The Arrivals have been a band for 30 years -- though they’ve made us wait 16 years for the follow-up to 2010’s Volatile Molotov. While a ton of time has passed and the band has moved, literally in some cases, and raised children in others, their sound is still the same: thoughtful and timeless DIY punk, rooted in foundational rock ‘n’ roll. We sat down for a group phone call with half the band last month to learn more about the making of their brand new album, Payload. Scene Point Blank: It's been 16 years since Volatile Molotov. You kind of paused, roughly a decade ago. What happened between then and now? Dave Merriman: I got a I got offered like a jobby-job, doing graphic design and I wasn't able to tour as much. It stomped on our momentum. And soon after, Isaac moved to California. Isaac Thotz: Paddy had [a child] right around then as well. It was a lot of things happening all at once. Dave Merriman: And then Isaac started Treasure Fleet and that picked up some steam. That was a few of those years. Scene Point Blank: You did some Christmas shows in Chicago and stuff like that, right? Did you consider yourself inactive or on hiatus or just, like, life getting in the way? Isaac Thotz: We definitely didn't talk about taking a hiatus. It just kind of happened that way. Dave Merriman: There was always a show here and there. We did the show … Read more
Almost three decades after their original run, The Gits remain a vital part of Seattle’s punk rock history. Their raw … Read more
I first discovered the New York Dolls in the mid-to-late 1980s, just as I was beginning to stretch the boundaries … Read more
Punk’s never been about polish. It’s about passion, sweat, and the grind it takes to keep going when most people … Read more
There’s a fine line between being a quirky emo band with scene references and something that actually sticks. On Keyframe, Columbus trio Palette Knife don’t just flirt with that line but sharpen it, name it after a Final Fantasy item, and build ten huge choruses around it. The band’s self-described “Nerd-Core-Mid-West-Emo” tag could easily read like a gimmick, but this … Read more
There is a specific kind of sultry, salty sweat that only happens in a room with low ceilings and a tube amp screaming a warm hum for forgiveness. You can smell the lingering kerosene and the stale beer on The Downstrokes’ latest LP, The Furious Hours, before the needle even hits the groove. It’s the sound of a band that … Read more
It's been a short lifetime since the last Arrivals record, Volatile Molotov, but in many ways the new Payload picks up exactly where the last one left off. It straddles the mid-tempo punk spectrum while drawing influence from seemingly all realms of the rock 'n' roll cannon. I'd state that mod, power-pop, Brit Invasion, and even R&B are some of … Read more
Some records feel like they were carefully constructed. Others feel like they were barely contained. Udder’s three-song 7” on Depose Records lands firmly in the second category with a short, strange burst of psych-leaning noise rock that feels less like a statement and more like something unearthed. That’s not far from the truth either. Originally formed in the early ’90s … Read more
Gary Young wasn’t just a drummer; he was a beautiful, unpredictable glitch poking a hole in the sky where other lovable misfits could enter and leave this universe they’d grace … Read more
Mrs. Magician is back! For those unfamiliar, Mrs. Magician is a garage punk band based in San Diego, CA. They formed in 2010 and between then and 2016, they managed … Read more
Sometimes I like to come into a record as a blank slate. Amy Beth And Thee Creeps sent me a short email with their latest EP, Shitheel. It's a 4-song … Read more
There’s a certain kind of melodic punk record that doesn’t try to prove anything. There’s no scene positioning, no trend chasing, no desperate grab for relevance. 6 Years Overnight, the … Read more
Deathcore has spent the last decade mutating into increasingly technical, polished, and theatrical territory. Some bands chase symphonic grandeur. Others lean into hyper-technical brutality. The Indianapolis wrecking crew named Mauled … Read more
Mods & Gods, the 2026 release from the Mal Thursday Quintet, is a full-throttle blast of Farfisa-driven energy and playful garage primitives. Mal Thursday has spent decades scraping the rust … Read more
We're pleased to bring you a full stream of Blistering, a new full-length album from Cut-Rate Druggist of Oakland, CA. Out on April 7, this is your spot to hear it early and often, courtesy of the band, DCxPC Records, and Scene Point Blank. Rules are made to be broken, … Read more
Stomp Records may be in its 31st year as a label, but it remains forever young. The Canadian label just announced "The Idiots Have Taken Over" from Can't Please 'Em … Read more
Formed in 2023 in Helsinki, Finaland, Troubles shared the new single "Ghouls" from their upomcing debut album, Red Alert, out on Blue Bear Records on April 12. It will release … Read more
Spirit Adrift has just released a surprise album today, Infinite Illumination, which is also the band's final offering after 10 years. It's out now on digital platforms with a May … Read more
Jack Grisham (T.S.O.L.) has formed a new project with Lar Triesch, calling it Jack Grisham and The Life Undone. "Don’t call it a ‘band’...We’re a couple of friends who made … Read more
In preparation for the new Unload Your Shame, the third album from Chicago, IL band Edging, the group has shared a single and video for "This Head." The band previously … Read more
Asian Man Records is 30 in 2026. Founded in 1996 by Mike Park, the label is throwing a 4-night showcase celebration at Bottom of the Hill in San Francisco Sept. … Read more
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