Review / 200 Words Or Less
Gay Kiss
Preservation Measures

Sorry State (2015) Nathan G. O'Brien

Gay Kiss – Preservation Measures cover artwork
Gay Kiss – Preservation Measures — Sorry State, 2015

In this current age of ‘80s hardcore worship overload, it’s refreshing when something this original comes along, even if said originality is the result of a convergence of styles. Phoenix, AZ four-piece Gay Kiss grind and groove forth with teeth-clenching, throat-ripping, temple-piercing rage on their new LP, Preservation Measures. The production is slick but not glaringly clean; perfect for the transmittal of varied nuance. There’s metal-core guitar parts creeping through the squealing uproar, noise-punk gradations filling any would-be voids, elusive bro-free mosh-downs, and vocal outbursts that bring to mind any number of Martin Sorrondeguy or Mark McCoy-fronted acts.

13 songs that average around two minutes a pop, for a total run time of 25 minutes. This thing is a violent ripper from front to back. At roughly three and a half minutes, “Relent” is the longest song on the album and shows the musicians traversing through heavy, art-damaged yet subtle sludge grooves while the vocalist lays down drawn-out, pleading Swarrrm-esque screams on top of it. The final track on the album is a cover of Nine Inch Nails’ “March of the Pigs.” This is surprising not only for its mere inclusion but because it’s really fucking good.

As is always the case with Sorry State releases, the layout, packaging, and art is impeccable and eschews any trappings of stereotypical punk imagery. The mail-order version is limited to 100 copies on white vinyl, which will likely be gone by the time you read this. But you can still get your hands on the regular copies, and I strongly suggest that you do.

Gay Kiss – Preservation Measures cover artwork
Gay Kiss – Preservation Measures — Sorry State, 2015

Recently-posted album reviews

Sludgeworth

Second Time Around
Red Scare Industries (2026)

I never got very into Screeching Weasel and the extended family tree. Ignoring the politics of the matter, the music never really hit that sweet spot for me either. But Sludgeworth were an exception. The band released just one album, that I discovered at least 10years after its release, but seemingly disappeared -- only to resurface after a 2022 reissue … Read more

Social Distortion

Born to Kill
Epitaph (2026)

Rating: 🍸🍸🍸🍸🍸🍸🍸🍸🚬 / 10 (8 Tipped Martini Glasses and a Cigarette) Remember that movie Fantastic Voyage, where a miniaturized submarine gets inserted into a person's bloodstream on a mission to clear a blood clot in the brain? Well, consider yourself in luck: I’m infiltrating your brain with my own fantastic journey with Social Distortion, which goes all the way back … Read more

Big Circle

Big Circle
Independent (2026)

There are plenty of supergroups that exist largely because of the names on the marquee. Big Circle feels different. While Glenn Mercer (The Feelies), Mike Watt (Minutemen, fIREHOSE), Dave Weckerman (The Feelies), and Dan Francia (Speed the Plough) all bring decades of musical history to the table, this debut EP isn't interested in nostalgia or individual spotlights. Instead, it succeeds … Read more