Review
Chiodos
Bone Palace Ballet

Equal Vision (2007) Scottie

Chiodos – Bone Palace Ballet cover artwork
Chiodos – Bone Palace Ballet — Equal Vision, 2007

Before we begin, a short caveat: a little more than six years ago, when first throwing myself into the world of hardcore and post-anything, I was a fan of some terrible music. My CD and t-shirt collection was almost an homage to Trustkill Records. And for a time, I actually thought listening to Coheed and Cambria excessively might change my perceptions of life itself. I was what would eventually be known as a mall punk. At the time, Hot Topic was only beginning to stock albums from bands of this nature, instead filling the racks with Mudvayne and Slipknot albums. And yea, that did give those metal-core acts and Thursday rip-offs a little more "cred" than today, but I missed the simple truth: they suck ass. Though when stacking the talent of these groups against the current front-runners of the genre, bands like Finch seem like the fucking Beatles.

Which brings us to Chiodos. Yes, their tongues are placed firmly in cheek and their sense of humor is quite deft. I mean just look at these song titles: "Is it Progression if a Cannibal Uses a Fork?," "If I Cut My Hair, Hawaii Will Sink." Wait, I'm not in high school and my idea of winning over girls does not include reciting a repertoire of one-liners. The attempt at intellect here is disgraceful. Drawn out song titles are a thing of the past and the attempt at poetic lyrics is kitschy. They send the impression they were taken from an eighth grade girl's notebook rather than coming from a young man at the helm of a pen. Mr. Owens, you are no Bukowski, please remove all reference to his work. You're dragging it down.

And the music, it's just humiliating. I understand that teenagers everywhere are often in flux during high school, seeking to elevate their minds while also finding catharsis through music, but Bone Palace Ballet seems almost like pandering. The orchestral arrangements are cheap and the rapid-fire guitar chugging is just tired. Look at the evolution of bands like Poison the Well or Thrice. They pulled these same tricks and though it did seem novel at the time, they knew they committed heresy and abandoned such songwriting. Maybe I'm missing something here, but I can't figure out why Bone Palace Ballet nearly topped the Billboard 200 while thousands of other, better artists have to tour extensively just to break even. Oh wait, teenagers buy things on impulse and have a tendency to make poor decisions. Way to cash in on the brashness of children, boys.

Chiodos are a prime example of why Myspace, festivals like the Warped Tour, and glossy photo magazines trying to pass for journalism - I'm looking at you Alternative Press - are shitting on everything an independent music scene tries to create. They encourage bands to perpetuate the rock and roll façade while still waving a flag of down to earth accessibility.

Chiodos: How dare you soil the name of some excellent b-movie filmmakers? Equal Vision: I'm not mad; I'm just disappointed.

4.0 / 10Scottie • November 15, 2007

Chiodos – Bone Palace Ballet cover artwork
Chiodos – Bone Palace Ballet — Equal Vision, 2007

Related news

Chiodos signs to Razor & Tie

Posted in Labels on June 4, 2013

Chiodos Post New Songs

Posted in MP3s on August 28, 2007

Chiodos To Play Free Show

Posted in Shows on July 29, 2007

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more