I could easily give Ceremony's latest album a token crappy review because quite frankly I find this band a bit too overrated to garner an actual unbiased review from me. I really hate to be "that guy" but I haven't enjoyed anything from this North Bay based hardcore unit since their demo and subsequent 7". Everything afterwards just came at … Read more
Few bands have covered as much ground within the confines of the hardcore genre as northern California’s Ceremony. The release of 2008’s Still Nothing Moves You saw a stunning display of brash powerviolence, while retaining traditional hardcore influence, and their third album, Rohnert Park, saw a stark evolution into more experimental and melodic territories without relinquishing the viciousness they’ve come … Read more
It's rapidly becoming clear to me that "post-black metal" just isn't a great name for a genre. In addition to the obvious clunkiness and how little "post-" actually means, a strong argument can be made that the genre doesn't have any legitimate claim to the black metal mantle in the first place. And it's hard to disagree, especially with acts … Read more
It’s 11 o’clock on a Saturday night. You’re lying in your bed, craving some late night music. You want something dreamy, but not Panda Bear dreamy; something minimal, but not Bonnie ‘Prince’ Billy minimal; something that comfortably sits in the middle of it all. Try out Chad VanGaalen.The Calgary singer/songwriter has been making awesome psych folk since 2001. After a … Read more
I don’t know much about Chain Cult – and sometimes that’s a good thing coming into a band. Instead of a bio, the review might actually talk about the music instead. Chain Cult calls Athens, Greece home and this release, succinctly titled Demo 2018 has 6 songs and runs about 17 minutes.The first note is that, for being called a … Read more
This is the kind of hardcore that makes my throat hurt just listening. It’s also the kind of hardcore where I can’t sit still while listening, even when tethered to headphones at work. It’s high energy, relentless and, somehow, it just never lets up. To keep coining silly phrases, this is sweaty, gasp-for-air hardcore. As each of the songs fade … Read more
There’s angry music that’s angry in tone, and there’s angry by trope. Chain Whip is just plum angry. When Josh shouts, the first instinct is to take a step back and watch for spit. It’s blunt, brutal and literally in your face. This EP rips through 5 songs in 6 minutes. While it’s all short, fast, and loud, it’s also … Read more
There are certain guitar tones that recall another era, and Chained Bliss are rooted in one of them. When I hear the angular riffs and repetitive structures on the band’s self-titled debut full-length, I’m immediately taken back in time to the glory days of Wire or Gang Of Four. But while Chained Bliss shares some similarities with the British post-punk … Read more
I'm not going to lie; I was never the hugest fan of Champion. Actually, I think Champion's greatest achievement lies nine seconds within "Harrison and Broadway" where the music stops suddenly and Timm McIntosh does that little guitar squeak. I don't know why I think this is so splendid but I love it every time I hear it. Throughout Champion's … Read more
Changing Face's debut EP, Our Last Chance demonstrates a side of hardcore that is most commonly looked down upon. The side of hardcore that has been left in the frying pan for far too long, and flipped one too many times by tough guys in camo-gear. However, Changing Face keeps these seven songs nice and short, and put in more … Read more
At SPB, we like to write longer reviews. Reviews that go into depth and give you a reason to read and think about a record instead of just hitting Spotify or Bandcamp. The catch, of course, is that some records are really short. It might take you as long to read this thing as it would to listen to Character … Read more
The debut from Charger finds that gray area between punk and metal that’s hard to pigeonhole to a specific genre. You’ll see more than one Motorhead reference in this review, which is both a good place to start and a pretty good complement.Motorhead is really what comes to mind on a play-through of this ripper: just 7 songs over 19 … Read more
I dunno. Maybe reviewing a flexi is a weird idea as it’s a standalone thing. I still don’t get them: They wear out really fast; they’re vulnerable to damage and they don’t sound very good. They’re a novelty item and, in an era with fewer physical releases, somehow the most disposable format is on the rise?Anyway, I wanted to cover … Read more
There is no easy way to define Charts and Maps' sound. My gut reaction is to throw the whole thing under 'math rock,' but that term alone ignores all of the other aspects of their sound. Their proper debut album, Dead Horse, features a diverse array of influences from jazz, progressive music, and even jam bands. Needless to say, it's … Read more
As much as I love death metal, I always seem to have issues enjoying black metal. It's not that I have anything against the genre at all--the aesthetic is actually something I really enjoy. But it does seem as if every band that's been put forward from the genre to me has been lacklustre. Sadly, Oregonians Chasma fall into the … Read more
The great American experiment has a wide range of experiences, but it tends to focus on the coasts. There are countless dystopian pieces of art, often culling from a Warriors-esque concept of urban grit. Chat Pile play dystopian, brutal noise-punk, but from a distinctly middle American point of view where instead of civilians shadowed under dense skylines, their anonymity instead … Read more
It takes approximately 30 seconds to decide whether or not Cheap Girls’ latest album, Giant Orange, is to your liking. The overall, upbeat feel of the album is firmly established within the first few lines of “Gone All Summer,” instantly pulling you into the downtrodden world of bassist/vocalist Ian Graham and co. and not letting up once throughout. Combined with … Read more
LA’s Cheap Tissue bill themselves as rough around the edges garage punk, namedropping melodic yet understated groups like Radioactivity. While the general sound isn’t too far off the mark, the band’s take on high energy garage-fueled punk is more brash and spit-shined, showing more in common with acts like The Hives and New York Dolls. There’s more flash and posturing … Read more
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