Review
El Ten Eleven
Every Direction is North

Bar/None (2007) Tyler

El Ten Eleven – Every Direction is North cover artwork
El Ten Eleven – Every Direction is North — Bar/None, 2007

Some would argue that post-rock has, in recent years, become overpopulated with carbon copies of Explosions in the Sky. Although I am not so sure about that myself, I can definitely see that there are some bands falling into a bit of a quiet-loud-quiet, delayed and reverbed guitar formula.

Not that I am complaining, because I have to dig pretty deep to find a post-rock band that will actually bore me. But there are a handful of bands out there that are actually doing something unique, exciting, and emotionally powerful that break the "post-rock mold," if you will. Although if you take a look at post-rock's beginnings, you will see that there really is no mold or formula for post-rock and there was never intended to be one. But that's precisely what I am getting at.

El Ten Eleven is one of those instrumental bands that can pull its music together into a genuinely moving and expressive final product that is even lyrical in a way. And it's also one of those bands that you can sincerely say sounds like no other band out there. El Ten Eleven's self-titled album from 2005 was one of the most gorgeous, chilled-out albums I've heard, and Every Direction is North takes the same sound to a whole new level.

And it may be surprising that the beauty in El Ten Eleven's music doesn't rely on slowly tremolo-picked guitars like many other bands. Their songs use fairly upfront math rock/shoegaze tendencies as a framework for shimmering noodly guitars, propulsive bass lines, and haunting synths. Amazingly, it only takes two guys to execute this music, relying heavily on a double neck guitar/bass and a lot of looping.

Take for example the album's title track. The song starts with an attention-grabbing clean guitar, soon joined by a second and a third guitar part. Then a muscular bass line starts pounding its way into your head, not to be forgotten for days. This is followed by a bouncy rhythm on the drums and one of the most vital parts of all: one of El Ten Eleven's signature ethereal, heart-wrenching synth guitar melodies. The song then quickly escalates into a fuzzed-out batch of guitar and frenzied drumming, then segues into a laidback rhythm overlaid by a beautiful guitar melody that puts a smile on my face every time.

El Ten Eleven is proof that you don't need a shitload of reverb to create beautiful or epic music (although a pedal board full of all manner of other effects doesn't hurt). Every Direction is North is a happy marriage of math rock without the fretboard gymnastics, shoegaze without the blatant digital sheen, and post-rock without boring drop-offs and predictable crescendos. Instead of going for a dark, brooding sound like so many post-rock bands, El Ten Eleven opts for a much more upbeat, even joyful sound that is sure to get your toe tapping while still hitting hard on a very personal level.

9.2 / 10Tyler • August 22, 2007

El Ten Eleven – Every Direction is North cover artwork
El Ten Eleven – Every Direction is North — Bar/None, 2007

Related news

El Ten Eleven goes Nowhere Faster

Posted in Records on March 6, 2026

Yesness (members of El Ten Eleven and Don Caballero)

Posted in Bands on September 26, 2024

Recently-posted album reviews

David J

Tracks From the Attic Revisited
Independent Project Records (2026)

Sometimes musical circles take decades to close. Just ask Fleur De Lys and their catchy cover of The Who’s '60s freakbeat rarity, "Circles." For those of us digging through dusty crates at the margins of post-punk, a first introduction to mid-century mystic Eden Ahbez didn't come from a Nat King Cole hit. It came straight from the liner notes of … Read more

Physicalist

Self Titled
Dirt Cult (2026)

F.Y.P is one of the rare bands that I'd say nobody sounds like -- but in the past two months I've caught myself making that comparison twice. First while listening to the new Dumpies LP (spoiler alert: they cover F.Y.P on that same record) and now as I listen to the Physicalist debut EP. The interesting thing here isn't the … Read more

Dylan Thomas

Todo se desvanece
Burnt Toast Vinyl (2026)

When bands spend months slowly piecing together an album with cheap gear, limited time, and apparently an alarming amount of terrible beer, it’s kind of romantic. Not romantic in the polished indie film sense. More romantic in the sense that you can actually hear people chasing a feeling before life pulls them in different directions. That tension sits at the … Read more