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Reviews by Kaveh

6 total search results

Joanna Newsom – Ys

Review — May 17, 2007

It's no great feat to experiment sonically and stretch musical taxonomy into another "-core" (clarinet-core, pots-and-pans-core, sit-on-a-synth-and-fiddle-core). We aren't afraid of strange, so long as it's strange enough to earn a fucking modifier - fucking out there, fucking bizarre, fucking genius, man. However, the moment we can't rationalize an artist's …

Broken Poets – Optimism in E Minor

Review — May 30, 2007

Broken Poets' lead singer/songwriter dynamo, Tim McDonald, is truly the voice of the average American male in that his songwriting, melodies, and vocal delivery are completely, uh, average. Just don't tell him that. Nearly every part of this album feels equal parts contrived and self-important "" the album name (only …

Jon Crocker – The Dust Will Settle

Review — January 13, 2008

After his thorough touring of each continental U.S. state (and several abroad) in an apparent effort to sate a sort of Sal Paradisian wanderlust, it is not difficult to begin to mythologize Jon Crocker's career and sonic development. It's interesting then, how nearly every red-meat note and yellow-cheeked syllable Crocker …

mewithoutYou – It's All Crazy! It's All False! It's All a Dream! It's Alright

Review — May 25, 2009

The title for Philadelphia act mewithoutYou's fourth album comes from Parable 518 of Bawa Muhaiyaddeen's The Golden Words of a Sufi Sheikh where he writes, "It's all false, It's all a dream, It's all crazy, It's all over, It's all right, Let's see what's next." Perhaps better than any others, …

Swan Lake – Enemy Mine

Review — June 3, 2009

n theory, this band should be really, really fucking good - a supergroup composed of three accomplished artists already involved with various supergroups of their own. Dan Bejar (Destroyer, New Pornographers), Carey Mercer (Frog Eyes, Blackout Beach) and Spencer Krug (Wolf Parade, Sunset Rubdown) collaborating and throwing around their signature …

Sunset Rubdown – Dragonslayer

Review — September 2, 2009

Spencer Krug may be our generation's Robert Pollard. Both seem to excrete music. Both create surreal visions full of vibrant characters and dense metaphor. Like Pollard's best albums, Dragonslayer sweeps us across a landscape replete with broken lovers and ephemeral romance and lonesome dirges. The connections between characters, images, and …