Review / 200 Words Or Less
Everyone Everywhere
A Lot of Weird People Standing Around

Evil Weevil (2009) Campbell

Everyone Everywhere – A Lot of Weird People Standing Around cover artwork
Everyone Everywhere – A Lot of Weird People Standing Around — Evil Weevil, 2009

Everyone Everywhere is a relatively new group from Philadelphia that loves to wear their influences plainly on their sleeve. Sounding somewhere between Nothing Feels Good-era Promise Ring and the bouncy guitars of Braid, they bring us four tracks of this 90's style that I don't hear very often anymore. This seven-inch turns out to be an interesting exploration of a few different approaches, while still remaining within the boundaries you would expect from this style. "Everyhow Everythere" is a solid poppy track that reminds me a lot of Hey Mercedes' first record, while "Thermal Dynamics" is a little more bittersweet, with the vocals hinting heavily at Matt Pryor of The Get Up Kids. Even the acoustic intro to "Cool Pool Keg Toss Pete" feels natural instead of corny, and the lyrics are fun instead of inane. To be honest I wasn't expecting to enjoy this record, as many bands fall all-too-short of their listed influences, but Everyone Everywhere has proven to be an extremely promising outfit. Standing above a lot of bands that attempt to emulate those near-perfect years of the Midwest, Everyone Everywhere is destined to turn more than a few heads.

8.2 / 10Campbell • July 23, 2009

Everyone Everywhere – A Lot of Weird People Standing Around cover artwork
Everyone Everywhere – A Lot of Weird People Standing Around — Evil Weevil, 2009

Recently-posted album reviews

Palette Knife

Keyframe
Take This To Heart Records (2026)

There’s a fine line between being a quirky emo band with scene references and something that actually sticks. On Keyframe, Columbus trio Palette Knife don’t just flirt with that line but sharpen it, name it after a Final Fantasy item, and build ten huge choruses around it. The band’s self-described “Nerd-Core-Mid-West-Emo” tag could easily read like a gimmick, but this … Read more

The Downstrokes

The Furious Hours
Independent (2026)

There is a specific kind of sultry, salty sweat that only happens in a room with low ceilings and a tube amp screaming a warm hum for forgiveness. You can smell the lingering kerosene and the stale beer on The Downstrokes’ latest LP, The Furious Hours, before the needle even hits the groove. It’s the sound of a band that … Read more

The Arrivals

Payload
Recess (2026)

It's been a short lifetime since the last Arrivals record, Volatile Molotov, but in many ways the new Payload picks up exactly where the last one left off. It straddles the mid-tempo punk spectrum while drawing influence from seemingly all realms of the rock 'n' roll cannon. I'd state that mod, power-pop, Brit Invasion, and even R&B are some of … Read more