Review / 200 Words Or Less
Gay Kiss
Preservation Measures

Sorry State (2015) Nathan G. O'Brien

Gay Kiss – Preservation Measures cover artwork
Gay Kiss – Preservation Measures — Sorry State, 2015

In this current age of ‘80s hardcore worship overload, it’s refreshing when something this original comes along, even if said originality is the result of a convergence of styles. Phoenix, AZ four-piece Gay Kiss grind and groove forth with teeth-clenching, throat-ripping, temple-piercing rage on their new LP, Preservation Measures. The production is slick but not glaringly clean; perfect for the transmittal of varied nuance. There’s metal-core guitar parts creeping through the squealing uproar, noise-punk gradations filling any would-be voids, elusive bro-free mosh-downs, and vocal outbursts that bring to mind any number of Martin Sorrondeguy or Mark McCoy-fronted acts.

13 songs that average around two minutes a pop, for a total run time of 25 minutes. This thing is a violent ripper from front to back. At roughly three and a half minutes, “Relent” is the longest song on the album and shows the musicians traversing through heavy, art-damaged yet subtle sludge grooves while the vocalist lays down drawn-out, pleading Swarrrm-esque screams on top of it. The final track on the album is a cover of Nine Inch Nails’ “March of the Pigs.” This is surprising not only for its mere inclusion but because it’s really fucking good.

As is always the case with Sorry State releases, the layout, packaging, and art is impeccable and eschews any trappings of stereotypical punk imagery. The mail-order version is limited to 100 copies on white vinyl, which will likely be gone by the time you read this. But you can still get your hands on the regular copies, and I strongly suggest that you do.

Gay Kiss – Preservation Measures cover artwork
Gay Kiss – Preservation Measures — Sorry State, 2015

Recently-posted album reviews

The Arrivals

Payload
Recess (2026)

It's been a short lifetime since the last Arrivals record, Volatile Molotov, but in many ways the new Payload picks up exactly where the last one left off. It straddles the mid-tempo punk spectrum while drawing influence from seemingly all realms of the rock 'n' roll cannon. I'd state that mod, power-pop, Brit Invasion, and even R&B are some of … Read more

UDDER

Self Titled
Depose Records (2025)

Some records feel like they were carefully constructed. Others feel like they were barely contained. Udder’s three-song 7” on Depose Records lands firmly in the second category with a short, strange burst of psych-leaning noise rock that feels less like a statement and more like something unearthed. That’s not far from the truth either. Originally formed in the early ’90s … Read more

Various Artists

Louder Than You Think: A Lo-Fi History of Gary Young & Pavement (Original Motion Picture Soundtrack)
Independent (2026)

Gary Young wasn’t just a drummer; he was a beautiful, unpredictable glitch poking a hole in the sky where other lovable misfits could enter and leave this universe they’d grace with their presence. While Hendrix kissed the sky, Young merely bit a hole right through it. While Pavement was busy inventing the 1990s slacker blueprint for the masses, Gary was … Read more