Review / 200 Words Or Less
Echo & The Bunnymen
The Fountain

Ocean Rain Records (2009) Sean K.

Echo & The Bunnymen – The Fountain cover artwork
Echo & The Bunnymen – The Fountain — Ocean Rain Records, 2009

New record from the band blasts off with the first single "Think I Need It Too" and doesn't look back. Will Sergeant's guitar is prominent throughout, and Ian's vocals still impress after all these years. "Do You Know Who I Am?" may be the hardest rocker on this collection, with driving drums powering the song along. But the quieter moments will make more imprints on the listener after a few plays. Check the title track for a reference, Sergeant's guitar swirls around McCulloch's vocals like the Ocean Rain days of old. But this is a band that is always moving forward, so hop on board and go for a pleasant ride.

8.0 / 10Sean K. • September 2, 2010

Echo & The Bunnymen – The Fountain cover artwork
Echo & The Bunnymen – The Fountain — Ocean Rain Records, 2009

Related news

Echo & the Bunnymen + Violent Femmes

Posted in Tours on July 21, 2018

Recently-posted album reviews

Dream Fatigue

No Requiem
Daze (2026)

There’s a particular tension that makes alternative rock compelling. I love the emotional push and pull between softness and eruption. On No Requiem, Massachusetts outfit Dream Fatigue thrive in that space, crafting a seven song EP that balances dreamlike melody with bursts of distortion and emotional urgency. Born from the creative partnership between drummer Matt Wood and vocalist Jonali McFadden, … Read more

The Went Wrongs

This Isn't What I Ordered
Transcendental Revolution (2026)

I'm not sure what's happening to me in middle age. I used to find samples clever and a nice change-of-pace technique on albums. But lately I feel like they interrupt instead of compliment what I'm hearing. This Isn't What I Ordered starts off really strong with fast, melodic and personalized punk over the first few songs. Then the sound clips … Read more

Spillings

Spillings
The Garotte (2026)

Spillings is a minimalist reconfiguration undertaken by two artists whose careers have been about genre deconstruction. The paths of Mathieu Ball and Liam Andrews have been running on parallel tracks, but both have been aiming for a similar endpoint. That is to strip down the heavy, experimental rock form, while at the same time retaining its destabilizing core. With Big … Read more