Review / 200 Words Or Less
Hoor-paar-Kraat
In Eros Veritas

KNVBI (2008) — Michael

Hoor-paar-Kraat – In Eros Veritas cover artwork
Hoor-paar-Kraat – In Eros Veritas — KNVBI, 2008

There is a fine line between noise and music. Notice that I didn't say art, because in all honesty, art is pretty much anything you want it to be. But music, well, music and noise and two totally different things. Case in point, Hoor-paar-Kraat.

Hoor-paar-Kraat is the "brainchild" and "creation" of full-time painter recently turned musician Anthony Mangicapra. Prior to this LP, Mangicapra released a slew of extremely limited CD-R's

we're talking quantities limited to as few as eight. I guess the people at KNVBI were fascinated enough with one of those to re-release it on vinyl.

So what you have here on In Eros Veritas is a collection of noises that have been tweaked, looped, reverbed, and altered in God knows how many different ways and put to wax. There is no structure. There is no form. There are no instruments. Basically, it's noise. You remember that Mike Patton album where he just tweaked his voice with a four-track in hotel rooms while on tour? This makes that look like The White Album.

0.5 / 10 — Michael • May 2, 2008

Hoor-paar-Kraat – In Eros Veritas cover artwork
Hoor-paar-Kraat – In Eros Veritas — KNVBI, 2008

Recently-posted album reviews

Contention

Nuclear Summer
Daze (2026)

Contention, I would argue, has spent the last few years at or near the top of the heap of the return to 90's styled Straight Edge Metalcore. I am being specific because there is no mistaking Contention's influences nor their message. This is a STRAIGHT EDGE band that is far more indebted to Morning Again that anything that uses a … Read more

A Secret Revealed

The Ruin I Summoned Forth
Lifeforce (2026)

There are albums that use heaviness as an assault and others that use it to create an atmosphere. On The Ruin I Summoned Forth, A Secret Revealed manage to does both. The German quintet’s fourth full-length is an enormous, bleak piece of post-metal, but calling it post-metal only gets you part of the way there. Black metal cuts through its … Read more

Time Spent Driving

Lost Leaves
Thirty Something Records (2026)

There's a particular challenge facing bands that came out of the late '90s and early '00s emo scene. You can recreate the sound people remember and risk becoming your own nostalgia act, or you can abandon it entirely and risk losing whatever made the band matter in the first place. Time Spent Driving choose neither on Lost Leaves. More than … Read more