound like standards is clear for anyone to hear as they give the people, well, what they want. – Matt

3

Pallbearer

Foundations of Burden

Profound Lore

The expectations for the sophomore album of this doom metal act are now much higher, but they are still able to meet them. In Foundations of Burden, Pallbearer just top their game, taking their music a step forward. The amount of effort that the band has put in their guitar work is just unbelievable, with all those different guitar layers interacting with each other in the album. The result is that the band creates a very dense background, but they also manage to sound big and epic. When Sorrow and Extinction came out, I feared what the next step would be for Pallbearer. Their debut album was such an amazing release and thought the band would just try to rehash their ideas. But in Foundations of Burden, Pallbearer revealed that they are still pushing their music and are exceeding themselves. – Spyros

4

Swans

To Be Kind

Young God

To Be Kind, like the two releases immediately preceding it (and anything in the Swans back catalog for that matter), is likely to divide listeners. This is probably an album that any given individual will either “get” and appreciate or legitimately dislike. It’s extraordinarily well-performed, sprawling and extremely atmospheric but, to put it simply, this album isn’t meant for those who like instant gratification out of the music they listen to. It’s definitely not for all tastes but still, I’d have a hard time calling this album anything less than a remarkable achievement for Michael Gira and his collaborators. The way that these tracks often share musical and lyrical elements with one another ensures that this is a captivating, consistent listening experience. Although it may require some listeners to adjust their expectations, this is definitely one of the highlights of the year. – Andy

5

Against Me!

Transgender Dysphoria Blues

Total Treble

It's been a long time coming, but Against Me! have finally released their sixth album, Transgender Dysphoria Blues. It packs a hit harder than previous records. It's loud. It's powerful. It's full on rock 'n' roll! It's also the best album Against Me! have done in years. Its anger, alienation, fear, and grimness all rolled into one with songs ranging from catchy, to solemn, to fierce. Laura Jane Grace took the reins as producer and did a great job. Atom Willard makes his debut as their new drummer and doesn't disappoint. It's a great record that is already an easy contender for "album of the year." – Aaron

6

Indian

From All Purity

Relapse

From All Purity, the group's fifth full-length and second on Relapse, calls to mind something more akin to an accused pagan being confronted by fellow townfolk and being hung, drawn, and quartered for transgressions. Over six songs, From All Purity is a self-contained, isolated, and painful experience. Not to get the ropes twisted, it's a terrific record but one characterized by pained vocals and sheer terror. Throwing the "doom" label around can be a dicey proposition as it generally calls to mind the sinister exploits of an Electric Wizard or the sludge stomp of Sleep, but with regards to Indian it explains the evil pacing. It's only January but the gauntlet has been thrown. Indian is a heavy, terrifying band and they dare you to best them. – Chris Brown

7

Blut Aus Nord

Memoria Vetusta III: Saturnian Poetry

Debemur Morti Productions

Memoria Vetusta III: Saturnian Poetry has arrived and the band releases a great album of high quality black metal, leaving behind their dark ambient sound. When they are playing black metal, they are awesome. When they go and throw at us full blown avant-garde industrial/dark ambient hybrid albums, they nail it. Can they actually go wrong? For a band to be able to split its attention between two different paths and excel in both of them, seems almost impossible. That does not seem to be a problem for Blut Aus Nord though releasing a stellar black metal album, filled with everything you love about the genre. – Spyros

8

Pharmakon

Bestial Burden

Sacred Bones

Just last year Pharmakon was putting out Abandon, tearing our brains apart. Margaret Chardiet (the artist behind Pharmakon) was collecting aspects of industrial, noise and power electronics, filtering all that through her mind and producing one of the most intense listens of (at least) 2013. Now how can you top something like that? The extent to which Chardiet will travel in order to make Pharmakon’s sound so extreme is incredible in Bestial Burden. And apart from that her will to feed off such a dark aspect of her life, and dig into something so personal for her in order to achieve such an emotional depth for her music is just petrifying. – Spyros

