it would be perfectly simple to couple Nothing into the wave of modern shoegaze and close the book. They carry certain trademarks that point towards them owing their guitar sound and then some to Slowdive. This would show an immense degree of short sightedness. While it is clear what band their pedal board choices could be attributed to Nothing have … Read more
It’s strange, how the metal scene embraces certain genres as one of its own, enabling said genre to become “metal adjacent” and enjoy a somewhat wider audience in the long-term. Genres such as synthwave, shoegaze or dreampop, post-punk – all have a solid following from fans of much more extreme music and there’s surely an interesting study within that somewhere, … Read more
A relatively new band, started releasing music around 2010, Nothing display a strong grasp to alternative rock. Their debut album, Guilty of Everything, conjured and presented in great fashion elements such as shoegaze haze and alt-rock grooves, introducing the musical endeavors of the band, but it felt that there was still some way to go for Nothing to achieve their … Read more
I’ll be honest, I missed Roads Bridges & Ruins, even after guitarist Chris Matulich said it would be quite a transition from All In. While I liked All In, for whatever reason I never got to its follow-up. 2011’s Borrowed Time is surely a reflection of the evolution in between. The Social Distortion influence is more tempered (though it’s still … Read more
Few things are stable in this topsy-turvy world. One constant has been Nothington. With the release of In the End, the San Francisco band’s fifth full-length, they’ve continued down the road they started with All In. It’s classic chord-driven punk with a working class, heart on its sleeve aesthetic. Early reviews compared them to Social Distortion, which isn’t horribly inaccurate … Read more
In what might be an early contender for "Most Improved Band of the Year," Nothington brings us their second studio album, Roads, Bridges & Ruins. Now, when we last left the band they released their debut record, All In. While it was a fun listen, it didn't carry much lasting value and I wore it out after a few spins, … Read more
In many cases, EPs of new material from bands who have released prolific albums in the last couple of years are enfuriating teases and rehashes that offer the faithful listener little new material if any at all. It's also difficult to accept an artist's re-rendering of some of your favorite songs. In most cases, tracks are placed in unfamiliar hands … Read more
When Jeff suggested we get this cd for review I was like "Um ok. Who the hell is that?" So I got the cd and gave it a listen. Since then, I haven't doubted Jeff's suggestions once. This cd would be one of the better CDs this year if it weren't such a great year for music. Closest I could … Read more
Hailing from Chicago, Illinois, Novembers Doom were first brought to my attention by a disgruntled Opeth fan, who, unimpressed with the band's last offering, was recommending Novembers Doom's The Pale Haunt Departure instead. He informed me that the vocals - clean and harsh - were just as good as Mikael Ã"¦kerfeldt's and the songs were simply "much better", his words, … Read more
There's this pretty great interview in the most recent issue of Chunklet magazine which talks to Pen Rollings of Honor Roll, more recently of Loincloth fame. In the article, he talks about how all those European metal bands that burn churches down and totally front like they're hard are, in fact, pussies who try too hard. As a result, he … Read more
Whether it is rap music, hardcore or pop punk, it seems the ‘90s are forcing their way back into our unsuspecting eardrums thanks to a handful of well-versed history-appreciating up ‘n’ comers. And with that sentiment arrives Sundowning, the second album by Vancouver, BC’s Nü Sensae, a band leading the small charge of current alt-core revivalists. Now a three piece—with … Read more
Spanish is a very musical language. It flows naturally with any rhythm and can accentuate the beauty of a melody like no other. For any artist, this particular romance language is a highly favorable ally. Nueva Etica, an aggressive hardcore/metal band from Argentina, fully embraces their native language. They are also relentlessly direct in their approach to the hardcore genre. … Read more
Just look at that album cover. It's stuff like this, guys, that explain why we can't have nice things. Good thing I'm not religious, or I'd cry blasphemy in a heartbeat. Thankfully for my interest in black metal, I possess no easily offended sensibilities and can share with you the shockingly-named NunFuckRitual. Given that all of the band members have … Read more
In recent years the Icelandic black metal scene has produced a stunning array of artists. From the dissonant majesty of Svartidauði, to the immediacy of Misþyrming and the psychedelic edge of Wormlust, the scene has truly blossomed. As it is usually the case, this tendency towards the extreme and experimental has not been isolated to the black metal form. Other … Read more
With their Asian Man debut, Neon Creeps, O Pioneers!!! is trying to make a name for themselves while upping the ante on stupid punctuation in band names. What I hear is a sloppy three-piece punk band with hints at a more minimal and sometimes folk-punk style. I call them a three-piece, but the band is clearly Eric Solomon's baby, as … Read more
Oakeater is a Chicago outfit formed in the mid '00s. I must admit I was not familiar with their work before I saw that the band would be releasing their newest album, Aquarius. However, a listen of their cassette, Intrusion, got me interested so I started digging. Apart from a few standalone releases on cassette format, as well as their … Read more
Oathbreaker are a Belgian hardcore (for lack of a better expletive) band with a tendency towards fast-paced metal riffs and an evil, crusty tone. This is their first release for Deathwish Inc. and a fairly solid debut that I’m sure will turn at least a few heads and gain them a few fans. The vocals are the standout performance of … Read more
Starting off with an unusual combination of crust, hardcore and black metal, Oathbreaker have evolved significantly since their debut album, Maelstrom. The follow-up album, Eros/Anteros saw a further evolution of their sound, with post-metal elements beginning to populate their palette. This slightly eased the connection between hardcore and black metal, and resulted in a more expansive vision. Rheia comes now … Read more
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