Review
Enthroned
Obsidium

Agonia (2012) — Keenan Harrison

Enthroned – Obsidium cover artwork
Enthroned – Obsidium — Agonia, 2012

Belgian black metal veterans Enthroned offer up a new platter of palpable devastation with Obsidium. With this album they show the versatility that has carried them throughout their career. Obsidium will be revered amongst black metal purists, but easily approachable by those unfamiliar with the genre. Metalheads of all sorts will be coming together to bask in the darkness of every riff.

The opening track has that signature bleak opening fused with low chaotic riffing to create the perfect stage for the rest of the album to act upon. Enthroned doesn’t ease you into the album, they drag you under water in the first few seconds and holds you there for 40 minutes. Every second is a struggle. The storytelling aspect to each song is very unique and explained through the expanding vocal range of Nornagest and his backups. Early death elements spill through on the title track as well as the 4th track, “Deathmoor,” while some standouts like “The Final Architect” sound like the black metal equivalent of a ballad. It is epic sounding with a touch of urgency throughout the song. My favorite song was actually the concluding “Thy Blight Vacuum,” which shows a different writing aspect then I’d heard from Enthroned in the past. Instead of focusing on the morbid riffing they usually master, this song in particular sounds more haunting than anything else. The mix of vocal styles and the driving, half-time beats at the beginning and end send chills down my spine each time I listen.

Beautiful melodies intertwined with a speed and precision that is only matched by thrash bands these days make Enthroned one of the more interesting acts in black metal today. For people who might be scared off by bands like Emperor, Enthroned is very good transitional tool, almost like an introduction to the genre. It’s not too abrasive for the newly recruited, but still contains the musicianship and heaviness required by the legions of already loyal fans. Obsidium is perfect music for storming the gates of an oppressive regime or for drinking a few beers with friends when you’re feeling a bit twisted.

Enthroned – Obsidium cover artwork
Enthroned – Obsidium — Agonia, 2012

Related news

New Enthroned next month

Posted in Records on March 19, 2014

Enthroned and Forgotten Tomb European tour

Posted in Tours on November 21, 2012

Enthroned and Marduk in Brazil

Posted in Tours on June 20, 2012

Recently-posted album reviews

Onelinedrawing

RAINBOWMACHINE
Iodine (2026)

I grew up listening to the acoustic side of onelinedrawing. Those stripped-down Jonah Matranga songs had a way of making everything else disappear, often needing little more than a guitar, a voice, and an honest melody to completely pull you in. That's still the version of onelinedrawing that immediately comes to mind for me, so with Matranga having been relatively … Read more

Professor and the Madman

Dreamworld
FullerTone Records (2026)

ALBUM HIGHLIGHTS – “Brand New World”, “12 Strings and Tambourines”, “Adams Street”, “Temple of Madness” It’s rare to find these days. A band (or maybe supergroup, in this case) that defies all genre boundaries and just…creates. Alfie Agnew (Adolescents, D.I.) and Sean Elliott (D.I., Mind Over Four) are familiar names from Orange County’s early 80s hardcore and psych-punk scenes, but … Read more

Chat Pile

Who Loves The Sun
Flenser (2026)

If Chat Pile were a film, they would be a dark thriller. The kind that builds tension until the end and, once we reach the third act, still might not ever show the killer. It's plodding and intense and, while I just pulled out a genre reference, the best thing about the band is how much they defy conventional musical … Read more