9

Eyehategod

Eyehategod

Housecore

With their first full-length album in 14 years, it's almost one's gut instinct to remark that Eyehategod haven't missed a beat in all that time and sound as lethal now as they did on 2000's Confederacy of Ruined Lives. However, to gloss over those nearly 15 years of time also kind of misses that point. 14 years is a long time. That's 14 years of doing other things. It's 14 years of new experiences. It's 14 years of pain, which the band felt this past December when drummer Joey LaCaze passed away suddenly. And before that, there was Mike 'IX' Williams' incarceration. Not to mention when Hurricane Katrina which touched down in the band's hometown New Orleans. Again, 14 years is a long time. Eyehategod has a crack balance between guitar and drum sounds. It toes the chalked line while still allowing Williams' words to breathe. It's the sort of structured anarchy that only an experienced band can make. The sort of thing that only an album 14 years in the making can achieve. – Chris Brown

10

John Frusciante

Enclosure

Record Collection

Over the course of an unconventional career as a solo musician releasing music on his own terms, John Frusciante has had a handful of outstanding albums, but in between these triumphs, he’s produced work that was entirely mediocre. It’s not surprising then that his output has proven to be divisive, a fact that’s unlikely to change with the release of Enclosure. This album is a slight improvement over the ones that immediately preceded it, and like most Frusciante releases, it displays unyielding conviction and has many genuinely unique ideas with regard to music composition. – Andy

11

Direct Effect

Sunburn

Tiny Engines

Registering in at roughly 26 minutes, the 13 tracks here on the band's Tiny Engines debut careen and crash all over the place. Amidst guitar riffs that spool out in all directions, vocals erupt out of a pile of empty beer cans and strike the ear like something out of Tremors. The throaty, confined direct vocals here serve as a veritable anchor used to navigate all the noise and squallor. While released back in March, Sunburn still holds up as one of the more exciting releases of 2014. Hard-charging and tuneful hardcore with a nod to garage rock, it's got staying power. It could even work as the soundtrack on your next car trip. – Chris Brown

12

The Murder City Devils

The White Ghost Has Blood on Its Hands Again

Murder City Devils

Off-stage Spencer Moody is a quiet, awkward if not unassuming man. But when he takes center stage for The Murder City Devils he transforms into a rascally, howling maniac. On this album, the Seattle-based band's first full-length since 2000, he's more hoarse-throated and irate than ever before. The White Ghost, in all its eerie, emotive garage punk glory, is quintessential Murder City Devils. – Nathan

13

Run The Jewels (El-P & Killer Mike)

Run The Jewels 2

Mass Appeal

There's a common misconception that Kim Kardashian and her bare naked cosmetically enhanced buttocks broke the Internet. But that's impossible because the Internet was already broken by Run The Jewels 2. El-P, for all his titled cap buffoonery takes hip-hop very, very seriously. And Killer Mike, well he just goes hard. One of the things that makes Run The Jewels work so well is the personality that that pair have cultivated as a duo. While their music is tough-as-nails hip-hop, their outwardly appearance is a satirical caricature-like ode to a much more dangerous time in rap music. – Nathan

14

The Dwarves

Invented Rock & Roll

Recess

I won’t say anything as hyperbolic as that the Dwarves invented rock ‘n’ roll, but I’ll still give them another borderline statement that fits on a press sheet: the 2014 Dwarves are a supergroup—not a supergroup side project of glossy mag pin-ups, but a supergroup that is honestly comprised of, well, Dwarves. Invented Rock & Roll is another record that meets expectations — a hell of an achievement for a band on full-length #10(?). The Dwarves continues to revel in their eternal youth and soiled dreams. The only real downside to the record is the, well, touchy lyrics that aren’t for everyone—but at this point in the game, it’s listener beware. – Loren

