Review
Babyshambles
Down in Albion

Rough Trade (2005) Peanut

Babyshambles – Down in Albion cover artwork
Babyshambles – Down in Albion — Rough Trade, 2005

Pete Doherty has spent the last year in and out of tabloid magazines for many different things: drugs, Kate Moss, fighting, Kate Moss on drugs, causing everyone that is involved in the music industry (it seems) to comment on him, 'crazy' live sets and more drugs. All this comes off the back of two just above average albums with his former band, The Libertines. With his new band, however, the new 'rock star'/ 'greatest poet since Wilde'/NME poster boy doesn't have the talent of Carl Barat to fall back on.

So I guess the first question on many people's lips is "does Down in Albion live up to the hype?" The simple answer is yes and no. However, we don't want a simple answer, so let's go for the complex one:

If you're looking for a shambolic (no pun intended) ego-trip by one of the most over-rated musicians of the last 10 years, then this album is right up your street. If, however, you want an album to listen to more than once, this really isn't it.

The album follows the same path as The Libertines used to, musically, with its sub-Clash sound. However, where it veers from this path is the lack of a decent vocal performance throughout. He is completely out of tune; how did this go un-noticed? I hope to Jesus himself that this wasn't intentional, because it sounds awful. There are some moments of sheer bemusement, such as the 'Whoa' that comes a minute and forty seconds into "A Rebours." If you're listening through headphones, it will have you grappling to remove them to try getting that noise out of your head.

Lyrically this album falls flat - Doherty is to poetry what Ed Gein was to cemetery care. "Fuck Forever" sounds like something I would write in five minutes, on the bus to work, with a hangover. I'm guessing "Pipe Down" is supposed to be an anthem about his battle with his crack addiction, but it just grates on you with his faltering shouts and whimpering. "Sticks and Stones" follows the sub-Clash a little too closely with a cod-reggae backing that never really goes anywhere. Whistling (?!?,) for some odd reason, is put in the mix. However, unlike Joe Strummer, who had a great voice, our Pete seems to spend the album talking over the top.

The album does have some good points, though. "Killamangiro" is a pretty decent tune that is somehow not blighted by as bad of a set of vocals as the rest of the album. Even the lyrics are almost passable. Eventually, the album ends as well, which I have to say is the most enjoyable part.

When Pete does finally drop dead from the crack, (which I've bet on being within the next twelve months in the Death Pool,) he will be raised to iconic status by the British press and the NME. However, unlike Cobain, Hendrix, and other icons of music that died young, he will not have left the most important thing- a decent back catalogue to back up the "rock star" status. At least he kicked the shit of that arsehole Johnny Borrell, I guess. That gets the thumbs up from me.

4.0 / 10Peanut • December 12, 2005

Babyshambles – Down in Albion cover artwork
Babyshambles – Down in Albion — Rough Trade, 2005

Related news

Astralwerks Signs Babyshambles

Posted in Labels on August 22, 2007

Recently-posted album reviews

Dead Bars

All Dead Bars Go To Heaven
Iodine (2025)

Dead Bars has a unique talent of taking the everyday, the experiences you see and live all the time, and shining a new light on them to make them personal and interesting. I've written about it before, yet it's my job to say this again and to make it interesting. It's what Dead Bars does, so it only seems fitting … Read more

Painkiller

The Great God Pan
Tzadik (2025)

Painkiller, the trio of John Zorn, Bill Laswell, and Mick Harris shows no signs of slowing down. The Great God Pan is their third full-length, since their reunion in 2024, and in many ways it is an unexpected offering. In keeping with their interests in the metaphysical realm, Painkiller find inspiration from the famed Arthur Machen horror novella. Here, the … Read more

Painkiller

The Equinox
Tzadik (2025)

Painkiller sees three absolute masters of extreme music join forces. John Zorn of Naked City and a billion other projects, Mick Harris who transcended from Napalm Death drummer to illbient guru with Scorn, and producer extraordinaire Bill Laswell. Their first two records, Guts of a Virgin and Buried Secrets are strange meditations traversing between free-jazz, grindcore and dub. Still hungry … Read more