Review / 200 Words Or Less
Asid Bateri
Demo

Dead Tank (2014) Nathan G. O'Brien

Asid Bateri – Demo cover artwork
Asid Bateri – Demo — Dead Tank, 2014

Here's some of that good ol’ raw punk that was en vogue a few years ago. You know, those salad days before everyone started going gaga for the gothic, post-punk, all-weird-all-the-time trend that’s hot right now. (Personally, I like both styles quite a bit so I’ve got no complaints. I’m just having some fun here.) While the intro shows a band capable of crafting tight song structures and playing skillfully, the rest of this four song red cassette is noisy, blown-out hardcore in the vein of No Power. Discordant vocals buried amidst a feedback wave of D-beaten low end and cacophonous guitars; this shit bangs you over the head like a Dusty Rhodes atomic elbow dropping from the heavens. It’s unsettling and youthful, and in the true spirit of punk.

As for the packaging, it’s nicer than a lot of demos that come across my desk. The J-card is pro-printed glossy cardstock rather than photocopied paper. And I like the artwork because it’s not immediately revealing. It’s simplistic but imaginative in a way that makes me think “mysterious guy” or, like, Synthetic ID rather than crust punk. Thankfully punk is still a genre in which tangible items are the preferred format. As someone who still makes zines with scissors and glue stick I'd never throw shade at those working within the budgetary constraints of DIY, but it’s really nice to see labels like Dead Tank putting in the extra effort to have good-looking product.

Asid Bateri – Demo cover artwork
Asid Bateri – Demo — Dead Tank, 2014

Recently-posted album reviews

The Phase Problem

The Power Of Positive Thinking
Brassneck Records (2024)

I spent a good part of the late ‘90s annoyed at the abundance of Ramonescore. I’ll stand by my word: many of the bands of that era were carbon copies that didn’t bring anything new to the format. But time has passed and what was overdone is now a refreshing change of pace. For whatever reason, when I hear a … Read more

Totally Slow

The Darkness Intercepts
Refresh Records (2024)

I find Totally Slow a hard band to categorize. Their brand of melodic, hard punk is familiar and comforting -- rooted in ‘80s hardcore, ‘90s skatepunk, and post-something guitar-driven rock. The press release namedrops Dag Nasty and Hot Snakes, among others, which I think are good starting points. But while it’s familiar, it’s absolutely not a carbon copy. Like their forebearers, the songs … Read more

Steamachine

City of Death
Records Workshop (2023)

City Of Death is the third album from Polish noise makers Steamachine. Having dabbled in a few metal styles over their career, City Of Death has a heavy carnival influence to it which I have to say I really like. It's interesting just how much more sinister things sound when you pump eerie, jingly circus sounds amongst very dark, heavy, … Read more