Review / 200 Words Or Less
Backtrack
Deal With the Devil

6131 (2009) Jon E.

Backtrack – Deal With the Devil cover artwork
Backtrack – Deal With the Devil — 6131, 2009

This EP is fairly similar to another recent 6131 release from Bad Seed. This isn't a bad thing. This is a renaissance of sorts for heavy NYHC. Where Bad Seed seems to fail for most is that they don't exploit the grooves they can get into. On the other hand, Backtrack has yet to find a groove they don't like as they stomp through this EP. Once again brutality of sorts ensues but the breaks give the listener a nice breather and show how strong this band is as musicians. The solos that are used sparingly are really great and give a lift to the songs they appear on. This is a great short release of pissed older styled NYHC.

8.4 / 10Jon E. • December 10, 2009

Backtrack – Deal With the Devil cover artwork
Backtrack – Deal With the Devil — 6131, 2009

Related news

Backtrack announced the end, final tours

Posted in Splits on May 19, 2019

Life & Death Tour this summer

Posted in Tours on May 8, 2014

Comeback Kid on the road

Posted in Tours on January 11, 2014

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more