Review / 200 Words Or Less
Litany for the Whale
Dolores

Teenage Disco Bloodbath/Perpetual Motion Machine/Molsook (2009) — Michael

Litany for the Whale – Dolores cover artwork
Litany for the Whale – Dolores — Teenage Disco Bloodbath/Perpetual Motion Machine/Molsook, 2009

John Cage was an avant-garde composer, poet, music theorist, artist, printmaker, etc. that was popular in the early part of the 20th century. "Litany for the Whale" was one of his many compositions. While I'm not certain this is where they draw their namesake from, California's Litany for the Whale offer up atmospheric, noisy, hardcore that pushes the limits of "hardcore" on their debut EP, Dolores.

The seven songs that comprise this EP are dark metallic hardcore that draw from the inventiveness of Converge mixed with d-beat punk of His Hero is Gone, all interspersed with various noise elements. "A Wake" and "Lord of the Gallows" are volatile hardcore akin to Cursed, meanwhile "Die Alone Unloved" and "Rotting on the Shoreline" are more loose and drone-oriented - see Buried Inside, Cult of Luna. And then there are "Philistines," a two-minute acoustic interlude, and closer "Lonesome God," which incorporates post-rock guitar noodling.

Dolores is a solid debut EP from Litany for the Whale. The instrumentals work well in the context of the album, but I definitely would have preferred more songs as opposed to the filler. I'll be keeping tabs on them as I'm definitely looking forward to their next offering.

8.0 / 10 — Michael • December 10, 2009

Litany for the Whale – Dolores cover artwork
Litany for the Whale – Dolores — Teenage Disco Bloodbath/Perpetual Motion Machine/Molsook, 2009

Related news

Litany For The Whale Pre-Orders Launched

Posted in Records on June 17, 2009

Recently-posted album reviews

Contention

Nuclear Summer
Daze (2026)

Contention, I would argue, has spent the last few years at or near the top of the heap of the return to 90's styled Straight Edge Metalcore. I am being specific because there is no mistaking Contention's influences nor their message. This is a STRAIGHT EDGE band that is far more indebted to Morning Again that anything that uses a … Read more

A Secret Revealed

The Ruin I Summoned Forth
Lifeforce (2026)

There are albums that use heaviness as an assault and others that use it to create an atmosphere. On The Ruin I Summoned Forth, A Secret Revealed manage to does both. The German quintet’s fourth full-length is an enormous, bleak piece of post-metal, but calling it post-metal only gets you part of the way there. Black metal cuts through its … Read more

Time Spent Driving

Lost Leaves
Thirty Something Records (2026)

There's a particular challenge facing bands that came out of the late '90s and early '00s emo scene. You can recreate the sound people remember and risk becoming your own nostalgia act, or you can abandon it entirely and risk losing whatever made the band matter in the first place. Time Spent Driving choose neither on Lost Leaves. More than … Read more