15

Panopticon

Roads to the North

Bindrune Records

Panopticon has been around since 2007, releasing great albums, from their self-titled full-length to the 2012 Kentucky. And it was with Kentucky that the band really made many heads turn. Their folk infused black metal was a breath of fresh air for the scene, with A.Lunn making things more interesting, using unconventional tactics. The only worrying part of all this was that Kentucky would be a very tough act to follow, and the pressure was in and the stakes were high for Roads to the North. But still, Lunn does not disappoint. Panopticon is a unique band. I considered Kentucky to be their pinnacle work and that it would be extremely difficult for Lunn to surpass that. Well, what do you know? I guess I was wrong. – Spyros

16

White Lung

Deep Fantasy

Domino

Deep Fantasy is pissed off, but it could still use a good angry howl every so often. There’s some variety in Mish Way's vocal delivery but it doesn’t mix things up all that much over the 22 minutes. The true variety between the songs comes from drummer Anne-Marie Vassiliou, whos adrenaline is to be commended — this is a record that doesn’t decelerate for a second, except for a rare 2 second breath between some of the songs. It stands out when White Lung takes a turn in direction. “I Believe You” has more bass and it nicely offsets the guitars that often dominate their sound while keeping that pissed off vibe and hitting a couple of throat curdling moments. – Loren

17

Yob

Clearing the Path to Ascend

Neurot Recordings

YOB has been a constant force in the doom metal field. Since their first release, Elaborations of Carbon, they have not ever really disappointed me. Releasing records year after year, they took over the doom/sludge/stoner genre by storm, having excellent moments with Catharsis, The Illusion of Motion and The Unreal Never Lived. And now they come back, three years after their last full-length and bring forth Clearing the Path to Ascend. Everything you love about YOB is back, from the huge riffs, the stone rock moments to the sludge weight and the psychedelic touches, Clearing the Path to Ascend does not disappoint. It's the band’s seventh full-length, and it is amazing to see that they are still as vibrant and hungry as in the days they were putting out Elaborations of Carbon. The band’s blend of psychedelic doom/stoner/sludge remains as fresh and interesting as ever and their newest album is an example of what heavy music should sound like. – Spyros

18

Street Eaters

Blood::Muscles::Bones

Nervous Intent

Bands are seemingly judged differently on their sophomore outings: where does it change, does it meet expectation, does it show growth, and the like. Well, writing about a band the second (or third) time is kind of the same thing. With Blood::Muscles::Bones, Street Eaters haven’t changed up their sound drastically or reworked their well-oiled machine. They’ve just written another bundle of songs and pressed them to wax. They can mix the serious and positive, the noisy with the danceable. It’s a complicated mix, but they do it wonderfully. – Loren

19

The Pack A.D.

Do Not Engage

Nettwerk

When a band consists of only two members tasked with carrying the weight of riff-heavy and sneakily blues-influenced garage rock sounds on two pairs of shoulders, a certain degree of equilibrium needs to be reached. When Maya Miller and Becky Black decided to leave their former band and write and perform as a two-piece it was probably the best decision they've ever made. Where Miller's aggressive, visceral drumming pummels your eardrums Black's searing guitar riffs and pitched vocals strike back twice as hard. On Do Not Engage, the Canadian duo's fifth album, the tight-knit connectivity they have makes the album flow so seamlessly that it leaves little doubt about the band's synchronicity. – Aideen

20

Aphex Twin

Syro

Warp

Sometime around the mid-2000’s, I began to realize just how much I missed having new music by Richard D. James, who typically records under the name of Aphex Twin. I’d been spoiled in the 1990’s: starting off the decade with a pair of outstanding and other-wordly ambient releases, James continued to regularly produce albums of tweaked out, frequently manic glitch electronica that somehow was quite listenable and enjoyable despite its many quirks. Later singles “Come to Daddy” and “Windowlicker” positioned James on the verge of mainstream accessibility, yet following 2001’s very obtuse Drukqs, James and the Aphex Twin moniker virtually disappeared, leaving a huge void in the world of electronic music. I suppose one of the most striking things about an Aphex Twin album showing up in 2014 is noticing how undeniably different this album is than just about anything else in the electronic music spectrum. It quietly beats most of the albums by today’s big name electronic artists at their own game. Not only the most outstanding electronic release of the year, Syro is one of the year’s best overall. – Andy

