“We were standing in the middle of the square. There were snipers on the roof. Riot cops all around. People had already been killed. And she turned to me and said: we could die at any second, are you okay with that? And I thought, well, this is where I have to be. So we lived in seconds. We went second by second. It was all that mattered.”
I’m sitting with Mark Marczyk and Marichka Kudriavtseva. For the past twenty minutes or so I’ve asking the couple questions about their time on the Maidan, the site of the Ukrainian protests that turned violent early last year. In the aftermath of the protest Ukraine was invaded by Russian troops, and since that time the country has been at war over annexed territory. While media coverage has dwindled, Marczyk and Kudriavtseva stress to me that the struggle is still happening. People are still fighting.
Later this week the couple – who met on the Maidan - will premier Counting Sheep at Toronto’s Summerworks Festival alongside their gypsy-punk band Lemon Bucket Orkestra. Counting Sheep is an interactive mixed-media performance that uses music, movement, found footage, and food to tell the story of revolutionary Kyiv. Marczyk and Kudriavtseva created the performance as a gateway to their experience as protesters. They wanted to share the intense joy and utter terror that they found on the square.
“Everything I’ve done with my band, from the type of music we play to the way we perform, I learned through Ukraine,” explains Marcyzk, “When I saw what was happening I knew I needed to be there. I wanted to help with the skills I knew best: storytelling and music.”
Marcysk, a Canadian of Ukrainian heritage, was scoring a film near Kyiv during the protests over the government’s decision to bring the country closer to Russia. When Marcysk arrived on The Maidan – Kyiv’s centeral square - he found people of all walks of life, from all areas of the country, who had organized around the cause. The Maidan had turned into a functional tent city. People were sharing food, helping out with various chores, and protecting each other for the greater good of their country. Marcysk was floored by the sense of community and overwhelming warmth of the people. The same night he arrived the first of the protesters were killed.
Marczyk and Kudriavtseva speak about their experiences in a calm and precise manor. Rather than scaring them away the first deaths on the square intensified their need to stay where they were. The two connected because both were writing about their experiences, blogging and sending out reports through news outlets and social media, and because in the wake of everything that happened they began to play music for people living on The Madian.
“Making any art in Ukraine became political,” adds Kudriavtseva. “Most of the artists in the country became protesters and drawing attention to yourself during the protest was dangerous.”
Marczyk and Kudriavtseva stayed until the tent city was broken up and after that visited hospitals as well as battle sights to share their music and collect people’s stories. Counting Sheep is an effort to continue that work and bring those stories, as well as their own, to a wider audience.
I caught an earlier incarnation of Counting Sheep earlier this year while doing coverage for Now Magazine. The performance – much like Marczyk and Kudiavtseva’s band Lemon Bucket Orkestra - isn’t the easiest thing to explain. It’s an experience more than a piece of theatre. The audience is invited to participate in the show, playing the part of the protesters as they slowly descent from celebration into sorrow.
I left the theatre that night overwhelmed with mixture of emotions and feeling truly grateful for the chance to create and write like I do. The show offers a unique glimpse at people whose lives were turned political by circumstance and is a reminder of how quickly those things can be taken away.
Marczyk and Kudriavtseva for their part aren’t looking to beat anyone over the head with a message, but by sharing their experiences honestly, they point to a situation that is much, much bigger themselves and the overwhelming need to stick up for the things you believe in any way that you can
Dates for the show can be found here.
Punk and Hardcore related podcasts Chances are you've got a favourite one. Maybe you are making one. A pod of your own. A medium that has democratized the talk-audio space ... read more
Sidney Nolan: The Artist's Materials Getty Conservation Institute The Artist's Materials series is indispensable for anyone who want to scratch the surface and learn more about the technique and ... read more
Käthe Kollwitz: Prints, Process, Politics Getty Research Institute Käthe Kollwitz’s oeuvre found its defining phase the first half of the twentieth century with her graphic depictions that covered the ... read more
March: Isolation How's everyone doing? I hope you're reading this from the comfort of your own home. Needless to say, it's been a rough, wild, stressful, and terrifying month. I ... read more
Hot Stuff – Crowley’s Hot Sauce The good ole, reliable “Great Beast” Aleister Crowley once quipped that the pious pretense that evil does not exist only makes it vague, ... read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.