Review
Samamidon
All is Well

Bedroom Community (2008) Campbell

Samamidon – All is Well cover artwork
Samamidon – All is Well — Bedroom Community, 2008

Whether or not a band is unknown is pretty subjective. While I was at the Portraits of Past reunion show in Berkeley recently, many passers-by and uninformed parents continued to ask who was playing. They saw the line of 500-plus kids and couldn't believe that this line was for a band they had never heard of. In this case, sometimes spectators are just out of the loop, which could make any number of bands unknown to them. A similar thing happened this first time I listened to this record, All Is Well.

Samamidon is Sam Amidon, a folk singer from Vermont. This is his second full-length release, and I feel foolish for not noticing until now. Sam's sound seems pretty minimal, but he brings a great sense of melody and rhythm to the table, and a dash of various instruments throughout the album to keep things interesting. It seems obvious how much time was taken to write each song, making sure every note and string of vocals is placed just right.

The album begins with "Sugar Baby," a slow acoustic track that's both increasingly pleasing as well as saddening. The song follows a single pattern throughout, but never gets old on your ears. Sam's vocals remind me a lot of The Dismemberment Plan, despite the differences in their music styles overall. The next track, "Little Johnny Brown," sounds a lot more traditional at first, but brings in a few horns, a piano, and even a set of strings that really bring out the harmony. The end of the song reminds me a bit of a more experimental Iron & Wine, with an odd percussion instrument helping to build up the crescendo towards the end of the track.

All Is Well keeps a consistent style of keeping you on your toes. From the sparse ballad of "Wild Bill Jones" to the upbeat banjo of "Fall On My Knees," Samamidon really seems to have put a lot of effort into making this album unique. Every song seems to have the same goal to help paint a canvas that is the album as a whole. While each track stands on its own, what's more important is how each track plays a role in crafting a piece of work that exercises every facet of this man's talent.

Samamidon seems to be doing something right. His abilities are undeniable, and I hope to see much more of him in the future. At an even ten songs, All Is Well works all of its magic and doesn't leave anything flawed or lacking. I'm rarely this impressed on a group that's new to me, but this one definitely did it for me.

8.5 / 10Campbell • August 12, 2008

Samamidon – All is Well cover artwork
Samamidon – All is Well — Bedroom Community, 2008

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more