Review
Circles
When the Big River Floods

Well Below (2006) Neil F.

Circles – When the Big River Floods cover artwork
Circles – When the Big River Floods — Well Below, 2006

When the Big River Floods sounds like Circles recorded it in a basement while drunk. Rough and ragged, the influences that are melted together to form the seven song mini-album slur their way along through confused drum-rhythms, low mix horns and a hell of a lot of rock, country, folk, and jazz. But not in a way that's ever really been done before. It's not the good-old-time rock and roll of Van Morrison / The Eagles / Lynard Skynard et al/, it's more like a strung-out ...Trail of Dead meets Modest Mouse meets some brass band, meets psycho-yelling, meets mental-patient cool... When the Big River Floods is just music and mayhem. Madness let loose and formed into seven very different songs that hold themselves together just well enough to work as a collection. Everything could be by a different band, but it isn't. Circles are just good enough to get away with the dramatic, stylistic shifts that so many try to create and fail miserably in their attempts to do so.

"Circles" is a song that's just some Hendrix-like guitar weirdness. "Something the Cat Dragged In" has some ...Trail of Dead ambience that always feels like teetering over the edge and into madness but never quite does. "Song for the Suburbs" is Belle and Sebastian gone punk. "Ghost Town" is unleashed fury, disturbed yelling and plenty of split brass notes with some Minute Men in there somewhere. Everything on When the Big River Floods could be familiar, but it never actually is. Even with influences that are there to be heard, Circles have managed not to sound anything like any of them.

Hints of Modest Mouse and Hendrix, hints of ...Trail of Dead, hints of Minute Men... It's all somewhere to be found in a sound that ranges from deranged to almost scary. Unhinged, improvised and uncontrolled, it crashes around in the dark not really looking for something and not really finding it anyway. Circles are rough the way so many bands try to be rough. Interesting and enigmatic the way so many other bands try to be enigmatic and interesting. With When the Big River Floods, Circles have managed to create something implausible and self-contradictory. Something that so many have tried to create and so few have actually managed. Justice demands a bigger audience.

9.3 / 10Neil F. • November 28, 2006

Circles – When the Big River Floods cover artwork
Circles – When the Big River Floods — Well Below, 2006

Related features

Circles

One Question Interviews • July 12, 2014

Related news

Left Circles' "Bleed It Out"

Posted in Records on April 8, 2024

Kuma's Fest for 15th anniversary

Posted in Shows on February 2, 2020

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more