Review
CZARFACE (INSPECTAH DECK + 7L & ESOTERIC)
Self Titled

Brick (2013) Nathan G. O'Brien

CZARFACE (INSPECTAH DECK + 7L & ESOTERIC) – Self Titled cover artwork
CZARFACE (INSPECTAH DECK + 7L & ESOTERIC) – Self Titled — Brick, 2013

Revisiting a collaboration that first appeared on the title track of Speaking Real Words, the debut EP by 7L & Esoteric, the Beantown duo has teamed up with Wu-Tang Clan’s Inspectah Deck again. Some 14 years later the three veterans come together with a full-length superhero project titled Czarface. Taking into account the back catalogue of the parties involved, it comes as no surprise that the modus operandi here is gritty, hard-line boom-bap.

The album is a clear indication that both Esoteric, at over a decade in the game, and Deck, at nearly twice as long, are still exceptional rhyme-slingers. The two effortlessly intertwine braggadocios liberetti with a myriad of cleverly placed pop culture references, and do so at well-paced clips. Amidst a period of rap music that sees increasingly less emphasis placed actual mic skills in favor of marketable personality, Deck and Esoteric remind listeners that emceeing is a true art form.

However, Czarface is not only a showcase of the lyrical prowess of the journeymen emcees, but also of the beat-creation and turntable abilities of 7L. Aside from the requisite DJ Premier track, “Let it Off,” the entirety of the production is owned by 7L. Ripe with cartoon, wrestling, and movie samples, his soundscapes draw upon ‘90s griminess and varying degrees of backpack-ish head-nod. 

“Cement 3’s” has the blatant RZA influences that most Wu-apropos beats not produced by the man himself do—it even comes with Old Dirty Bastard samples in the cut. It sounds like it could have been lifted from 36 Chambers or the Ghost Dog soundtrack. “It’s Raw” opens with a snippet of a Road Warriors promo from WCW and ends with one of Robert De Niro from Ronin. An infectious head-thumping loop occupies the time in-between. On “Savagely Attack” the high-pitched keys nicely contrast a low-end bass, while 7L scratches Ironman cartoon samples in the hook. Fans of menacing East Coast rap music, take note—Czarface is that Jeep-banger shit you can snap your neck too. 

While the record is for the most part rooted in ‘90s nostalgia, it’s not a total throwback affair. Several emcees of the current indie wave-making populace drop in with guest verses—Roc MarcianoAction BronsonMr. MFN eXquireOh No, and Vinnie Paz among them. And to further build-up excitement for the heads eagerly awaiting the arrival of the Wu-Tang Clan's 20th anniversary, both Cappadonna and Ghostface Killah offer lyrical contributions. Czarface stakes a claim as one of the more superb additions to the recent upsurge of boom-bap revivalism.

CZARFACE (INSPECTAH DECK + 7L & ESOTERIC) – Self Titled cover artwork
CZARFACE (INSPECTAH DECK + 7L & ESOTERIC) – Self Titled — Brick, 2013

Related news

A Kool Keith comic

Posted in Bands on May 11, 2025

Czarticial Intelligence is on its way (Czarface)

Posted in Records on October 3, 2023

Recently-posted album reviews

Place Position

Went Silent
Blind Rage Records, Bunker Park, Poptek, Sweet Cheetah (2026)

There’s a certain kind of band that makes sense immediately once you see them live. Place Position is one of those bands. Before Went Silent ever landed on my speakers, I caught them at a show I played in Dayton, and they were the kind of band that quietly steals the night. There were no theatrics, no posturing, just total … Read more

Twenty One Children

After The Storm EP
Slovenly (2025)

Hailing and wailing from Soweto, South Africa, rising from the ashes After The Storm comes pounding like a fierce berg wind. Don’t let this trigger your ancraophobia; they are only here (hear) to rip your sagging, middle-aged flesh from your living corpsicle sonically. Ah, Daddy—yes, Son—tell us about a time when punk was raw, dangerous, and would generally stomp your … Read more

Awful Din

Anti Body
We’re Trying Records (2026)

There’s a certain honesty that only comes from bands who’ve spent years playing to half-filled rooms, basements with bad wiring, and bars where the PA is optional. ANTI BODY, the new LP from Brooklyn emo punks Awful Din, sounds like it was built in those spaces. Not as a gimmick, but as lived experience. This is a record that feels … Read more