21

Watery Love

Decorative Feeding

In The Red

Much like fellow Pennsylvanians Pissed Jeans, Watery Love play loud, heavy punk that's driven by an unsettling vocalist (formerly of Clockcleaner) who screams the type of scathing admonitions that dig their way deep into your brain matter and set up shop. On "Face The Door" Richie Charles repeats the line, "unlike you dickheads, I welcome death" so many times that by the end of the song you're like, "yeah me too!" – Nathan

22

The Bilinda Butchers

Heaven

Independent

Following a handful of shorter releases, San Francisco three-piece The Bilinda Butchers released their full length debut in mid 2014 and in doing so, followed through on the potential shown in their earlier work in a big way. They've truly outdone themselves with this work: though the second half loses a bit of steam, Heaven stands as a magnificent, emotionally resonant album that truly has a little something for everyone in terms of its variety of songs. In terms of its songwriting and production, the album is outstanding, particularly during its middle stretch, and I’m almost convinced that this is the best damn thing that’s been released all year. Without doubt, it’s an album that deserves more recognition than it has received: highly recommended. – Andy

23

Coathangers

Suck My Shirt

Suicide Squeeze

This Atlanta trio caught my attention with Larceny & Old Lace a couple of years ago, and Suck My Shirt is a continuation of that sound. It shifts into hypnotic, rhythmic patterns and eschews melodies at times, instead just shouting their fury over the beat while discordant guitars clash away. It’s not noise rock — there’s still a firm focus on structure and tonal pleasantries—instead, it’s chaotic and brash: a perfect pairing for the themes within. For every time they spit an angry line, the rhythm is countering with something catchier and upbeat. It’s a blend of fiery rebellion and positive energy. The inner artist is content, strong, and fun while the voice reflected at the outside world is challenging and calling for action. While Larceny & Old Lace may have stretched Coathanger’s boundaries further, they reel in the tempo experimentation on Suck My Shirt and it’s largely a high energy, positive-tone record, despite carrying a lot of anger inside. But that feels like a silly sentence. Who said it can’t be both? – Loren

24

Schammasch

Contradiction

Prosthetic

Existence is a series of challenges – ones that force you to adapt, to change and to create sides of yourself that you show to the world, ones that are more appealing and accepted, ones that help you feel more at ease and able to cope with the journey we call life. Those ideas are at the heart of Contradiction, the second full length from Swiss band Schammasch, which takes the split of the self to new dimensions in a two disc package that provokes and gives much to reflect upon. Schammasch are adept at working outside of the constraints of time and space and instead create music that flows from a place of utter desolation and carries with it a need and want to overcome. People are conflicted at their core and Contradiction does much to reveal that truth, although it’s clear that there is still so much to learn… if you should want to. – Cheryl

25

Morrissey

World Peace Is None of Your Business

Harvest

Perhaps the musician best known equally for his trolling-esque media comments alongside his musical contribution, Morrissey saw fit to give us another offering in 2014 with a characteristically dense and disagreeable record. Some smart lyrics cut in around feedback and unexpected brass sections and although it's clearly unable to match his output during the Smiths era, there are still a few gems to be found in amongst the middle-aged crotchiness on show here. – Matt

26

Earthless & Heavy Blanket

In a Dutch Haze

Outer Battery Records / Roadburn Records

When it's all over, it's hard to believe just how far you've gone in 58 minutes time. To think about the course that you took is almost too much to bear. In a lot of ways it feels like having followed a free balloon all the way to its natural end. When the ribbon on the inflatable rubber vessel first slipped out of that small child's hand, the sphere rose slowly, almost suspended in the air. Eventually, it began to soar in the wide open blue sky and then soaring gave way to climbing and then, from a distance, it just started to look like a goddamn hard-charging helium dart. The sky falls into the rearview and the red balloon rockets out of the atmosphere and into space, skipping across both celestial and astral planes. It slides, it stumbles and it glazes over all the heaviness on display in outer space. It skirts on with just enough light to get by. It proves to be flexible and resilient; stretching when it needs to and swelling when it's permissible. This doesn't last forever, though. Shapes are suddenly stretched too far out and there's a slight sag, and then that's it. Silence. It's over. – Chris Brown

