There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us speed, riffs, and a complete disregard for good taste. Twelve tracks fly by in a blur of crunchy guitars, shouted vocals, and rhythms that feel tailor made for chaotic pits and questionable decisions. The band’s self-described identity is “too metal for punks, but too punk for metal-heads” which of course lands right in that classic crossover pocket. You can hear the influence of Suicidal Tendencies in the groove and bounce, while the grimier, more tongue-in-cheek elements pull from bands like GWAR and the irreverence of Dayglo Abortions. It’s not reinventing the wheel but lighting it on fire and rolling it downhill. What makes Global Urination hit is how locked in the band sounds. The riffs are tight but not overly polished, the drums push everything forward with constant urgency, and the vocals carry just enough bite to keep things from … Read more
There’s no easing into Next Stop… Dead Stop… No buildup, no warning just impact. Fayetteville, Arkansas’ Burned Up Bled Dry … Read more
There’s something inherently appealing about a record that doesn’t try to hide what a band actually sounds like. DCxPC Live … Read more
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The metal scene is one that moves in cycles, with sub-genres becoming the flavour of the month before the hot new thing moves in to take over the masses for a short time. Goth rock, however, always seems to stay the course. There’s something about the sounds, the feelings, the time period it evokes, and for those reasons the style never seems to go out of fashion. From bands such as Sisters of Mercy, to The Cure to Fields of the Nephilim in the 80s right up to HIM in the early 00s or Tribulation, In Solitude or Grave Pleasures now - the gothic scene is one that constantly attracts musicians and fans alike and to hear young and new bands embracing the classic sound is a pleasure that knows … Read more
This record is a sprawling, smoke-covered, raging slab of feedback. After decades of lurking in the Bristol shadows, The Heads haven’t just returned with Yourprettyplaceisgoingtohell; they’ve brought the sound of the walls closing in as fingernails scratch at brick. It’s a dense, suffocating, and majestic mess of a record—a jagged middle finger to the sanitized, algorithm-friendly "psych" scene. I like … Read more
The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more
Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more
When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more
National Anthem is the second album from The Sleeveens, a Nashville, TN band fronted by an Irishman. The band play that perfect mix of protopunk and classic rock 'n' roll that's built on a verse/chorus/verse structure and melody without any frills. It's leather jacket music for the common folk. The debut grabbed me by my collar and spun me around … Read more
The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more
Ultrabomb just detonated. The Bridges That We Burn isn't some polite "heritage act" victory lap. It smells like a hand-rolled cigarette lit with a blowtorch in a damp Minneapolis alleyway. No reunion uranium glow here—just three lifers who’ve spent their lives in vans and aren’t interested in anything but the friction prediction. The DNA is legendary, but they aren’t coasting … Read more
Tear It On Down is the third record from Sweat and it picks up where the last two left off. It's aggressive hardcore punk, but with a playful groove or swagger that really makes it feel uplifting, even when the content is not. Case in point: "Surveillance State," which rolls kind of like a call-and-response song, except that lead vocalist … Read more
Growing up is rarely cinematic in real time but when you look back, it can feel mythic. On Year Of Summers, New Jersey’s Latchkey Kids frame heartbreak, identity, and grief through something closer to epic storytelling than simple emo confession. It’s a record that understands the drama of youth without romanticizing it. Frontman Hanny Ramadan positions the album as a … Read more
Recipe: Mental Gymnast Self-Titled Creator: Mental Gymnast Cookbook: Say-10 Recipes Copyright: 2/27/26 Ingredients: 1 Very Ripe Adam Gecking on Vocals 1 Stick Unsalted Erica Clayton on Bass 2 Slices Scotty Sandwich (1 Slice Guitar, 1 Slice Drums) 1 Dash Chris Ruckus on Synths Directions: *Preheat the recording studio to 65 degrees. Add all of the ingredients together in “One Big … Read more
There’s always a risk when a band forms out of legacy. Especially one tied to something as influential as Die Kreuzen. Lean too hard on the past and it becomes nostalgia. Push too far away and you lose the thread entirely. On Outlier, The Crosses manage to thread that needle, delivering a debut EP that feels less like a revival … Read more
Some bands aim for controlled chaos. Sealer sound like they’re actively trying to lose control and then figuring out how to weaponize that moment right before everything collapses. Their self-titled debut lands somewhere between hardcore, noise rock, and something far less stable, pulling from each without settling into any one comfortably. From the opening seconds of “Seeing/Peeling,” Sealer makes their … Read more
There’s a fine line between being a quirky emo band with scene references and something that actually sticks. On Keyframe, Columbus trio Palette Knife don’t just flirt with that line but sharpen it, name it after a Final Fantasy item, and build ten huge choruses around it. The band’s self-described “Nerd-Core-Mid-West-Emo” tag could easily read like a gimmick, but this … Read more
There is a specific kind of sultry, salty sweat that only happens in a room with low ceilings and a tube amp screaming a warm hum for forgiveness. You can smell the lingering kerosene and the stale beer on The Downstrokes’ latest LP, The Furious Hours, before the needle even hits the groove. It’s the sound of a band that … Read more
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