Review / 200 Words Or Less
The Chantey Hook
Underground

Razorcake (2014) Aaron H

The Chantey Hook – Underground cover artwork
The Chantey Hook – Underground — Razorcake, 2014

The Chantey Hook have been around for a few years now, but have only released a handful of songs to the masses. Their most recent addition to the small catalog are two tracks from their new Underground 7-inch. The A-Side features the title track. The song's a great Jersey punk-rock anthem that holds its own against this year's best punk-rock songs. A soft guitar opening leads the track into a blistering verse and catchy chorus. Seth Swaaley's vocals have a soft, but aggressive, croon to them that people may need to warm up to. By the end you'll be hooked. "Underground" may be the superior track of the two, but "Blue Collar Rail" offers a bit more fun. There's a streaming dance riff, while a jumping bass overtakes the bridge. It's the perfect track if you feel like you need to let yourself go. Neither track bring something new to the table for the genre, but it's quality music nonetheless. It's just a shame they don't have more of it out there. Do yourself a favor and check out The Chantey Hook.

7.0 / 10Aaron H • September 15, 2014

The Chantey Hook – Underground cover artwork
The Chantey Hook – Underground — Razorcake, 2014

Related news

New 7-inch from The Chantey Hook

Posted in Records on June 8, 2014

The Chantey Hook premieres new song

Posted in MP3s on January 4, 2014

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more