27

Neighborhood Brats

Recovery

Deranged

September saw the release of Recovery, the band’s first proper LP, released on Deranged. It’s driving punk rock, DIY in production: rough and tumble—which is befitting of their relentless ADD rhythms. It pounds and drives while Jenny Angelillo and the band sing and play power chords over the top. It’s not all that unique in that sense, but they embrace it and they do it right, as explained in “One Wasted Year” when Angelillo sings, “Fuck the kids/ fuck the new.” The band wears their influence on their sleeves but avoid sounding derivative. As a whole, the lyrics are socio-political and direct, blending first person and wider issues. The energy from the band in palpable and it’s impossible to sit still to this record. Energy and anger, specifically combining the two into a single outlet, is exactly what this record is about, and it thrives at that. – Loren

28

Antemasque

Antemasque

Nadie

The drama and finger-pointing that led to the breakup of Cedric Bixler and Omar Rodriguez-Lopez's prog-rock behemoth The Mars Volta made it seem like the longterm collaborators wouldn't be working together again. Luckily for fans of their salsa-tinged post-hardcore freakout, Antemasque sees them playing together once more, this time in a hugely stripped-back straight-up rock band. There's no over-the-top shenanigans: almost all songs are simple guitar/drum combos with Bixler almost descending into soft rock warbles with his immediately distinctive vocals. Lyrics are interesting and unique enough to keep things interesting, though, and even when Rodriguez-Lopez is strumming powerchords he's still more creative than half the guitarists in radio rock these days. Worth a listen to hear the latest evolution of these prolific musicians. – Matt

29

The Hold Steady

Teeth Dreams

Washington Square

The Hold Steady has been on quite a ride. They went from “New York bar band” to critical and indie darlings to, now, wavering somewhere on the edge of the public consciousness without really breaking into new circles. In other words, they seem to have found their fan base and stuck with it. The vocals are sung in a soothing tone while the guitars soar toward the smoky spotlights above. It’s not just steeped in ‘70s hard rock anymore, it’s bathed in it and the sheen sometimes blinds off their instruments. The lyrics are still yarns about colorful characters and detailed settings, pulling a majority of namedrops to Minneapolis locations and peppering the larger story with other locales. But the lyrics are also harder to discern, as they get buried under the guitars. – Loren

30

Old Man Gloom

The Ape of God

Profound Lore

The Ape of God I is a really great album. The majority of the songs have a more furious and straightforward approach to them. On the other hand there are no words in which The Ape of God II can even be described. Through its forty-something minutes, it is arguably the best work that this band has produced. And that on its own is quite something. – Spyros

Individual staff lists

Aideen's list

  1. The Pack A.D. – Do Not Engage (Nettwerk)
  2. Morrissey – World Peace Is None of Your Business (Harvest)
  3. Warpaint – Warpaint (Rough Trade)
  4. Jimi Goodwin – Odludek (Heavenly Recordings)
  5. Damon Albarn – Everyday Robots (Warner Bros.)
  6. Alvvays – Alvvays (Transgressive)
  7. The Gaslight Anthem – Get Hurt (Island)
  8. St Vincent – St Vincent (Loma Vista/Republic)
  9. Royal Blood – Royal Blood (Warner Bros.)
  10. Twin Atlantic – Great Divide (Red Bull Records)
  11. Parquet Courts – Sunbathing Animal (Whats Your Rupture?)
  12. Death From Above 1979 – The Physical World (Last Gang / Warner Bros.)
  13. Hozier – Hozier (Island)
  14. Elbow – The Take Off and Landing of Everything (Fiction)
  15. September Girls – Cursing the Sea (Fortuna POP!)
  16. Wild Beasts – Present Tense (Domino)
  17. Jessie Ware – Tough Love (Island)
  18. White Lung – Deep Fantasy (Domino)
  19. A Lazarus Soul – Last of the Analogue Age (Intent To Supply)
  20. The Trouble With Templeton – Rookie (Bella Union)

