Review / 200 Words Or Less
Asid Bateri
Demo

Dead Tank (2014) Nathan G. O'Brien

Asid Bateri – Demo cover artwork
Asid Bateri – Demo — Dead Tank, 2014

Here's some of that good ol’ raw punk that was en vogue a few years ago. You know, those salad days before everyone started going gaga for the gothic, post-punk, all-weird-all-the-time trend that’s hot right now. (Personally, I like both styles quite a bit so I’ve got no complaints. I’m just having some fun here.) While the intro shows a band capable of crafting tight song structures and playing skillfully, the rest of this four song red cassette is noisy, blown-out hardcore in the vein of No Power. Discordant vocals buried amidst a feedback wave of D-beaten low end and cacophonous guitars; this shit bangs you over the head like a Dusty Rhodes atomic elbow dropping from the heavens. It’s unsettling and youthful, and in the true spirit of punk.

As for the packaging, it’s nicer than a lot of demos that come across my desk. The J-card is pro-printed glossy cardstock rather than photocopied paper. And I like the artwork because it’s not immediately revealing. It’s simplistic but imaginative in a way that makes me think “mysterious guy” or, like, Synthetic ID rather than crust punk. Thankfully punk is still a genre in which tangible items are the preferred format. As someone who still makes zines with scissors and glue stick I'd never throw shade at those working within the budgetary constraints of DIY, but it’s really nice to see labels like Dead Tank putting in the extra effort to have good-looking product.

Asid Bateri – Demo cover artwork
Asid Bateri – Demo — Dead Tank, 2014

Recently-posted album reviews

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more

The Sleeveens

National Anthem
Goner (2026)

National Anthem is the second album from The Sleeveens, a Nashville, TN band fronted by an Irishman. The band play that perfect mix of protopunk and classic rock 'n' roll that's built on a verse/chorus/verse structure and melody without any frills. It's leather jacket music for the common folk. The debut grabbed me by my collar and spun me around … Read more