Review
Bad Brains
Build a Nation

Megaforce (2007) Scottie

Bad Brains – Build a Nation cover artwork
Bad Brains – Build a Nation — Megaforce, 2007

These reunions need to stop. Gorilla Biscuits? Cool. Bold? Okay. Bad Brains? No. Honestly, what was Beastie Boy Adam Yauch thinking when he was producing this pile of garbage known as Build a Nation?

Truth be told, I'm relatively new to the Bad Brains catalog. Having listened to them for only a year or so, I'll admit they are a long overlooked gem. Still, it's clear to me, a considerably new fan, Build a Nation is a stark contrast from the Bad Brains most of us have come to worship. Every aspect of this album, right down to the actual artwork reeks of laziness. Perhaps in their old age H.R. and the gang have gotten comfortable, thinking less about the music itself and more about the marketing opportunities. Somehow the words of Minor Threat's "Cashing In" are ringing in my ears.

From a sonic standpoint this album sounds like shredded garbage. Once again I say shame on you Mr. Yauch. Didn't your band just release an instrumental album? I think you would have an exceptional ear for tonal quality. Now I'm well aware that the quality of The RIOR Sessions material is lo-fi due to the recording capabilities available at the time, but all the punk songs on Build a Nation sound like bad thrash recorded with a four-track inside a garbage can.

In regards to the songwriting itself, the reggae songs are okay, period. They aren't amazing nor are they complete shit. If you dig that sort of thing, I imagine you'll like these songs. The punk songs, however, are just plain terrible. Yes, they're fast but still seem slower than the blitzkrieg that were songs like "Attitude" and their most famous track, "Pay to Cum." The worst parts though are the vocals; if it weren't already impossible to make sense of H.R.'s mystic ramblings, there is a dramatic overuse of some studio effect, perhaps delay or reverb, so that there is a terrible echo on a good portion of the vocals. Simply terrible.

And we must not forget the artwork. The cover art isn't terrible; a variation on the logo, that whole fight Babylon stuff. But it's inside where things get spacey, quite literally. First problem, no lyrics, normally this wouldn't be a huge issue but like I stated in the previous paragraph, it's nearly impossible to make out what H.R. is saying. Rather, there is a drawing of the inside of a futuristic space vessel looking out into space. There are no long-term effects of smoking marijuana? Hmm, yeah right.

In short, this is the worst album I've heard all year and probably the lowest review I've given on this site. Perhaps their live shows are little more promising, but even Jah can't save this album.

4.5 / 10Scottie • July 15, 2007

Bad Brains – Build a Nation cover artwork
Bad Brains – Build a Nation — Megaforce, 2007

Related news

I Against I reissue

Posted in Records on May 12, 2024

Special H.R. (Bad Brains) merch offer

Posted in Music News on July 29, 2022

New art exhibit of work by HR and Lori Hudson

Posted in Music News on March 30, 2019

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more