This deviant punk/industrial hybrid sprout onto the scene in 2014 with their EP Gentrification I: The Morning After the Night We Raped Death, introducing their aggressive, noisy and extravagant sound. However, it was their debut record End Position that saw them produce a succinct and complete offering presenting their full vision. Street Sects arrived with an intense and furious perspective, releasing an album … Read more
In 1998, Catch 22's first, and defining album, Keasbey Nights was released by Victory Records. The release was a departure for the label, as they were known at the time for releasing mainly hardcore records. Earth Crisis, Integrity, Snapcase; these were bands Victory was known for releasing landmark records from. Catch 22 shifted the momentum of the label, as a … Read more
It seems as though Six Feet Under is showing its punk roots. Not so surprisingly, so are some collected members of Ceremony. This short release works pretty well in relation to the Broken Patterns release I also reviewed. This takes a more classic hardcore punk route. Back in the mid '80s punk and hardcore got along mostly and the sound … Read more
Self-released split 7"s are a rarity these days. This one features two bands from the state of New Jersey with both bands offering their take on straight edge hardcore. Stressed Out play fairly straightforward aggressive hardcore punk. It's got a definite vintage approach; though they do work in some thrash metal flair with solos. I think the band's strongest aspect … Read more
When all else is said and done, I like my metal like I like my coffee: black, bottomless, and smelling like the inside of a cave. It doesn't need to be fancy. No cream, no sugar no artificial flavors to make it more palatable. Sparse arrangements with sparser production that sounds like it was recorded amongst the smoldering remnants of … Read more
The return of Strike Anywhere seems to be met with mixed emotions by a lot of people, and that's tough for me to understand. While I enjoyed their last proper effort, 2003's Exit English, I know it wasn't their strongest release, but I never expected to hear people claiming this band was past their prime. Past their prime? Already? Yes, … Read more
By now, you probably know exactly what to expect with a Strike Anywhere record, and I mean that in the best possible sense. Unlike Pennywise, still churning out the same tired anthems against "society" and "the government", Strike Anywhere have managed to maintain a furious consistency throughout their surprisingly short career (only seven years), and Dead FM is a good … Read more
Beginning with a short riff-based intro, this record then kicks itself straight into life, inspiring this reviewer to do the same. Exit English, the band's second full-length, shows Strike Anywhere at their fastest, heaviest, and most melodic. The band's political edge on this record is as apparant as ever. Vocalist Thomas: "the songwriting on Exit English has more to do, … Read more
Strong Intention may be one of Maryland's best kept secrets. The band have played a mix of Grind and NYHC since the '90s and seem to be unwilling to quit anytime soon. After a long recording hiatus the band has returned. What may make this the record that gets them more fans is a certain guest star of sorts for … Read more
I've said it before: Translation Loss has an amazing knack for finding bands that are head and heels over most of the metal world. This time they saved a bunch of trouble. After a fall out between members of another band on the label one of the members left and formed this beast. Though this is a heavy band there … Read more
Struck By Lightning came out the gate hard and fast about 3 years ago with their first LP "Serpents". That record truly set them apart from the ex-members of... tag that they could've carried. Instead of playing the post metal of past projects they built a sound that was more indebted to Discharge than Isis. This worked well for them … Read more
I hate one-sheets. In case you are not as media savvy as everyone else, a one-sheet is a sheet of paper that labels send out with their promo releases to record stores, magazines, and other places that sell or review music. Usually on these one-sheets there is something about how great the band is or what great bands they have … Read more
Strung Out's Blackhawks Over Los Angeles was a record that had a lot of ups and downs. The album showcased the band's improving musicianship and songwriting but the production really brought the record down. Singer Jason Cruz's voice felt processed in too many areas and it restricted the power that his vocals usually have. I also felt that the band … Read more
If you're like me, you grew up buying compilations from punk rock labels. It was like opening up a treasure box and finding jewels of new music to marvel at. As Fat Wreck Chords was putting out comps such as Survival of the Fattest and Physical Fatness, Strung Out always stood out to me as doing something unique, having a … Read more
Currently recording their eighth studio album, California punk quintet, Strung Out decided to put together this little compilation album full of b-sides, rarities, alternate takes, and demos. Given that Strung Out has undergone a bit of a transformation in their seventeen years as a band, you're bound to get just a bit of everything with this collection. It's really interesting … Read more
There are some albums that you hear for the first time and fall in love instantly. There are others that require repeated listens in order to grasp the depth and complexity of the material. These albums get progressively more enjoyable as you listen to them. With every spin another pleasant nuance exposes itself. Strung Out’s latest album Transmission.Alpha.Delta falls into … Read more
It seems like a knock, doesn’t it, when you say that a rhythm section carries a band. It seems like you’re knocking the vocalist and guitar player. Like you’re dismissing them. Like you’re dismissing their contributions. So, I have to be careful here, when I say the rhythm section is carrying this band. This band is, of course, Stuttr and … Read more
I'm not really sure why Stylex are as unknown as they are. I mean, they do this neo-new-wave (or whatever you call it) thing better than most of the bands that white belted scensters are drooling over (ahem... Hint Hint) these days. If you mention them to anyone from outside the Toledo/BG area, they just blankly stare, or pretend to … Read more
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