Andy's list

  1. Aphex Twin – Syro (Warp)
  2. The Bilinda Butchers – Heaven (Independent)
  3. La Dispute – Rooms Of The House (Better Living)
  4. Mannequin Pussy – Gypsy Pervert (Tiny Engines)
  5. The War On Drugs – Lost In The Dream (Secretly Canadian)
  6. S – Cool Choices (Hardly Art)
  7. Weed Hounds – Weed Hounds (Katorga Works)
  8. Perturbator – DANGEROUS DAYS (Independent)
  9. Ricky Eat Acid – Three Love Songs (Orchid Tapes)
  10. Thee Silver Mt. Zion Memorial Orchestra – Fuck Off Get Free We Pour Light On Everything (Constellation)
  11. Swans – To Be Kind (Young God)
  12. Alex G – DSU (Orchid Tapes)
  13. Pharmakon – Bestial Burden (Sacred Bones)
  14. Sun Kil Moon – Benji (Caldo Verde)
  15. Trent Reznor and Atticus Ross – Gone Girl (Soundtrack from the Motion Picture) (Columbia)
  16. Electric Wizard – Time To Die (Spinefarm Records)
  17. Grouper – Ruins (Kranky)
  18. A Sunny Day in Glasgow – Sea When Absent (Lefse Records)
  19. Eyehategod – Eyehategod (Housecore)
  20. Alexeï Kawolski – My DC Offset Fields (Kalmar A Label)
  21. Sd Laika – THAT'S HARAKIRI (Tri Angle Records )
  22. Perfect Pussy – Say Yes To Love (Captured Tracks)
  23. Plastic Girl in Closet – Eye Cue Rew See (Only Feedback)
  24. Nadja and Uochi Toki – Cystema Solari (Corpoc)
  25. Boris – Noise (Sargent House)

Cheryl Prime's list

  1. Pallbearer – Foundations of Burden (Profound Lore)
  2. Schammasch – Contradiction (Prosthetic)
  3. Behemoth – The Satanist (Nuclear Blast)
  4. Darkspace – Darkspace III I (Avantgarde Music)
  5. Anathema – distant satellites (Kscope)
  6. Rome – A Passage To Rhodesia (Trisol)
  7. Alcest – Shelter (Prophecy Productions)
  8. Panopticon – Roads to the North (Bindrune Records)
  9. Triptykon – Melana Chasmata (Century Media)
  10. Woods Of Desolation – As The Stars (Northern Silence)
  11. Winterfylleth – The Divination of Antiquity (Candlelight Records)
  12. Mysticum – Planet Satan (Peaceville Records)
  13. Blut Aus Nord – Memoria Vetusta III: Saturnian Poetry (Debemur Morti Productions)
  14. Voices – London (Candlelight Records)
  15. Sólstafir – Ótta (Season Of Mist)
  16. Abigor – Leytmotif Luzifer (Avantgarde Music)
  17. The Great Old Ones – Tekeli-Li (Les Acteurs de l'Ombre Productions)
  18. Waldgeflüster – Meine Fesseln (Bindrune Recordings)
  19. Yob – Clearing the Path to Ascend (Neurot Recordings)
  20. Agalloch – The Serpent & The Sphere (Profound Lore)
  21. Saor – Aura (Northern Silence)
  22. Taake – Stridens hus (Dark Essence Records)
  23. Planning For Burial – Desideratum (Flenser)
  24. Botanist – VI: Flora (Flenser)
  25. Ascension – The Dead of the World ( World Terror Committee)

Chris Brown's list

  1. Eyehategod – Eyehategod (Housecore)
  2. Earthless & Heavy Blanket – In a Dutch Haze (Outer Battery Records / Roadburn Records)
  3. Indian – From All Purity (Relapse)
  4. Dope Body – Lifer (Drag City)
  5. Direct Effect – Sunburn (Tiny Engines)
  6. The People's Temple – Musical Garden (Hozac Records)

