Review
Aelter
Dusk-Dawn/Follow You Beloved

Crucial Blast (2011) Jon E.

Aelter – Dusk-Dawn/Follow You Beloved cover artwork
Aelter – Dusk-Dawn/Follow You Beloved — Crucial Blast, 2011

Aelter, like most bands, have a backstory. Unlike most they can be explained through their other projects without fully describing what they are about. The band acts as an offshoot of the doom band WolvSerpent (formerly known as Pussygutt). Wolvserpent deal in massive undulating walls of sludge with use of uncommon (for their style) instruments, namely violin. This tends to add a certain menacing quality to Wolvserpents' brand of doom where as within Aelter it takes a more pronounced role.


Aelter acts as the other side of the coin to the striking heaviness of the members other band. The band calmly creates atmospheres with clean reverberating guitar riffs and sweeping violin. Everything with the band moves a glacial paces. Where with most bands, including their main project, tend to rely on the distortion of the guitars to help create climaxes Aelter rely strictly on feeling.

The opener in this set is "I Beloved" and the song does a great job of letting the listener in on what the band is about. Starting calmly with the aforementioned reverb heavy guitars, slight drums and a quiet voice calling out. The song helps to evoke feelings of longing, loss and general darkness all without playing into anything obvious. The band stay in this mode throughout revisiting instrumental themes throughout and using them to build a full structure. Their ability and willingness to rely on calmer atmospheres only serves to make the sudden build of distorted guitars in the next song " Follow You" that much more heavy. The riffs move slow but are not heavily distorted rather they are only distorted in an effort to serve the bigger picture.

The song "Dusk" opens the accompanying EP and moves back to the themes found within. This starts with a calm acoustic guitar plucking out notes pensively. shortly thereafter the violin comes in to help play a backing role. Building layers seems to be what Aelter is all about the band successfully builds and tears down the structure multiple times throughout keeping things interesting without forgetting their unifying themes.

Closer " Dawn" opens with a looped violin accompanied by organs and keyboards. This borders on somewhat silly at this point as it would be easy to assume that is is to mimic the song title giving a shade of color to the song. Unfortunately it doesn't work nearly as well as one would hope. While it does help to create drama within the design of the song it also seems somewhat unnecessary in the grand scheme. While say this the band still manage to make a decent song out of this and continue to revisit themes to help tie things together. Eventually going back to a distorted droning guitar to help build some movement within the structure.

The best way i can think to describe Aelter is Chamber Doom. While I am coining this genre descriptor now I can't think of a more fitting description for this release. The band use pieces of their related band to build something different invoking a chamber music feel with the violin and the organ. They also work in a very measured way never getting too loud or relying on some form of creepiness due to their more quiet structures. As a counterpoint to Wolvserepent this is nearly perfect.

7.7 / 10Jon E. • January 9, 2012

Aelter – Dusk-Dawn/Follow You Beloved cover artwork
Aelter – Dusk-Dawn/Follow You Beloved — Crucial Blast, 2011

Recently-posted album reviews

Painkiller

The Great God Pan
Tzadik (2025)

Painkiller, the trio of John Zorn, Bill Laswell, and Mick Harris shows no signs of slowing down. The Great God Pan is their third full-length, since their reunion in 2024, and in many ways it is an unexpected offering. In keeping with their interests in the metaphysical realm, Painkiller find inspiration from the famed Arthur Machen horror novella. Here, the … Read more

Painkiller

The Equinox
Tzadik (2025)

Painkiller sees three absolute masters of extreme music join forces. John Zorn of Naked City and a billion other projects, Mick Harris who transcended from Napalm Death drummer to illbient guru with Scorn, and producer extraordinaire Bill Laswell. Their first two records, Guts of a Virgin and Buried Secrets are strange meditations traversing between free-jazz, grindcore and dub. Still hungry … Read more

Dauber

Falling Down
Recess (2025)

The lazy approach would be to call Dauber "ex-Screaming Females," but that barely scratches the surface. If I had to pick one band to namedrop a comparison to, it would be labelmates Night Court. They play a familiar style but with a lot of quirks that set it apart from the genre standard-bearers. It's driving and energetic -- more importantly, … Read more