Wreck and Reference
Black Cassette
Music Ruins Lives (2011)
I’ll say this, Black Cassette from Wreck And Reference is good, real good; in fact, this debut has a bunch of people really going out of their way praising this “record” (OK, OK I know this is either on cassette tape or CD but stop hassling me and just listen for minute) and for good reason because the band eschews … Read more
Wrecking Crew
Balance of Terror (Reissue)
I Scream (2006)
Over the past decade or so "toughguy" hardcore has gotten more obnoxious by the second, but one of the bands that spawned this shitstorm, Madball, always had at least one thing going for them. This special ingredient was the combination of the pure catchiness of their riffs and their surprisingly tight sense of rhythm. Even though I am enough of … Read more
Wrekmeister Harmonies
Night of Your Ascension
Thrill Jockey (2015)
The musical collective led by J.R. Robinson has always been inventive when it came to the subjects of their sonic explorations. You've Always Meant So Much to Me was written to accompany a film that Robinson shot in various areas, including Detroit, the desert of Joshua Tree and the forests of Tasmania. The collaborators in this album helped greatly bring … Read more
Wrekmeister Harmonies
We Love To Look at the Carnage
Thrill Jockey (2020)
Wrekmeister Harmonies style is one that is hard to pin down and give a definitive name, yet the duo of JR Robinson and Esther Shaw do create music that is beautifully intimate and stark in equal measure. Latter day works are much more stripped back and streamlined, a change from the huge swells of sound that coloured earlier works and … Read more
Wristmeetrazor
Misery Never Forgets
Prosthetic (2019)
With a name like Wristmeetrazor could assume what you would be getting with this record before heading in and pressing play. While you may not be entirely wrong you would most certainly be partially wrong at best. While you could assume the record treads in emotionally raw lyrics and you would be correct but to also assume there is a … Read more
Wrnlrd
Death Drive
FSS (2010)
Ever hear of the term “outsider” music? I have certainly seen the term thrown around when referring to different albums or artists and never quite understood how or why that particular artist or record was graced with such a vague descriptor when attempting to relate the music to someone or an audience of some sort. Well, if ever there was … Read more
Wrnlrd
Myrmidon
FSS (2009)
Following the strange intriguing experience of Oneirmantical War, I felt that I had to check out Myrmidon from WRNLRD once it arrived; but instead of diving right into Myrmidon, I avoided it like the album was some dark door that I just did not want to open. Myrmidon sat for months on my desk as it sat, always visible out … Read more
Wrnlrd
Oneiromantical War
FSS (2008)
Wrnlrd drops a dense black metal album on listeners with this limited LP and digital album, Oneiromantical War - which I believe is the sixth album from the outfit. Now, in my growing education in black metal, this is my introduction to Wrnlrd, and it certainly provides me intrigue as the record mastering is the work of Bob Weston of … Read more
Wrong
Wrong
Relapse (2016)
Coming out of Miami, Wrong rose from the ashes of hardcore/punk band Capsule, who released a couple of great albums, including their self-titled record and Blue, before calling it quits. Well, Eric Hernandez (guitars and vocals) bounced back brilliantly, forming the new band, with the inclusion of Ryan Haft (previously of Torche) on guitars, Andres Ascanio on bass and Brian … Read more
Wrong Day to Quit
Vicissitudes
Exotic Fever (2006)
It's a fact of life that hardcore bands, especially those involved with the late 90's screamo era, love to break up. They play a tour or so, leave us without about an hour worth of music, and then they're done. School, jobs, and families understandably take priority, and the band ceases to be. But the great thing about this scene … Read more
Wu-Tang Clan
8 Diagrams
Street Records Corporation (2007)
It almost seemed like this record would never come out. It's been six years since Iron Flag and 14 since 36 Chambers revolutionised hip hop, and in that intervening period, the genre has seen the rise of the shallower side of the performers, with quality production often sidelined in favour of bold statements and styles without the musical muscle to … Read more
Wu-Tang Clan
8 Diagrams
Street Records Corporation (2007)
In 1993, nine MC's hailing from all over New York City came together to release one of the most influential hip hop albums of all time. With incredibly gritty production and razor sharp, kung-fu inspired lyricism, Enter the Wu-Tang; the 36 Chambers took the hip hop world by storm and rap as we knew it would never be the same. … Read more
Wumpscut
Body Census
Metropolis (2007)
Wumpscut has been called many things - aggrotech, hellektro, terror EBM and many other awful genre portmanteaus. If you are new to the band, it would be easiest to say that what they - they being German DJ Rudy Ratzinger - create is electronic music designed to scare. Wumpscut first achieved popularity with "Soylent Green," now a much played club-classic. … Read more
Wunami
Pointless
Independent (2009)
Wunami is a fairly young group from southern California. While I mostly associate this region with it's volatile hardcore history, Wunami is about the furthest thing from it that a band could be. Pointless is the band's demo recording featuring three songs. The four-piece offers up melancholic post-rock over the course of a half-hour, beginning with "Pointless." The song starts … Read more
Wyclef Jean
Carnival Volume II: Memoirs of an Immigrant
Columbia (2007)
In 2001, Nas released Stillmatic, a direct play on his first album Illmatic, and an indicator that he was still on top of the rap world. The album's single "Got Ur Self a Gun" featured Nas reminiscing on his previous efforts, stating, "My first album had no famous guest appearances. The outcome? I'm crowned the best lyricist." Stillmatic had no … Read more
Wye Oak
The Louder I Call, the Faster It Runs
Merge (2018)
Wye Oak have never made the same record twice, and on The Louder I Call, the Faster It Runs, it’s not about to change. Jenn Wasner and Andy Stack grow by leaps and bounds on each release, and this, their first proper studio album since 2014’s Shriek has them taking the synth heavy sounds of that record and Wasner’s excellent … Read more
