Fugitives from the Laughing House comes twenty years after The Reds released their first single. Despite such a history, the band is not a household name and, with Fugitives from the Laughing House being only the band's second full-length since 1984 (sixth total) it's not that they've been overly prolific. While I am unfamiliar with most of the band's releases, … Read more
Hailing from Oregon, this four-piece outfit has brought forth a four-song EP titled No Help. The title of the EP is fitting as the band has recorded and packaged the entire release themselves. Granted, it's limited to screen printed cardboard sleeves, but that's still cool. I appreciate the DIY effort. "Holy Pigs" is the lead song and immediately you're greeted … Read more
Is this bandname some sort of challenge the bandmembers set for themselves? A goal to achieve so to say: be remembered? Is this debut full-length their first step on a clear defined path? So many questions pop up in my head just by the name alone. This album was brought to my attention with the statement it was a great … Read more
There are really only a couple of formulas that music documentaries take: the overdone Behind the Music drama style and the self-serving rehashing-our-glory-days/let’s-sell-some-soundtracks docs. Director/producer Gorman Bechard has added a third style: that of the fanboy. Axing convention, Bechard has put together a two-hour film about the Replacements that doesn’t only skip talking with the band’s members, it doesn’t play … Read more
Angular, discombobulated yet tuneful and melodic 90's styled emo. I haven't heard a band like this in quite some time and there's probably a good reason for that. The Reptilian is decent enough with their jangly guitars and drums that sound they're falling down a flight of stairs in time but they are also nothing I can fully enjoy. All … Read more
The Reptilian come with little to no notice. The Michigan band has been around for almost 4 years now with only a handful of releases. Taking a page from the older school of angular screamo similar to current bands such as Touche Amore and La Dispute. Focusing more on feeling than just sounding "nice". The four piece keep each song … Read more
The Residents are an anomaly. This is an age where most music is the same regardless of how deep the scratch is. But whether their music is at its most simplistic and frivolous, or challenging and complex, there's an underlying malevolence beneath the songs that somehow make it seem all the more beautiful. Animal Lover is the group's umpteenth recording … Read more
Northern Town is a fitting title for this album. It feels like winter: cold, lonely, and daunting. It’s the third record from The Right Here, based in Minneapolis, MN, one of the northernmost cities in the continental US. The band play alt-country with punk undertones. The songs are a little more expansive than your standard punk thang, with more lament, … Read more
The Riot Before hail from Richmond but look and sound like a Gainesville band. Musically, I'd lump them in with American Steel and old Against Me!. There is a folk undertone, but the music is electric guitar-fueled punk rock with strong, emotive vocals. The band quickly establishes their sound with the titular track "Fists Buried in Pockets," a minimalist song … Read more
Early releases from The Riot Before have had an undeniable feeling that the band was primarily Brett Adams’ project. Although they have a handful of releases under their belt, the band just formed in 2006, and Rebellion shows them still growing beyond Adams’ dominant shouts and the sonic contrasts that define his songwriting. On their latest release there is a … Read more
Someone call the RIAA because I stole an album. That's right, I downloaded the entire Reclamation Process album using a downloading program that shall rename nameless. So how long before I can expect a knock at my door from men in black? Who cares? Let them knock. Why am I being so bold about illegally downloading music? Perhaps it is … Read more
Denison Witmer-say the name with me- Den-i-son Wit-mer. We are doing this exercise for two reasons, because a) his name is kinda hard to pronounce and b) I don't want you to forget it. Now I suppose you want to know who this guy is and what does he have to do with The River Bends? Well, please allow me … Read more
When The Riverboat Gamblers released their last full length, Underneath the Owl, many fans were put off by the cleaner production and poppier approach. Their newest EP, Smash/Grab, was a return to the raw sound and more aggressive song writing, but offers something different by blending in a bit of Garage-Rock.The first of the 4-song EP is arguably the weakest … Read more
The Riverboat Gamblers are an established band. So much so that it surprised me to see that The Wolf You Feed is just their fifth full-length, following last year’s Smash/Grab EP. With that history, they’ve jumped styles and labels, going unfettered rock to slick anthems, and successfully straddling the lines between punk, hard rock, and garage. The Wolf You Feed … Read more
I’m conflicted when it comes to “conscious rap.” On the one hand, I hate the label and attempt and creating a subgenre for hip-hop that doesn’t adhere to the conventions of mainstream rap. To me, it’s still rap and it makes little sense to marginalize those artists who seem to more highly value originality over the fast-food punchlines which dominate … Read more
At a point in the late '90s and early-to-mid 2000s, it seemed like every major artist had at least one tribute album out there. Invariably produced by one cheap-jack record label or another, these albums highlighted a dozen or so no-name musicians playing through (and quite possibly butchering) various well-known songs and were often framed around a particular type of … Read more
On first listen of The Ruins of Beverast new record Blood Vaults – The Blazing Gospel Of Heinrich Kramer (Cryptae Sanguinum – Evangelium Flagrans Henrici Institoris) you pretty much fall in love. On repeated listens however, you find much to dislike about it. It’s too long, there’s too much happening, there’s too much weird stuff going on. While weirdo black … Read more
This is the only album I've ever heard that sounds like it should have been wrapped in a shroud. Relentlessly bleak and resoundingly brilliant, this project of Nagelfar (no, the other one*) drummer Alexander Von Meilenwald is the best ambient black metal album to come around since .well, since the project's last album, Unlock the Shrine, with a couple of … Read more
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