Review / 200 Words Or Less
Asid Bateri
Demo

Dead Tank (2014) Nathan G. O'Brien

Asid Bateri – Demo cover artwork
Asid Bateri – Demo — Dead Tank, 2014

Here's some of that good ol’ raw punk that was en vogue a few years ago. You know, those salad days before everyone started going gaga for the gothic, post-punk, all-weird-all-the-time trend that’s hot right now. (Personally, I like both styles quite a bit so I’ve got no complaints. I’m just having some fun here.) While the intro shows a band capable of crafting tight song structures and playing skillfully, the rest of this four song red cassette is noisy, blown-out hardcore in the vein of No Power. Discordant vocals buried amidst a feedback wave of D-beaten low end and cacophonous guitars; this shit bangs you over the head like a Dusty Rhodes atomic elbow dropping from the heavens. It’s unsettling and youthful, and in the true spirit of punk.

As for the packaging, it’s nicer than a lot of demos that come across my desk. The J-card is pro-printed glossy cardstock rather than photocopied paper. And I like the artwork because it’s not immediately revealing. It’s simplistic but imaginative in a way that makes me think “mysterious guy” or, like, Synthetic ID rather than crust punk. Thankfully punk is still a genre in which tangible items are the preferred format. As someone who still makes zines with scissors and glue stick I'd never throw shade at those working within the budgetary constraints of DIY, but it’s really nice to see labels like Dead Tank putting in the extra effort to have good-looking product.

Asid Bateri – Demo cover artwork
Asid Bateri – Demo — Dead Tank, 2014

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more