Review
Antonymes
The Licence To Interperet Dreams

Hidden Shoal (2011) Jon E.

Antonymes – The Licence To Interperet Dreams cover artwork
Antonymes – The Licence To Interperet Dreams — Hidden Shoal, 2011

Antonymes is one Ian M. Hazeldine. The North Welsh based artist has in the last two years released more than a couple works of almost ambient music. I say almost since it has some characteristics of the ambient genre it also bases much of its work in the classical realm as well. The pieces have been everything from short singular releases to multiple discs made to be played simultaneously. All of these things help, in a small way, to explain what Mr. Hazeldine is really up to.

The music comes and goes in calm waves. As though the listener is letting cold english waters touch their feet then retreat repeatedly. This is mood music, in the sense that it would be capable of making one picture a calm stable atmosphere.

The music is slow and rarely picks up any kind of tempo. This is a double edged sword. As the lack of speed or drums help to make the music itself more atmospheric experience for the listener it also makes for something that can be hard to enjoy outside of it's own place. That is to say, in the same way scores for movies can be quite enjoyable and even something truly fantastic, they are generally not something you will find yourself putting on just because.
The recording is pristine almost too pristine. That is to say it is absolutely perfect in a sense it almost doesn't feel like it was done by a human. While in this given genre the human touch can be phased out and very rarely will it be missed, i almost miss a sense that something is imperfect in this recording as it would help to keep the listener on their toes. Instead the listener gets something absolutely gorgeous in almost every way.

There is nothing clearly wrong with this record whatsoever. The music moves along calmly creating ambience throughout the listening process. The same things that make this a great record are also, in some ways, it's downfall. There is some semblance of emotion in these songs but rarely is it clear to the listener. While some instrumental music can dredge any number of feelings from the listeners psyche this seems to avoid doing so. All in all Antonymes have recorded and released something that remains beautiful and almost disassociated from emotion. In the process this reveals little about the artist and even less to the listener.

7.6 / 10Jon E. • October 17, 2011

Antonymes – The Licence To Interperet Dreams cover artwork
Antonymes – The Licence To Interperet Dreams — Hidden Shoal, 2011

Recently-posted album reviews

Bitter Branches

Let's Give The Land Back To The Animals
Equal Vision (2026)

Sometimes when you think of a town you think of a certain sound. Philadelphia is not one of those cities for me, as the bands I know from the area vary a lot in style. Yes, there is the Dan Yemin tree (Lifetime / Kid Dynamite / Paint It Black) but there are also poppy bands and emo bands and … Read more

Top Jimmy & The Rhythm Pigs

Pigus Drunkus Maximus (Reissue)
Blind Owl Records (2026)

If rock ’n’ roll ever had a smoky, beer-soaked, throbbing heartbeat, it lives in Top Jimmy & The Rhythm Pigs’ Pigus Drunkus Maximus. Recorded in 1981 but not released until 1987 on Restless Records, the album always felt like a document out of time — lightning caught like fireflies in clumsy hands, then bottled too long. This newly remastered reissue, … Read more

Dream Fatigue

No Requiem
Daze (2026)

There’s a particular tension that makes alternative rock compelling. I love the emotional push and pull between softness and eruption. On No Requiem, Massachusetts outfit Dream Fatigue thrive in that space, crafting a seven song EP that balances dreamlike melody with bursts of distortion and emotional urgency. Born from the creative partnership between drummer Matt Wood and vocalist Jonali McFadden, … Read more