Review / 200 Words Or Less
Coffins / XXX Maniak
The Cracks of Doom

Creeping Vine (2008) Scottie

Coffins / XXX Maniak – The Cracks of Doom cover artwork
Coffins / XXX Maniak – The Cracks of Doom — Creeping Vine, 2008

To offend me takes special talent, talent that knows no boundaries to how far the one can push idea of indecency. People who believe there is nothing sacred, no subject matter too taboo that they cannot molest it. These people play in the XXX Maniak. The cover art alone on this made me ashamed to have the CD in my house, but then hearing XXX Maniak's songs brought me shame to think it could be promising. Sexist porno/gore grind that makes AC look like a Tooth and Nail act. They'll certainly never play ABC No Rio. Napalm Death shakes their collective heads.

Coffins, who drew my attention to disc, offer little to nothing new on The Cracks of Doom. By little, I mean the title track, "Cracks of Doom," which only a completest would long for, treading the same path of most of their other releases. Slow, heavy, sludgy by way of dirty distortion: we've heard it before, but better. By nothing new, I mean a cover of Cathedral's "Ebony Tears." Not straying too far from the original, the track only serves to show new listeners where Coffins got their influences.

Waste of money, and waste of time, period.

4.0 / 10Scottie • February 25, 2009

Coffins / XXX Maniak – The Cracks of Doom cover artwork
Coffins / XXX Maniak – The Cracks of Doom — Creeping Vine, 2008

Recently-posted album reviews

Errth

Errth
Uncle Style Records (2025)

What makes a gruff vocal melodic punk band stand out? That's the question I'm asking myself as I listen to Errth's debut on repeat. I've been playing this record for probably a month straight and I dig it. It checks the heart-on-sleeve style I enjoy but I'm struggling to figure out why, exactly. I think on this, it's the tones … Read more

1186

Histeria
Drunken Sailor (2025)

If you read enough press releases, you start questioning if you even know what genre names mean. Post-punk has been one of the most abused terms of the past 2-3 years and it seems to mean wildly different things to different people. To me, it’s always meant an ear for angular guitars and noise atop more traditional song concepts. 1186 … Read more

Li Jianhong

Shuttle Raven of the Dream
Utech (2025)

Li Jianhong's philosophy surpasses the direct relationship of a musician with their instrument of choice. Instead, Li has advocated for Environment Improvisation, where the urge to create and improvise is established by the artist's surroundings. Looking at Li's website you can find numerous instances that inspired him to settle down and start improvising, drawing energy from the surroundings. The music … Read more