It's been a short lifetime since the last Arrivals record, Volatile Molotov, but in many ways the new Payload picks up exactly where the last one left off. It straddles the mid-tempo punk spectrum while drawing influence from seemingly all realms of the rock 'n' roll cannon. I'd state that mod, power-pop, Brit Invasion, and even R&B are some of … Read more
When it comes to overlooked bands, Chicago’s Arrivals should be right near the top. The band has never been overly prolific, releasing only four records since the mid ‘90s. Yet here we are, in 2010, and the band has released another solid record in Volatile Molotov.The Genre Monster would call the Arrivals pop-punk. They play accessible, melodic songs with a … Read more
The Arrivals have been a band for 30 years -- though they’ve made us wait 16 years for the follow-up to 2010’s Volatile Molotov. While a ton of time has passed and the band has moved, literally in some cases, and raised children in others, their sound is still the … Read more
Isaac Thotz (The Arrivals, Treasure Fleet) SPB: Have you ever hooked your dangling earrings on anything? Thotz: I've hooked them on countless things all over the universe that I'm unaware of; I've misplaced at least thirty or forty. I was down to one earring for about six months there a … Read more
Whoa-oh is both a pop-punk staple and a songwriting trick that finds its way across many genres. Is it a gimmick to create an easy anthem; a cheap way to fill in syllables; or does it not matter at all because, in the end, the songs that use it have … Read more
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