Review / 200 Words Or Less
DRLNG
Icarus EP

Silber (2014) — Andy Armageddon

DRLNG – Icarus EP cover artwork
DRLNG – Icarus EP — Silber, 2014

The tight and bright 2014 Icarus EP marks the debut of the indie pop quartet that originally recorded as Plumerai under their new name of DRLNG. Despite the group’s billing in some press materials as a shoegaze-inspired project, I noticed much more inspiration coming from the world of cheerful French pop music of the ‘60s, particularly in the almost birdlike vocal melodies heard in these tracks. Focusing on singer Eliza Brown’s soothing soprano, the album’s somewhat mysterious and very European-sounding title track surges forward on the back of a bouncy bassline before the EP settles in on the more relaxed pairing of “My Gypsy” and “Playground Punk.” Both of these tracks come across as playful love songs built around gentle guitar melodies and cooing, high-pitched vocals. Final track “Seattle” is sung in French and delivered in three-quarter time, unleashing powerful guitar riffage around the midway point that adds punch to an otherwise quaint tune. Though fairly short, this quietly delightful and rather unique EP is probably one of the year’s most unexpectedly pleasant surprises and is definitely worth a listen.

See also

https://drlngmusic.bandcamp.com/

DRLNG – Icarus EP cover artwork
DRLNG – Icarus EP — Silber, 2014

Recently-posted album reviews

Sweeping Promises

You Say I Romanticize
Sub Pop (2026)

What strikes me foremost about this record are the vocals. As the father of a 13 y.o. daughter I feel qualified to say that this person could be a pop singer. I mean I don’t really know what it takes to be one, although I’m sure that it’s more than a voice good enough to win a game show, I’ve … Read more

Moonraker

Me and the Bells
Punkerton Records (2026)

I have probably talked about this before, I knew of Moonraker through split EPs and things like that, but they didn't fully pop into my consciousness until The Forest. Me and the Bells, four years later, is their follow-up full-length and it continues the trajectory from that record while still capturing its own distinct vibe. Musically the band is heavily … Read more

Dreamwell

Hymns for the Denial of God
Prosthetic (2026)

Some records make their intentions obvious from the very beginning. They use the same structure that countless bands have for decades: verse, chorus, breakdown, payoff, and the blunt force of explaining what you are supposed to feel. Hymns for the Denial of God does something much more complex. It’s a series of difficult questions no one wants to answer, proposed … Read more