Review
Empty Promise
Start from the Ground

Independent (2009) Corey S.

Empty Promise – Start from the Ground cover artwork
Empty Promise – Start from the Ground — Independent, 2009

Austria, the home of some of my ancestors and one of my favorite finds of the year, Empty Promise. This four-piece melodic punk band definitely took me by surprise and are sure to do the same to more listeners. Already having an impressive demo EP on their resume, Empty Promise continue to come out strong with their debut album, Start from the Ground.

What exactly does Empty Promise bring to the table? Well, they play a style of punk rock that's very upbeat and has no shortage of guitar solos and melodies. The great guitarwork on this album is one of the many things that makes it what it is. Whether it's a ridiculous solo or just them playing along with the melody of the song, the band's guitarists really show off their skill in a lot of ways. The solo in "Bottles" sounds similar to ones played by Death By Stereo and there are a few that could be passed off as something from the band A Wilhelm Scream, the solo in "Constant Reminder" for example. While the solos are a lot more noticeable, they aren't exactly the best thing about the guitarwork. How Empty Promise delivers quick and sharp riffs is what they do best and they are very consistent with it.

Every track on Start from the Ground is solid, but there are three songs that really hit home for me big time. The first one is the infectious opener "Days Go By" which has a catchy rhythm that will have you singing along for it's entirety. "Parkbench Tales" comes two tracks later and makes great use of gang vocals early on along with some fabulous bass playing. The third standout is the acoustic re-recording of "Mediocre Lies" from their EP Conscience Today and it really hits the listener hard when it comes on. There are plenty of other noteworthy tracks on Start from the Ground, too. There's "Wasting Time" with it's tempo change mid-way through and the chanting that closes the song make it very memorable, "Second Hand" also uses as similar method with the way it ends. There's also the great opening dueling guitars of "Breaking Out" to begin the song on a high note.

Another thing to comment on is the improved production of Start from the Ground compared to Conscience Today. The sound is still raw but the band sounds a lot tighter. The drumming provides a great pulse for their sound and the vocals sound much clearer. Empty Promise aren't exactly the most original band out there but they really excel at what they do, and a lot better than some of their peers.

Start from the Ground is an excellent "pop-punk" album that's sure to win over a lot of listeners. Again, it's not really anything groundbreaking but it's definitely great for what it is. Hard to find any faults with this record; semi-raw production, memorable hooks, great production, relatable lyrics - what's not to like? If you're into pop-punk that leans towards the punk side of things, then Start from the Ground is the record for you. I have a feeling that the executives at No Idea or Fat Wreck will be wanting this young band on their roster very soon.

8.8 / 10Corey S. • June 17, 2009

Empty Promise – Start from the Ground cover artwork
Empty Promise – Start from the Ground — Independent, 2009

Recently-posted album reviews

The Phase Problem

The Power Of Positive Thinking
Brassneck Records (2024)

I spent a good part of the late ‘90s annoyed at the abundance of Ramonescore. I’ll stand by my word: many of the bands of that era were carbon copies that didn’t bring anything new to the format. But time has passed and what was overdone is now a refreshing change of pace. For whatever reason, when I hear a … Read more

Totally Slow

The Darkness Intercepts
Refresh Records (2024)

I find Totally Slow a hard band to categorize. Their brand of melodic, hard punk is familiar and comforting -- rooted in ‘80s hardcore, ‘90s skatepunk, and post-something guitar-driven rock. The press release namedrops Dag Nasty and Hot Snakes, among others, which I think are good starting points. But while it’s familiar, it’s absolutely not a carbon copy. Like their forebearers, the songs … Read more

Steamachine

City of Death
Records Workshop (2023)

City Of Death is the third album from Polish noise makers Steamachine. Having dabbled in a few metal styles over their career, City Of Death has a heavy carnival influence to it which I have to say I really like. It's interesting just how much more sinister things sound when you pump eerie, jingly circus sounds amongst very dark, heavy, … Read more