Review
CZARFACE (INSPECTAH DECK + 7L & ESOTERIC)
Self Titled

Brick (2013) Nathan G. O'Brien

CZARFACE (INSPECTAH DECK + 7L & ESOTERIC) – Self Titled cover artwork
CZARFACE (INSPECTAH DECK + 7L & ESOTERIC) – Self Titled — Brick, 2013

Revisiting a collaboration that first appeared on the title track of Speaking Real Words, the debut EP by 7L & Esoteric, the Beantown duo has teamed up with Wu-Tang Clan’s Inspectah Deck again. Some 14 years later the three veterans come together with a full-length superhero project titled Czarface. Taking into account the back catalogue of the parties involved, it comes as no surprise that the modus operandi here is gritty, hard-line boom-bap.

The album is a clear indication that both Esoteric, at over a decade in the game, and Deck, at nearly twice as long, are still exceptional rhyme-slingers. The two effortlessly intertwine braggadocios liberetti with a myriad of cleverly placed pop culture references, and do so at well-paced clips. Amidst a period of rap music that sees increasingly less emphasis placed actual mic skills in favor of marketable personality, Deck and Esoteric remind listeners that emceeing is a true art form.

However, Czarface is not only a showcase of the lyrical prowess of the journeymen emcees, but also of the beat-creation and turntable abilities of 7L. Aside from the requisite DJ Premier track, “Let it Off,” the entirety of the production is owned by 7L. Ripe with cartoon, wrestling, and movie samples, his soundscapes draw upon ‘90s griminess and varying degrees of backpack-ish head-nod. 

“Cement 3’s” has the blatant RZA influences that most Wu-apropos beats not produced by the man himself do—it even comes with Old Dirty Bastard samples in the cut. It sounds like it could have been lifted from 36 Chambers or the Ghost Dog soundtrack. “It’s Raw” opens with a snippet of a Road Warriors promo from WCW and ends with one of Robert De Niro from Ronin. An infectious head-thumping loop occupies the time in-between. On “Savagely Attack” the high-pitched keys nicely contrast a low-end bass, while 7L scratches Ironman cartoon samples in the hook. Fans of menacing East Coast rap music, take note—Czarface is that Jeep-banger shit you can snap your neck too. 

While the record is for the most part rooted in ‘90s nostalgia, it’s not a total throwback affair. Several emcees of the current indie wave-making populace drop in with guest verses—Roc MarcianoAction BronsonMr. MFN eXquireOh No, and Vinnie Paz among them. And to further build-up excitement for the heads eagerly awaiting the arrival of the Wu-Tang Clan's 20th anniversary, both Cappadonna and Ghostface Killah offer lyrical contributions. Czarface stakes a claim as one of the more superb additions to the recent upsurge of boom-bap revivalism.

CZARFACE (INSPECTAH DECK + 7L & ESOTERIC) – Self Titled cover artwork
CZARFACE (INSPECTAH DECK + 7L & ESOTERIC) – Self Titled — Brick, 2013

Related news

A Kool Keith comic

Posted in Bands on May 11, 2025

Czarticial Intelligence is on its way (Czarface)

Posted in Records on October 3, 2023

Recently-posted album reviews

Vial

Hellhound
Trout Hole Records (2026)

I was really into the last Vial record, a quick burst of peppy and pointed brat punk. The early singles off Hellhound lean way more grunge, so I was curious how the band had developed in the past couple of years. And while my very first impressions of "Infected" and "Scorpio Moon" had me thinking of L7 and Nirvana, by … Read more

Mauled

When Your Eyes Are Shut
Silverback Gorilla Records (2026)

Deathcore has spent the last decade mutating into increasingly technical, polished, and theatrical territory. Some bands chase symphonic grandeur. Others lean into hyper-technical brutality. The Indianapolis wrecking crew named Mauled take a different approach on When Your Eyes Are Shut. They drag the genre back toward the raw chaos of its early years. This six track EP feels deliberately rooted … Read more

DMZ

The Lost Studio Sessions-1978
Crypt Records (2026)

The Lost Studio Sessions 1978 finally sets the record straight. This is the raw, ugly power the band’s debut never touched. For years, the DMZ legacy has been misunderstood because of that Sire LP. Look, it was the first record of theirs I ever heard and I still love it—but Flo & Eddie’s production smoothed over everything that made them … Read more