Loren's list

  1. Street Eaters – Blood::Muscles::Bones (Nervous Intent)
  2. Coathangers – Suck My Shirt (Suicide Squeeze)
  3. The Lawrence Arms – Metropole (Epitaph)
  4. Tweens – Tweens (French Kiss)
  5. Against Me! – Transgender Dysphoria Blues (Total Treble)
  6. The Dwarves – Invented Rock & Roll (Recess)
  7. The Tim Version – Ordinary Life (No Idea Records)
  8. The Copyrights – Report (Red Scare)
  9. Rational Anthem – Emotionally Unavailable (Bloated Kat)
  10. The Blind Shake – Breakfast of Failures (Goner Records)
  11. The Brokedowns – Life Is A Breeze (Red Scare Industries)
  12. Ex Friends – Rules for Making Up Words (Paper + Plastick)
  13. Needles//Pins – Shamebirds (Dirt Cult)
  14. Steve Adamyk Band – Dial Tone (Dirtnap)
  15. Neighborhood Brats – Recovery (Deranged)
  16. Direct Effect – Sunburn (Tiny Engines)
  17. The Smith Street Band – Throw Me In the River (SideOneDummy)
  18. The Murder City Devils – The White Ghost Has Blood on Its Hands Again (Murder City Devils)
  19. Run The Jewels (El-P & Killer Mike) – Run The Jewels 2 (Mass Appeal)
  20. Atmosphere – Southsiders (Rhymesayers)
  21. Tiny Empires – Weird Headspace (Independent)
  22. Onward Etc. – Sonder On (DC-Jam Records)
  23. Off! – Wasted Years (Vice)
  24. Astpai – Burden Calls (Jump Start)
  25. Banner Pilot – Souvenir (Fat Wreck Chords)

Matt's list

  1. The Lawrence Arms – Metropole (Epitaph)
  2. Antemasque – Antemasque (Nadie)
  3. La Roux – Trouble in Paradise (Polydor)
  4. Vashti Bunyan – Heartleap (Fat Cat Records)
  5. John Frusciante – Enclosure (Record Collection)
  6. Sharon Jones & the Dap-Kings – Give the People What They Want (Daptone)

Nathan G. O'Brien's list

  1. Watery Love – Decorative Feeding (In The Red)
  2. Run The Jewels (El-P & Killer Mike) – Run The Jewels 2 (Mass Appeal)
  3. The Murder City Devils – The White Ghost Has Blood on Its Hands Again (Murder City Devils)
  4. Schoolboy Q – Oxymoron (Top Dawg Ent. / Interscope)
  5. Padkarosda – Szabadulásom M?vészete (Wake Up And Live)
  6. Apollo Brown & Rass Kass – Blasphemy (Mello Music Group)
  7. Dark Blue – Pure Reality (Jade Tree)
  8. Dilated Peoples – Directors of Photography (Rhymesayers Entertainment)
  9. White Lung – Deep Fantasy (Domino)
  10. Has-Lo & Castle – Live Like You're Dead (Mello Music Group)
  11. Ex-Cult – Midnight Passenger (Goner)
  12. Freddie Gibbs & Madlib – Piñata (Madlib Invazion)
  13. Lumpy & The Dumpers – Collection (Space Ritual)
  14. Ratking – So It Goes (HXC / XL)
  15. Boston Strangler – Fire (Boston Strangler)
  16. Meyhem Lauren & Buckwild – Silk Pyramids (Thrice Great LLC)
  17. The Estranged – Self Titled LP (Sabotage)
  18. Iron Hand – Injected Fear (Safety Meeting)
  19. Eastlink – Self Titled (In The Red)
  20. Creative Adult – Psychic Mess (Run For Cover)
  21. Nots – We Are Nots (Goner)
  22. Brain F≠ – Empty Set (Grave Mistake / Sorry State)
  23. Teledrome – Self Titled (FDH / P.Trash)
  24. King Gizzard & The Lizard Wizard – I'm Your Mind Fuzz (Heavenly / Castle Face / Flightless)
  25. Merchandise / Destruction Unit / Milk Music – USA '13 (540 Records)

