Review / 200 Words Or Less
Hope Lane is a Dead End
Illuminate

Independent (2009) — Michael

Hope Lane is a Dead End – Illuminate cover artwork
Hope Lane is a Dead End – Illuminate — Independent, 2009

Metalcore has been an interesting genre over the years. Initially bands like Integrity, Earth Crisis, and Unbroken were labeled as metalcore for their metal influences in the hardcore sound. Since then, bands like Cave In, Botch, and Poison the Well have been labeled as such, all while developing their own styles within those bounds. Additionally the term has been bastardized as of late by bands like The Devil Wears Prada and their ilk.

Hope Lane is a Dead End is a metalcore outfit based out of Massachusetts. They claim influence from the likes of Cave In, Botch, and Shai Hulud. And while I hear very faint inklings of those bands in their sound, they are far from any of those artists. The band makes good use of chug-chug riffs and frequently uses breakdowns throughout the songs. The vocals are the overused cookie-monster growls with the occasional "clean" melodies. Illuminate falls someplace between the worlds of Killswitch Engage and Poison the Well's early releases. There isn't much new metalcore that I enjoy, the last new band I enjoyed was Romans. Hope Lane is a Dead End isn't bad, it's just not my thing.

5.0 / 10 — Michael • May 27, 2009

Hope Lane is a Dead End – Illuminate cover artwork
Hope Lane is a Dead End – Illuminate — Independent, 2009

Recently-posted album reviews

Contention

Nuclear Summer
Daze (2026)

Contention, I would argue, has spent the last few years at or near the top of the heap of the return to 90's styled Straight Edge Metalcore. I am being specific because there is no mistaking Contention's influences nor their message. This is a STRAIGHT EDGE band that is far more indebted to Morning Again that anything that uses a … Read more

A Secret Revealed

The Ruin I Summoned Forth
Lifeforce (2026)

There are albums that use heaviness as an assault and others that use it to create an atmosphere. On The Ruin I Summoned Forth, A Secret Revealed manage to does both. The German quintet’s fourth full-length is an enormous, bleak piece of post-metal, but calling it post-metal only gets you part of the way there. Black metal cuts through its … Read more

Time Spent Driving

Lost Leaves
Thirty Something Records (2026)

There's a particular challenge facing bands that came out of the late '90s and early '00s emo scene. You can recreate the sound people remember and risk becoming your own nostalgia act, or you can abandon it entirely and risk losing whatever made the band matter in the first place. Time Spent Driving choose neither on Lost Leaves. More than … Read more