Papermoons
No Love
Deep Elm (2013)
The press blurb that accompanies Texas-based indie folk duo Papermoons' sophomore album No Love claims that "the idea that you can say a whole lot more without screaming or shouting" is solidified in this LP. No Love is 10 tracks of smouldering, cleverly composed melodies with occasional gushes of shimmering electric guitars. Written during the five years after Papermoons' debut album New Tales was released, No Love is … Read more
Paradise Lost
Medusa
Nuclear Blast (2018)
With the daring first notes of a church organ, Paradise Lost primes its listeners for a quasi-sermon on the mount in Medusa. A part description of suffering, part omen for eventual destruction, part heroic call to arms in the face of meaninglessness, Medusa glorifies godless bravery and turns those who cower from responsibility to stone. The album is predicated on humanities continual fall from … Read more
Paradise Lost
Obsidian
Nuclear Blast (2020)
The darkest colours of our world are reflected in the glistening surface of Paradise Lost’s music; the shining pain of loss, the radiant horror of a God who has abandoned us or the bitter twist of hopelessness, Paradise Lost know our fears and they shine a light on who we are and what our deepest secrets reveal about us. Obsidian is the … Read more
Paradise Lost
Obsidian
Nuclear Blast (2020)
I don't think I'm the first metal critic to acknowledge that they haven't been keeping up with Paradise Lost as well as they should have over the years. I feel like this is a product of both my own evolution of interests, and frankly, Paradise Lost's overwhelming success over the years. They're hard to escape within metal certain circles, and whenever they dropped an … Read more
Paramore
Self Titled
Fueled By Ramen (2013)
It makes sense that this is Paramore’s self-titled album, even though it’s their fourth full-length. Everything you know or have heard about Paramore, put all of those pre-conceived notions in your time capsule for 2009, because that’s not them anymore. This is the two remaining original members’ (Taylor York joined the band after the Farro departure) time to show everyone … Read more
Parasitic Skies
The Descent
Seventh Dagger (2010)
Metalcore may be the most loaded term in modern underground music. For most it means you sound like Hatebreed or for the slightly more adventurous Heaven Shall Burn. Either way, you're running the risk of monotony and probably jokes at your expense from those too cool. While I say this, there was a time in the 90's that metalcore was … Read more
Parhelia
First Light
Independent (2006)
The number of atmospheric rock bands has skyrocketed recently. Dublin, Ireland's Parhelia, a group of "post-rockers," play very welcoming and groove-oriented songs. This instrumental four-piece doesn't sound "groovy," but the rhythm section is extremely tight. Guitarists Greg Clarke and Diarmuid Shore create pleasant, melodic parts that keep me interested (even without crescendos!). "Ebb/Flow" contains cool delay effects combined with sudden … Read more
Paris Hilton
Paris
Warner Bros. (2006)
Though I'm sure none of you indie elite need to be reminded, but allow me to assert that Paris Hilton is a piece of shit. It's an obvious statement, sure, but one that is central to wrapping your head around this omnipresent, miasmic phenomenon in our media and celebrity-centric culture. Too often, the question we thinking people - anyone with … Read more
Pariuh
Family Witchcraft Attack
Moniker Records (2018)
I'm not sure what exactly I expected going into an album titled Family Witchcraft Attack, but I wound up being pleasantly surprised by the type of sound exhibited by Miami-based Pariuh on their 2018 Moniker Records release. Almost immediately upon pressing play, I found myself transported out of 2018's frustrating reality to a sugar-coated fantasy world reminiscent of the type purveyed by various '60s … Read more
Parker
Never Let This Go
Independent (2023)
I like poppy punk: melodies, singalongs, all that predictable stuff. But I also like it rough around the edges, not the super clean production style of Ramonescore or whatever that garbage from the early 2000s that’s on the nostalgia train right now is. So I choose my words carefully because it seems pop-punk means different things to different people. And … Read more
Parkway Drive
Darker Still
Epitaph, Resist Records (2022)
As it stands, in the grand scheme of things I didn't discover Parkway Drive until quite late on in their career. Considering the Aussie metalcore quintet formed in 2003, I did not understand the hype or get in on the action til I first heard 2015's Ire. It absolutely blew my mind, so much so I had to play catch up. … Read more
Parquet Courts
Sunbathing Animal
Whats Your Rupture? (2014)
Four years on in a career that’s seen them work on perfecting the brand of quirky 1990s alt rock of bands like the acclaimed Pavement and not-so-fondly-remembered Harvey Danger, Brooklyn’s Parquet Courts return with 2014’s Sunbathing Animal, an album that may be most surprising for the fact that it’s very nearly the equal of the band’s well-received debut, 2012’s Light Up Gold. I say that … Read more
Partial Traces
Can’t Come Down / Nights I Dream
Independent (2020)
This synth punk group hails from the headwaters of the Mississippi River. A mighty mass of water that connects Minnesota to Louisiana and sings all the way south. Water seemingly makes music as it flows and this super group (FFO: The Soviettes, Dear Landlord) is actively tapping into that source. Raw emotive vocals give me chills on the first spin. … Read more
Partial Traces
Lost In The Days / Shallows EP
Independent (2022)
Open chord guitar and warm synth start the single in a typical indie manner. The poetry that fills the space is earnest and serious, beaconing the listener to keep up. When the small drum machine picks up you feel a sense of relief. References to travel, reflections and an illusive love are all present again, but don’t feel too overused. … Read more
Partial Traces
Wild Surf/Quiet Blues
Salinas Records (2021)
Partial Traces play pop-inspired keyboard rock – but not at all the kind you imagine when you hear those words. In pop songs, the keyboard generally brings melodrama or atmosphere. In Partial Traces, those two ideas meet in the middle. It’s emotional and serious, but instead of dramatic, it’s tonal. It feels real and authentic, which largely comes from the … Read more
Parts & Labor/Tyondai Braxton
Rise Rise Rise
Narnack (2004)
Brooklyn strikes again with this 2-for-1 bargain from noise rock provocateurs Parts & Labor and loop-based composer Tyondai Braxton. Rise Rise Rise may only be the second major release from each of the two parties involved, but surprisingly enough, it manages to exhibit more progress than a second - not to mention split - release would normally demonstrate. Parts & … Read more
Pas Musique
Inside the Spectrum
Alrealon Musique (2015)
Forming in Brooklyn in 1995 as a collective based around abstract sound, Pas Musique translates to “Not Music” in French, a fact which gives some indication of what the adventurous listener is in store for on limited 2015 release Inside the Spectrum. That being said, much of what is contained in the wild, ten-track album is actually quite musical, though … Read more
Pash
The Best Gun
Exotic Fever (2007)
There are two basic guidelines to follow when being apart of the D.C. punk scene: the first is that it is absolutely necessary to be a vegan, straight edge, and a bike messenger, or at least a combination of two of those, or else you're going to feel a bit alienated. I for one think this is really fucking stupid, … Read more