Scott Wilkinson's list

  1. Sharon Jones & the Dap-Kings – Give the People What They Want (Daptone)
  2. The Hold Steady – Teeth Dreams (Washington Square)
  3. The Curtis Mayflower – Everything Beautiful Is Under Attack (Independent)
  4. Drivin' N Cryin' – Songs For The Turntable (New!)
  5. Pixies – Indie Cindy (Pixies Music)
  6. Mad The Martian – Blast Off (MtM Records)
  7. FKA Twigs – LP1 (Young Turks)
  8. Black Lips – Kids Like You & Me (Universal)
  9. Against Me! – Transgender Dysphoria Blues (Total Treble)
  10. Chuck Ragan – Till Midnight (Side One Dummy)
  11. Noises We Make When No One Is Around – the black box contained nothing but our deaths (Independent)
  12. Beck – Morning Phase (Capitol)
  13. Keith Emerson and Greg Lake – Live at Manticore Hall (Manticore Records)
  14. The Trouble With Templeton – Rookie (Bella Union)
  15. Green Day – Demolicious (Reprise)
  16. John Frusciante – Enclosure (Record Collection)
  17. Andrew Jackson Jihad – Christmas Island (Side One Dummy)
  18. Neighborhood Brats – Recovery (Deranged)
  19. The Dwarves – Invented Rock & Roll (Recess)
  20. The Sands – Hotel & Casino (Houseplant)
  21. The Meatmen – Savage Sagas (Self-Destructo)
  22. Bane – Don't Wait Up (Equal Vision)
  23. Replica – Beast (Prank)
  24. Anatomy Of Habit – Ciphers + Axioms (Relapse)
  25. Lumpy & The Dumpers – Collection (Space Ritual)

Spyros Stasis's list

  1. Swans – To Be Kind (Young God)
  2. Old Man Gloom – The Ape of God (Profound Lore)
  3. Lord Mantis – Death Mask (Profound Lore)
  4. Blut Aus Nord – Memoria Vetusta III: Saturnian Poetry (Debemur Morti Productions)
  5. Pharmakon – Bestial Burden (Sacred Bones)
  6. Menace Ruine – Venus Armata (Profound Lore)
  7. Coffinworm – IV.I.VIII (Profound Lore)
  8. Sunn O))) and Scott Walker – Soused (4AD)
  9. Burial Hex – The Hierophant (Handmade Birds)
  10. Yob – Clearing the Path to Ascend (Neurot Recordings)
  11. Pallbearer – Foundations of Burden (Profound Lore)
  12. The Atlas Moth – The Old Believer (Profound Lore)
  13. Indian – From All Purity (Relapse)
  14. Wolvhammer – Clawing Into Black Sun (Profound Lore)
  15. Drowned – Idola Specus (Sepulchral Voice)
  16. Godflesh – A World Lit Only By Fire (Avalanche Recordings)
  17. Gridlink – Longhena (Selfmadegod Records)
  18. Panopticon – Roads to the North (Bindrune Records)
  19. Botanist – VI: Flora (Flenser)
  20. Anatomy Of Habit – Ciphers + Axioms (Relapse)
  21. Mamiffer – Statu Nascendi (Sige)
  22. Baptists – Bloodmines (Southern Lord)
  23. Barren Harvest – Subtle Cruelties (Handmade Birds)
  24. Full of Hell & Merzbow – Full of Hell & Merzbow (Profound Lore)
  25. Ambarchi, O'Malley, Dunn – Shade Themes From Kairos (Drag City)

— words by the SPB team • January 7, 2015

Scene Point Blank's Favorites: Year End (2014)
Scene Point Blank's Favorites: Year End (2014)

Series: Year End 2014

Our annual round-up of the best music of the year 2014.

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