Review / 200 Words Or Less
Defcon 4
File Under Fuck

Black Box Recordings (2006) Michael

Defcon 4 – File Under Fuck cover artwork
Defcon 4 – File Under Fuck — Black Box Recordings, 2006

A lot of bands claim influence from early hardcore favorites like Black Flag and Minor Threat. Nine times out of ten it is complete bullshit and nothing more than a marketing ploy - "We blend the intensity of Minor Threat with the brutality of Slayer and the social awareness of Catharsis." Actually that band sounds kind of sweet, but you get what I'm talking about. Well Boston natives Defcon 4 actually do draw quite a bit of influence from Black Flag, as well as a host of other early hardcore favorites. Over the course of File Under Fuck the band demonstrates this with their snarly punk/hardcore amalgamation. And while at times the band creates some downright sweet music, the vast majority of the time they make my head spin in confusion. If you fancy spastic punk/hardcore with weird song-structures then Defcon 4 is for you.

5.0 / 10Michael • June 20, 2006

Defcon 4 – File Under Fuck cover artwork
Defcon 4 – File Under Fuck — Black Box Recordings, 2006

Recently-posted album reviews

Tired Radio

Hope In The Haze
Red Scare Industries (2025)

I knew of Tired Radio, but I didn't really know the band's work. When Red Scare announced they'd signed the band, I figured it was a good excuse to dive in -- and I'm glad I did. Hope in the Haze is the title of their Red Scare debut and that title kind of sums up their general vibe too. … Read more

The Resinators

Recorded In 2005 By Jay Reatard
Independent (2024)

Interesting little slab we got sent to SPB by a Mr. Ed Young. Two originals and a cover, recorded in Jay Reatard’s living room back in 2005 as the title suggests. So that would be around the time of The Reatards’ Not Fucked Enough for anyone keeping track. Jay had apparently just switched from analog to digital recording but it … Read more

Various Artists

Bombs Away!
Rad Girlfriend Records (2025)

Split records have always worked best when they feel intentional rather than convenient, and Bombs Away! lands firmly in the former category. Bringing together East Bay veterans Tsunami Bomb and Oakland’s The Hammerbombs, this six-track split (three songs per band) doesn’t just unite two names but captures two complementary approaches to Bay Area punk that still feel vital decades into … Read more