Review
Phillip Roebuck
Fever Pitch

Manual (2006) Neil F.

Phillip Roebuck – Fever Pitch cover artwork
Phillip Roebuck – Fever Pitch — Manual, 2006

Phillip Roebuck will never be explained in writing. Writing does no justice to what Phillip Roebuck does. He plays a banjo at breakneck speed. He is a one-man band that bashes away at a bass drum and tambourine on his back. See, it just doesn't sound right, does it? It conjures images of Groundskeeper Willy yelling, "I'm a maniac, MANIAC!" rather than the image of what Phillip Roebuck actually is and what Phillip Roebuck actually does. What Phillip Roebuck does is incredible! It's that simple and it deserves repeating. What Phillip Roebuck does is incredible!

Fever Pitch is Roebuck's second one-man band installment proper. Recorded at Steve Albini's Electric Studios in Chicago, it is an explosion of banjo, drums, hollers, and yells. Raucous from start to finish, guttural at times, doleful at others, the drums pound like a jackhammer, the vocals are all delivered with a plaintive drawl and the banjo is played in frenzied paroxysms. Opening with single "Monkey Fist", Fever Pitch begins with a bang and never really stops. Only the mournful dirges of "Movement" and "Can I Keep You" really slow a pace that is, otherwise, gaining momentum all the time. Crashing to a close through the trio of "Come On Home", "Love For The Damned" and "Travel Light" all strident, all thudding their way past, drums like thunder, at the pace of lightening, Fever Pitch ends all to quickly.

The music world right now needs artists like Phillip Roebuck. Not because he is a throwback to a long forgotten time. His music carries far too many modern resonances and influences for that. The music world needs artists like Phillip Roebuck because the music world has become a place of hype and over-hype. Where self-publicity and braggidociousness have replaced talent and ability. Roebuck doesn't play to hype, doesn't play to the demands of the wider music world. He just plays on his albums the way he played his songs in the New York Subway. Somehow, his songs are accessible and melodic when so many of his contemporaries seem unable to remain so, yet still carry enough eccentricity to be truly defined against the grim pictures of the underground's current cool set. Fever Pitch is the only album you need this year.

10.0 / 10Neil F. • October 9, 2006

Phillip Roebuck – Fever Pitch cover artwork
Phillip Roebuck – Fever Pitch — Manual, 2006

Related features

Related news

Integrity To Release CD/Book

Posted in Records on May 28, 2004

Recently-posted album reviews

Alien Nosejob

How A Mosquito Operates
Anti Fade, Iron Lung (2026)

The one-man band of Alien Nosejob continues to crank out short, angry hardcore in quick bursts. I've lost count of how many records Jake Robertson has now released under the name. I'll just say that while the first couple took some direction changes, the project seems to have found its footing in 1980s-influenced hardcore. With 17 songs in 24 minutes, … Read more

Cancer Bats

Give Me Dirt
Marshall Amplification PLC, New Damage records (2026)

ALBUM HIGHLIGHTS – “Bright Eyes of Gold”, “Give Me Dirt”, “Long Tooth”, “Fools Like You” Almost exactly two years ago, on 8th August 2024, Cancer Bats played Conne Island in Leipzig – a choice they would live to regret. Unbeknownst to them at the time, the centre had slowly become renowned for its radical politics and, more recently, the ban … Read more

Tyler Sonnichsen

The Dead Milkmen
J-Card Press (2026)

When I saw The Dead Milkmen at Toronto’s Diamond Club back in the late 1980s, the floor was a volatile, beautiful mess of colliding subcultures. It was like different species of house flies bumping into one another, wondering what the hell you were doing in the mason jar. You had suburban high school pocket-pen-protector pencil-neck nubile nerds, college radio snobs … Read more