Review / 200 Words Or Less
Failing Myself
Every Day

Rally Point (2007) Michael

Failing Myself – Every Day cover artwork
Failing Myself – Every Day — Rally Point, 2007

A cassette tape release? This is the third one I've received in the mail recently. I don't even know where you get these pressed anymore. Regardless, Every Day is a cool trip down memory lane to a time when Myspace didn't exist and band's relied on word of mouth to promote themselves.

Failing Myself is a one-man musical project from Athens, GA. The four-song tape features a rather dark and dismal mixture of mellow acoustic punk and the singer-songwriter variety. It sounds weird to say that, but I guess if you combined Nirvana, Joy Division, and an acoustic guitar, you'd come somewhere close to this.

I'm not particularly ecstatic about this release, but it's definitely something different than the bulk of the music world. If you're into one-man projects, dark lyrical subjects, and lo-fi recordings, grab a copy.

5.0 / 10Michael • November 8, 2007

Failing Myself – Every Day cover artwork
Failing Myself – Every Day — Rally Point, 2007

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more