Review
Embers
Shadows

Independent (2011) — Jon E.

Embers – Shadows cover artwork
Embers – Shadows — Independent, 2011

Embers is a grouping of people from Oakland California and while most of what their area is known for is being dangerous hip hop tends to be the best known export of the city. Meanwhile in the shadows Embers have built something that may be more reminiscent of their hometown. A four piece that, at least on recordings, includes more than a few auxiliary instruments including viola and piano. While, at one time, the inclusion of these instruments would seem strange it now seem incredibly normal in black metal to include these things to help create atmosphere. Unfortunately this too can be taken too far (I'm looking at you Dimmu Borgir).

The band play with atmosphere throughout their work not relying on the classical instruments but rather on the drone and sludge that seems to permeate their overall sound. This helps to make the band sound much nastier than their classical instrument using counterparts. The basis of Embers' sound is simple on its own but the band uses these simple pieces to build an encompassing whole.

After a short introduction things get off the a nasty start with the 10 minute "Eucharist". This song exemplifies the bands overall style. Changing from a blackened tone to sludgy crawl on a dime to make something truly nasty sounding. All of this gets capped off beautifully by classical piano coda. This makes for a well rounded song with a strong structure. This acts the bands hallmark each bit of this structure, along with drones and a few other tricks, make face time in each song.

The band play on their strengths throughout the recording. The beefy sounding recording only helps to prove how talented this band is. Everything is made to be clear and completely listenable without ever losing its edge. The truly interesting piece of the band is the drummer. The tempos range throughout at times involving a strong martial rhythm rather than relying solely on blast beats. This makes for a record that has layers allowing the listener to truly delve into the songs and feel a part of.

With all of the talk of up and coming black metal bands getting attention from non metal sources many bands from the underground get forgotten. While Liturgy and others have garnered notice for being different and possibly an abnormality in their style bands such as Embers have been working hard to build their own sound with little notice. This benefits those who are truly interested in hearing something different within the black metal genre. While the band is definitely a black metal band first and foremost their additions to the style allow them to stick out and be their own band.

8.6 / 10 — Jon E. • August 22, 2011

Embers – Shadows cover artwork
Embers – Shadows — Independent, 2011

Related news

UREDDA (Coil and Zu members)

Posted in Records on October 18, 2026

Yesness (members of El Ten Eleven and Don Caballero)

Posted in Bands on September 26, 2024

Members of The Appleseed Cast + Mineral

Posted in Records on June 25, 2024

Recently-posted album reviews

Contention

Nuclear Summer
Daze (2026)

Contention, I would argue, has spent the last few years at or near the top of the heap of the return to 90's styled Straight Edge Metalcore. I am being specific because there is no mistaking Contention's influences nor their message. This is a STRAIGHT EDGE band that is far more indebted to Morning Again that anything that uses a … Read more

A Secret Revealed

The Ruin I Summoned Forth
Lifeforce (2026)

There are albums that use heaviness as an assault and others that use it to create an atmosphere. On The Ruin I Summoned Forth, A Secret Revealed manage to does both. The German quintet’s fourth full-length is an enormous, bleak piece of post-metal, but calling it post-metal only gets you part of the way there. Black metal cuts through its … Read more

Time Spent Driving

Lost Leaves
Thirty Something Records (2026)

There's a particular challenge facing bands that came out of the late '90s and early '00s emo scene. You can recreate the sound people remember and risk becoming your own nostalgia act, or you can abandon it entirely and risk losing whatever made the band matter in the first place. Time Spent Driving choose neither on Lost Leaves. More than … Read more