Review
Sex Positions
Sex Positions

Deathwish Inc. (2004) Jeff C.

Sex Positions – Sex Positions cover artwork
Sex Positions – Sex Positions — Deathwish Inc., 2004

Walk into a Boston hardcore show and ask a random kid if they like the Dedication, and there is a 95% chance they will do one of the following:

A. Call you a faggot.

B. Say, "You like that make up wearing band of faggots?"

C. Turn around to their group of friends and say "Hey guys, did you hear this kid? He asked me if I liked the Dedication" while him and the rest of his friends laugh at you and call you a faggot.

What's the Dedication have to do with Sex Positions you ask? Well, actually, a lot. Not only did they share the same label, but Sex Positions at one time, was 3/4 of the original Dedication members. The Dedication released a demo, a 7"/CDEP and then broke up way before their time.

Almost two years ago now (wow, that seems like a long time) I saw Sex Position's second show. Being a HUGE fan of the Dedication record (seriously, I love it) I was pretty excited to see this band. They put on a great performance, but of course, no one was really into it. I bought their demo, and it sounded to me a lot like the Dedication, but a little faster and a little more experimental.

Fast forward another year. I saw them open for Boy Sets Fire in Rhode Island, and it was terrible. They played literally the same exact set, but threw a bunch of weird guitar and techno effects in. It really ruined their music for me and I figured everything there on out was going to be terrible.

First off let me describe the sound of both bands, for you readers who haven't heard either. I would say the Dedication sounds most like American Nightmare, but you would never confuse the two. Rick Purisi's vocals are frantic and insanely depressed sounding, much like Wes' of AN, yet the music is sloppier (for lack of a better word) and a little slower. Rich pushes out each word in short breathes that make it seem as if he thinks that all of his problems are going to dissapear if he just pushes his vocal chords a little harder. Take 3% mid 90's screamo bands, 60% American Nightmare, and well, 37% originality, and you will have the Dedication.

Sex Positions are a little different. Take the recipe mentioned about, and add a little bit of the Refused's Shape of Punk to Come in there. I was not looking forward to the techno aspects added into it, but I honestly think it was done pretty well. it sounded horrible live the last time I saw them, I won't deny it, but on record it really adds a good atmosphere to it, and most importantly it fits really well.

If you're a fan of hardcore, and good music in general, pick this record up. If you're a closed minded hardcore kid who thinks that anything with out two stepping parts and breakdowns isn't good, then don't even bother, this isn't for you.

8.0 / 10Jeff C. • May 12, 2004

Sex Positions – Sex Positions cover artwork
Sex Positions – Sex Positions — Deathwish Inc., 2004

Related news

Sex Positions Change Name

Posted in Bands on May 31, 2008

Sex Positions Working On New Album

Posted in Records on April 1, 2008

Sex Positions Return

Posted in Bands on October 28, 2007

Recently-posted album reviews

Tired Radio

Hope In The Haze
Red Scare Industries (2025)

I knew of Tired Radio, but I didn't really know the band's work. When Red Scare announced they'd signed the band, I figured it was a good excuse to dive in -- and I'm glad I did. Hope in the Haze is the title of their Red Scare debut and that title kind of sums up their general vibe too. … Read more

The Resinators

Recorded In 2005 By Jay Reatard
Independent (2024)

Interesting little slab we got sent to SPB by a Mr. Ed Young. Two originals and a cover, recorded in Jay Reatard’s living room back in 2005 as the title suggests. So that would be around the time of The Reatards’ Not Fucked Enough for anyone keeping track. Jay had apparently just switched from analog to digital recording but it … Read more

Various Artists

Bombs Away!
Rad Girlfriend Records (2025)

Split records have always worked best when they feel intentional rather than convenient, and Bombs Away! lands firmly in the former category. Bringing together East Bay veterans Tsunami Bomb and Oakland’s The Hammerbombs, this six-track split (three songs per band) doesn’t just unite two names but captures two complementary approaches to Bay Area punk that still feel vital decades into … Read more