Review
Flotilla
Disaster Poetry

Independent (2006) Peanut

Flotilla – Disaster Poetry cover artwork
Flotilla – Disaster Poetry — Independent, 2006

Taste is a strange thing. You start to form an opinion on something from the first contact with it. Take Flotilla for example - a four piece indie-rock band that includes a classically trained harpist and, according to their press release, "a noted composer of contemporary concert music." Now to be honest, the first thing flashed into my mind was Charlotte Church - the well known child prodigy that went from Opera to pop in a blaze of mediocrity - and the first parts of my taste was beginning to warn me off.

However, I persevered and found the band's album, Disaster Poetry, to be a somewhat enjoyable and engaging album, if somewhat fitting into the dreaded category of music you would play at a dinner party and could easily sit alongside Dido and other such bands in a CD collection of middle aged women who only buy one or two albums a year, usually in Tesco.

The problem with Disaster Poetry is that it is really unthreatening. The album never really changes gears at all and seems to just drift along at a serene pace. This does not mean that the album lacks passion, far from it in fact, as vocalist and lyricist Veronica Charnley's angelic voice soars throughout. It's just a shame that a voice like this is not really pushed by the band to do more. Charnley has a great voice and it is not pushed nearly as much as it should be.

This album is not really my cup of tea. It's not a bad album but at the same time it's not something I would ever buy on my own accord. It all comes down to taste, and there is certainly a large market for Flotilla and it's a very profitable market as well. It's just I'm not really in that group and don't think I ever will be. However, I do now have another Christmas present for my mum sorted.

5.0 / 10Peanut • October 24, 2007

Flotilla – Disaster Poetry cover artwork
Flotilla – Disaster Poetry — Independent, 2006

Recently-posted album reviews

Faulty Cognitions

They Promised Us Heaven
Dead Broke Records (2025)

On their debut, Somehow, We Are Here, Faulty Cognitions made their statement. This wasn't a garage-punk band in the style of the members' previous bands (Low Culture and Shang-A-Lang, among others). It's a guitar-first rock indie-punk band schooled by the college rock of the 1980s. This time around the transition has been so seamless that maybe the debut was a … Read more

The Penske File

Reprieve
Gunner Records, Stomp Records (2025)

I used to dislike punk music where people sing. And, well, I'm still not super fond of it but there is an exception to every rule. The Penske File are one of those exceptions and maybe it's because while they have a singer (as compared to a "vocalist"), it's still authentic and conveys that everyperson vibe I seek in the … Read more

Menace Ruine

The Color of the Grave Is Green
Union Finale Records (2025)

One of the most unique voices in extreme music, Menace Ruine stand out in their sonic evolution. The duo of Geneviève Beaulieu and Steve de la Moth started out in a raw, uncompromising fashion, merging black metal and industrial to create absolute havoc in Cult of Ruins and The Die is Cast. In the coming years, they would expand this … Read more