Review / 200 Words Or Less
Much Worse
Macrocosm is a Wash

Forward Records (2013) Nathan G. O'Brien

Much Worse – Macrocosm is a Wash cover artwork
Much Worse – Macrocosm is a Wash — Forward Records, 2013

Following a couple of excellent 7”s, the confusingly-titled Macrocosm is a Wash is the first full-length LP from this Minneapolis foursome. Spun from the same Mecca-like breeding ground as Wild Child, Total Trash, Varix, and countless others, Much Worse play a non-stop, angry, and poignant style of hardcore punk. While there is an air of reckless abandon in their approach, they eschew most of the demented noise that’s making the rounds these days, in favor of a more cohesive sound; less-refined than Coke Bust but a bit more focused than, say, Brain Tumors. 

They mash the vocalist’s violent vibes with tough riffs, brief but squealing axe solos, and strident drumming. It’s a style that comes through particularly well on “Fathoming Hell.” It begins with breakdown riffing before the authoritative vocals come in, which eventually let up for some erratic Greg Ginn-like guitar soloing. It all ends with a pretty sweet mid-tempo mosh part. Similarly, the album-closer “Already Dead” builds a nice head of steam before ending in a fiery car crash of shatted pants and burnt flesh. 

At various points throughout the record there is a slight ’82 Demos feel; even some shades of Japanese hardcore, but overall Macrocosm is a Wash is a pretty distinctive release that holds a place among the best punk/HC LPs of 2013. Highly recommended for anyone that liked that Boston Strangler record from a few years ago; owns VHS tapes of Japanese pro-wrestling death matches; or regularly has nightmares about their teeth breaking.

Much Worse – Macrocosm is a Wash cover artwork
Much Worse – Macrocosm is a Wash — Forward Records, 2013

Related features

Much Worse

One Question Interviews • January 1, 2020

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more