47 total search results — Page 2 of 3
Fightstar – Grand Unification
Review — March 12, 2006
Sunday March 12th, 2006 An open letter to Charlie Simpson of Fightstar. Dear Mr. Simpson, Does the name Skua mean anything to you? Let me jog your memory. Skua is the band that Paul Cattermole left S Club 7 to play in. You know, the one he was in right …
Inara George – All Rise
Review — March 24, 2006
It's taken more than a year, but finally, Inara George's All Rise opus has been given a UK release. Readily available on import at no extra cost, the necessity for it is questionable. But with a new album on the way, featuring songs co-written by Idlewild's Rod Jones, and a …
AFI – Decemberunderground
Review — June 6, 2006
The precursor to Decemberunderground was that it was a change from what AFI have offered before. Of course, all that is to be expected. The AFI paradigm has some inbuilt concept that they must always change and evolve. Antecedents of more electronic elements, with VNV Nation's Ronan Harris drafted in …
Tool – 10,000 Days
Review — May 1, 2006
Surrealistic imagery, lyrical lunacy, and musical fanaticism will always be the staples of Tool. Floating vocals amongst flares of guitars and some of the best drumming this side of Keith Moon's infamous demise. Tool albums all have the inescapable fact that they are Tool albums; they don't sound the same, …
Dismantled – Standard Issue
Review — May 8, 2006
Gary Zon's blurb about the ethic behind Standard Issue reads something like, "a sarcastic take on the simplicity and emptiness of the current musical climate." What this means is, either it sounds exactly like what it says, or it means that Dismantled have disappeared into the chasm of banality that …
Refused – Refused are Fucking Dead DVD
Review — May 12, 2006
A Reflection: The Death of Belief "We drove a few hours to get there. And when I got there, everybody in the band was in different places. I think David was probably talking on the phone to Vic. And Dennis was hanging out with Mike Fight. Angry. And you were …
Adam Green – Jacket Full of Danger
Review — May 22, 2006
Adam Green was half of the ardour and madness that was Moldy Peaches, half of what was behind the animal suits and make up. And you know, whoever would have thought that behind all of that craziness was a songwriter of such quality and grace? Jacket Full of Danger is …
Hard- Fi – Stars of CCTV
Review — June 25, 2006
The preamble about Hard-Fi is something about DIY, self-financing, self-promotion and the dole. There's something about the middle-English wastelands in which the band live. Something else about inner city tower blocks adds weight to the working class credentials about which, no doubt, Virginia Woolf would have something or other to …
Good Riddance – My Republic
Review — July 3, 2006
The opening of My Republic could easily be mistaken for the opening to just about any guitar based album from the past 30 years, with quietly plucked single notes pushing along for a moment or two. It is only as "Out of Mind" explodes into the best Bad Religion song …
Empty – Open Aeon
Review — July 26, 2006
The alternative electronic world is a strange one. In a realm of, literally, limitless possibilities, beats and effects and bound only by human imagination, there is a clique of acts that all sound the same. These acts make electronic music in the same way that punk bands make punk music. …
Baby Teeth – For The Heathers
Review — August 7, 2006
Baby Teeth made For The Heathers on a dare, with each of the three members of the band working in isolation from home. Sequestered with only imagination as a barrier, the dramatic differences between each member's effort is both a shock and a pleasant surprise to the listener that can …
Johnny Cash – American V: A Hundred Highways
Review — August 15, 2006
It seems almost an old story now. Ailing musician hooks up with a contemporary producer and covers a mixture of contemporary songs. Tom Jones tried it. Rod Stewart tried it. It's an old story that so often ends up looking pathetic. A contrived attempt to mine the last fragments of …
Golden Bear – Golden Bear
Review — August 22, 2006
There's a lot of arrogance that floats around the music world, from the self-aggrandized success stories told through the eyes of pop-rappers to the sheer self-belief in the glory and romance of what the neo-punk world is doing. For sheer bombasticism, however, the award surely has to go to the …
Cameran – A Caesarean
Review — September 4, 2006
Apparently best described as "encapsulating the sonic blend of Jack Kerouac's contagious zest for life and Yves Klein's wild and reckless attempts of jumping out of windows," Cameran are probably closer to a severe mix of the art-noise of early ââ¬Â¦Trail of Dead, Sonic Youth et al, and the irreverently …
Jawbone – Hauling
Review — September 13, 2006
Blues is a word all too easily thrown around these days; attached to the current clique of US indie bands, "bluesy" has become just another overused adjective used to describe over-hyped bands that don't actually sound all that bluesy. Jawbone, however, a one-man band from Detroit, actually does, mixing those …
Theta Naught & Alex Caldiero – Sound Weave
Review — September 20, 2006
Sound Weave is a collaboration between Theta Naught and poet Alex Caldiero. Combining cello and bass ambiance with occasional drum theatrics, bewildering soundscapes, and the ardour and insanity of improvisational poetry, it aims to combine a musical experiment "in a symbiotic form with creative language-based explorations." In other words, it …
Brian Simpson – Postcard from L.A.
Review — September 28, 2006
Brian Simpson plays that sort of music that you feel like you've heard before but can't really remember when or who else plays that sort of music. It carries all the influences of Bob Dylan and The Allman Brothers and ends up sounding something like what Van Morrison has been …
Phillip Roebuck – Fever Pitch
Review — October 9, 2006
Phillip Roebuck will never be explained in writing. Writing does no justice to what Phillip Roebuck does. He plays a banjo at breakneck speed. He is a one-man band that bashes away at a bass drum and tambourine on his back. See, it just doesn't sound right, does it? It …
Neal Eles – As Night Sinks
Review — October 19, 2006
Neal Eles sounds like Jose Gonzales. It's that simple. Maybe Jose Gonzales sounds like Neal Eles, or maybe they both sound like someone else? Who knows? It's that gentle singer-songwriter formula all played on pianos and acoustic guitars with some melancholic vocals. Neal Eles chooses to beef up the archetype …
