By 1981, the Red Rockers were famously branded "The American Clash" by Lester Bangs -- a tag that carried both the weight of massive expectations and the raw power of a band exploding out of the New Orleans humidity. Decades before they became MTV fixtures with the polished pop hooks of "China," they were fueled by the absolute grit of the underground West Coast punk scene and the mentorship of 415 Records' Howie Klein. The missing puzzle piece of that legendary trajectory has always been the feral energy of their live sets. Enter It's in Our Blood: Live at Tipitina's, the new archival release from Liberation Hall Records. Capturing the band's blistering 2023 reunion show, the album serves as the definitive companion piece to the newly recovered and remastered Condition Red master tapes, delivering a dry, natural, effect-free gut punch that strips away the over-processed gloss of the 1980s. Scene Point Blank sat down with Red Rockers bassist Darren Hill to dig into the forensic history of the band, from signing a record contract on Keith Morris' back to recovering lost two" masters from an estate sale and setting the record straight on their legacy. Scene Point Blank: How influential were The Normals to the Red Rockers in those early days? Darren Hill: Huge influence. John, James, and I would go see them every time they played. Because of them, we decided to start a band. Our first show was opening for them. We covered “Almost Ready” at the 2023 … Read more
I was about 4 years old and in preschool. It was a “meet and greet” day and my dad took … Read more
LA’s Art-Punk Pioneers Who Bridged Continents and Genres In 1978, Vivabeat emerged from Los Angeles with a sound that defied … Read more
There are a lot of misconceptions about the life of a musician. Most musicians have day jobs – and not … Read more
Available in a black and white print gatefold sleeve, this is a 2-band, 6-song split 7". The gate fold is a nice touch to a classic split 7", complete with full lyric sheets. When the needle hits it's cleanly produced pop-punk in the vein of Lookout Records, built on crisp melodies and harmonies. While it's bright and sunny in sound, … Read more
What strikes me foremost about this record are the vocals. As the father of a 13 y.o. daughter I feel qualified to say that this person could be a pop singer. I mean I don’t really know what it takes to be one, although I’m sure that it’s more than a voice good enough to win a game show, I’ve … Read more
I have probably talked about this before, I knew of Moonraker through split EPs and things like that, but they didn't fully pop into my consciousness until The Forest. Me and the Bells, four years later, is their follow-up full-length and it continues the trajectory from that record while still capturing its own distinct vibe. Musically the band is heavily … Read more
Some records make their intentions obvious from the very beginning. They use the same structure that countless bands have for decades: verse, chorus, breakdown, payoff, and the blunt force of explaining what you are supposed to feel. Hymns for the Denial of God does something much more complex. It’s a series of difficult questions no one wants to answer, proposed … Read more
ALBUM HIGHLIGHTS – “Mam w sobie diabła”, “Zombie”, “Listopadowa noc”, “Porque te vas” Fancy some Polish psychobilly punk? Well, you’re in luck. This is for anyone who takes their classic … Read more
The chemicals are rushing right out of the gate on this one. You start with a cigarette and dive straight into Diphenhydramine (Benadryl, to the lay person) to calm your … Read more
I grew up listening to the acoustic side of onelinedrawing. Those stripped-down Jonah Matranga songs had a way of making everything else disappear, often needing little more than a guitar, … Read more
ALBUM HIGHLIGHTS – “Brand New World”, “12 Strings and Tambourines”, “Adams Street”, “Temple of Madness” It’s rare to find these days. A band (or maybe supergroup, in this case) that … Read more
On the tail end of Autogramm’s 2018 tour of Mexico (what little I remember of that week now is a lot of pulque and not a lot of sleep) I … Read more
Syrup Moose Records will cease at the end of 2026, but they’re going out with a series of late releases including the third album from MEGAFAUNA, a self-titled follow-up to 2025’s I Owe This Land A Body. It also keeps the project’s streak of a record per year intact, as … Read more
Midira Records has announced three new records, all out this month: Nexjungle - Sometimes. A one-track magical, dark and ambient record. Najda - A Geneve. A live album recorded during … Read more
Allegedly Records is excited to share the re-release of Fever Dreams by The Power! Hailing from the frigid wastes of Frostburg, Maryland, The Power have set out on a quest … Read more
Bearing absolutely nothing in common with Peter Frampton, Chemical-X will release the new Comes Alive! 12" on via DCxPC Live / Phameless Records, a live recording from Will's Pub in … Read more
Sub Pop Records just sent us a handy list of label-affiliated artists on the road this fall. While just copy/pasting is rarely beneficial, this seems like one of those times. … Read more
Power Trip has announced a new full-length album in 2027, sharing a pair of singles now: “Precinct 3” / “Scavenger” (Blue Grape Music) The new album is the first with … Read more
New label Bottom Six Records has announced a respress of Youth Avoiders' Defiance album in the US. It's the third full-length from the French band and was released earlier this … Read more
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