Review / 200 Words Or Less
Damiera
M(us)ic

Equal Vision (2007) Tohm

Damiera – M(us)ic cover artwork
Damiera – M(us)ic — Equal Vision, 2007

M(us)ic equals "us in music." Playful guitar lines and broken time signatures characterize Buffalo, New York's Damiera. Imagine a mélange of The Fall of Troy and Circa Survive. This comparison (to bands also on Equal Vision Records) was the first thing I thought of when listening to Damiera. Each track is respectively catchy and melodically technical, proving the musicians know how to play and write well. The vocals can be overbearing at times, but definitely fit the band's musical style. As a random note, the guitar work on the seventh track, "Departure," sounds a lot like the now deceased Ghosts and Vodka (which is damn cool, I might add). M(us)ic presents many different song structures, but the riffs become too familiar after the first couple of tracks. Chances are, if you like more than two bands on Equal Vision Records, you'll be pleased by this release.

5.5 / 10Tohm • October 11, 2007

Damiera – M(us)ic cover artwork
Damiera – M(us)ic — Equal Vision, 2007

Related news

Equal Vision Signs Damiera

Posted in Labels on August 22, 2006

Recently-posted album reviews

Generacion Suicida

Hombre Nuevo
Vitriol (2026)

On the tail end of Autogramm’s 2018 tour of Mexico (what little I remember of that week now is a lot of pulque and not a lot of sleep) I visited the one punk record store in CDMX that I found via googling where to buy bootleg punk t-shirts. I’d already visited Venas Rotas Discos earlier on the trip and … Read more

Karen Dió

Fugaz
Hopeless (2026)

Six songs. That's all Karen Dió needs on this EP. Considering the title translates roughly to fleeting, brief, or transient in Portuguese, maybe that's exactly the point. Dió's second EP doesn't hang around long enough to overstay its welcome. It arrives, makes a hell of a lot of noise, throws some gigantic hooks at you, and disappears. But there's considerably … Read more

Real Numbers

Was It Always This Way
Slumberland Records (2026)

I feel like this may be the first 12", 10-song release in my collection from Real Numbers, a dreampop meets jangle-indie rock band from Minneapolis. I'm not going to fact check my statement, because I mean it as a metaphor. Real Numbers play exactly what you'd expect based on my short description so far, but there's always something just a … Read more